Lady Audley's Secret by Mary Elizabeth Braddon (english love story books .TXT) 📕

lowered the green silk shade before the reading lamp, adjusting it carefully for the repose of the baronet's eyes.

"I shall leave you, dear," she said. "If you can sleep, so much the better. If you wish to read, the books and papers are close to you. I will leave the doors between the rooms open, and I shall hear your voice if you call me."

Lady Audley went through her dressing-room into the boudoir, where she had sat with her husband since dinner.

Every evidence of womanly refinement was visible in the elegant chamber. My lady's piano was open, covered with scattered sheets of music and exquisitely-bound collections of scenas and fantasias which no master need have disdained to study. My lady's easel stood near the window, bearing witness to my lady's artistic talent, in the shape of a water-colored sketch of the Court and gardens. My lady's fairy-like embroideries of lace and muslin, rainbow-hued silks, and delicately-tinted wools littered the luxurious apartment; while the looking-glasses, cunningly placed at angles and opposite corners by an artistic upholsterer, multiplied my lady's image, and in that image reflected the most beautiful object in the enchanted chamber.

Amid all this lamplight, gilding, color, wealth, and beauty, Lucy Audley sat down on a low seat by the fire to think.

If Mr. Holman Hunt could have peeped into the pretty boudoir, I think the picture would have been photographed upon his brain to be reproduced by-and-by upon a bishop's half-length for the glorification of the pre-Raphaelite brotherhood. My lady in that half-recumbent attitude, with her elbow resting on one knee, and her perfect chin supported by her hand, the rich folds of drapery falling away in long undulating lines from the exquisite outline of her figure, and the luminous, rose-colored firelight enveloping her in a soft haze, only broken by the golden glitter of her yellow hair--beautiful in herself, but made bewilderingly beautiful by the gorgeous surroundings which adorn the shrine of her loveliness. Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie-Antoinette, amid devices of rosebuds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers, and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hothouse flowers; fantastical caskets of Indian filigree-work; fragile tea-cups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Valliere, Athenais de Montespan, and Marie Jeanne Gomard de Vaubernier: cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the mourning of the shrill March wind, and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.

I should be preaching a very stale sermon, and harping upon a very familiar moral, if I were to seize this opportunity of declaiming against art and beauty, because my lady was more wretched in this elegant apartment than many a half-starved seamstress in her dreary garret. She was wretched by reason of a wound which lay too deep for the possibility of any solace from such plasters as wealth and luxury; but her wretchedness was of an abnormal nature, and I can see no occasion for seizing upon the fact of her misery as an argument in favor of poverty and discomfort as opposed to opulence. The Benvenuto Cellini carvings and the Sevres porcelain could not give her happiness, because she had passed out of their region. She was no longer innocent; and the pleasure we take in art and loveliness being an innocent pleasure, had passed beyond her reach. Six or seven years before, she would have been happy in the possession of this little Aladdin's palace; but she had wandered out of the circle of careless, pleasure seeking creatures, she had strayed far away into a desolate labyrinth of guilt and treachery, terror and crime, and all the treasures that had been collected for her could have given her no pleasure but one, the pleasure of flinging them into a heap beneath her feet and trampling upon them and destroying them in her cruel despair.

There were some things that would have inspired her with an awful joy, a horrible rejoicing. If Robert Audley, her pitiless enemy, her unrelenting pursuer, had lain dead in the adjoining chamber, she would have exulted over his bier.

What pleasures could have remained for Lucretia Borgia and Catharine de Medici, when the dreadful boundary line between innocence and guilt was passed, and the lost creatures stood upon the lonely outer side? Only horrible, vengeful joys, and treacherous delights were left for these miserable women. With what disdainful bitterness they must have watched the frivolous vanities, the petty deceptions, the paltry sins of ordinary offenders. Perhaps they took a horrible pride in the enormity of their wickedness; in this "Divinity of Hell," which made them greatest among sinful creatures.

My lady, brooding by the fire in her lonely chamber, with her large, clear blue eyes fixed upon the yawning gulfs of lurid crimson in the burning coals, may have thought of many things very far away from the terribly silent struggle in which she was engaged. She may have thought of long-ago years of childish innocence, childish follies and selfishness, of frivolous, feminine sins that had weighed very lightly upon her conscience. Perhaps in that retrospective revery she recalled that early time in which she had first looked in the glass and discovered that she was beautiful; that fatal early time in which she had first begun to look upon her loveliness as a right divine, a boundless possession which was to be a set-off against all girlish shortcomings, a counterbalance of every youthful sin. Did she remember the day in which that fairy dower of beauty had first taught her to be selfish and cruel, indifferent to the joys and sorrows of others, cold-hearted and capricious, greedy of admiration, exacting and tyrannical with that petty woman's tyranny which is the worst of despotism? Did she trace every sin of her life back to its true source? and did she discover that poisoned fountain in her own exaggerated estimate of the value of a pretty face? Surely, if her thoughts wandered so far along the backward current of her life, she must have repented in bitterness and despair of that first day in which the master-passions of her life had become her rulers, and the three demons of Vanity, Selfishness, and Ambition, had joined hands and said, "This woman is our slave, let us see what she will become under our guidance."

How small those first youthful errors seemed as my lady looked back upon them in that long revery by the lonely hearth! What small vanities, what petty cruelties! A triumph over a schoolfellow; a flirtation with the lover of a friend; an assertion of the right divine invested in blue eyes and shimmering golden-tinted hair. But how terribly that narrow pathway had widened out into the broad highroad of sin, and how swift the footsteps had become upon the now familiar way!

My lady twisted her fingers in her loose amber curls, and made as if she would have torn them from her head. But even in that moment of mute despair the unyielding dominion of beauty asserted itself, and she released the poor tangled glitter of ringlets, leaving them to make a halo round her head in the dim firelight.

"I was not wicked when I was young," she thought, as she stared gloomingly at the fire, "I was only thoughtless. I never did any harm--at least, wilfully. Have I ever been really _wicked_, I wonder?" she mused. "My worst wickednesses have bean the result of wild impulses, and not of deeply-laid plots. I am not like the women I have read of, who have lain night after night in the horrible darkness and stillness, planning out treacherous deeds, and arranging every circumstance of an appointed crime. I wonder whether they suffered--those women--whether they ever suffered as--"

Her thoughts wandered away into a weary maze of confusion. Suddenly she drew herself up with a proud, defiant gesture, and her eyes glittered with a light that was not entirely reflected from the fire.

"You are mad, Mr. Robert Audley," she said, "you are mad, and your fancies are a madman's fancies. I know what madness is. I know its signs and tokens, and I say that you are mad."

She put her hand to her head, as if thinking of something which confused and bewildered her, and which she found it difficult to contemplate with calmness.

"Dare I defy him?" she muttered. "Dare I? dare I? Will he stop, now that he has once gone so far? Will he stop for fear of me? Will he stop for fear of me, when the thought of what his uncle must suffer has not stopped him? Will anything stop him--but death?"

She pronounced the last words in an awful whisper; and with her head bent forward, her eyes dilated, and her lips still parted as they had been parted in her utterance of that final word "death," she sat blankly staring at the fire.

"I can't plot horrible things," she muttered, presently; "my brain isn't strong enough, or I'm not wicked enough, or brave enough. If I met Robert Audley in those lonely gardens, as I--"

The current of her thoughts was interrupted by a cautious knocking at her door. She rose suddenly, startled by any sound in the stillness of her room. She rose, and threw herself into a low chair near the fire. She flung her beautiful head back upon the soft cushions, and took a book from the table near her. Insignificant as this action was, it spoke very plainly. It spoke very plainly of ever-recurring fears--of fatal necessities for concealment--of a mind that in its silent agonies was ever alive to the importance of outward effect. It told more plainly than anything else could have told how complete an actress my lady had been made by the awful necessity of her life.

The modest rap at the door was repeated.

"Come in," cried Lady Audley, in her liveliest tone.

The door was opened with that respectful noiselessness peculiar to a well-bred servant, and a young woman, plainly dressed, and carrying some of the cold March winds in the folds of her garments, crossed the threshold of the apartment and lingered near the door, waiting permission to approach the inner regions of my lady's retreat.

It was Phoebe Marks, the pale-faced wife of the Mount Stanning innkeeper.

"I beg pardon, my lady, for intruding without leave," she said; "but I thought I might venture to come straight up without waiting for permission."

"Yes, yes, Phoebe, to be sure. Take off your bonnet, you wretched, cold-looking creature, and come sit down here."

Lady Audley pointed to the low ottoman upon which she had herself been seated a few minutes before. The lady's maid had often sat upon it listening to her mistress' prattle in the old days, when she had been my lady's chief companion and _confidante_,

"Sit down here, Phoebe," Lady Audley repeated; "sit down here and talk to me; I'm very glad you came here to-night. I was horribly lonely in this dreary place."

My lady shivered and looked round at the bright collection of _bric-a-brac_, as if the Sevres and bronze, the buhl and ormolu, had been the moldering adornments of some ruined castle. The dreary wretchedness of her thoughts had communicated itself to every object about her, and all outer things took their color from that weary inner life