Night and Day by Virginia Woolf (good books for 8th graders .txt) 📕
"You must be very proud of your family, Miss Hilbery."
"Yes, I am," Katharine answered, and she added, "Do you think there's anything wrong in that?"
"Wrong? How should it be wrong? It must be a bore, though, showing your things to visitors," he added reflectively.
"Not if the visitors like them."
"Isn't it difficult to live up to your ancestors?" he proceeded.
"I dare say I shouldn't try to write poetry," Katharine replied.
"No. And that's what I should hate. I couldn't bear my grandfather to cut me out. And, after all," Denham went on, glancing round him satirically, as Katharine thought, "it's not your grandfather only. You're cut out all the way round. I suppose you come of one of the most distinguished families in England. There are the Warburtons and the Mannings--and you're related to the Otways, aren't you? I read it all in some magazine," he added.
"The Otways are my cousins," Katharine replied.
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half seriously, that she had learnt the Greek alphabet, and found it
“fascinating.” The word was underlined. Had she laughed when she drew
that line? Was she ever serious? Didn’t the letter show the most
engaging compound of enthusiasm and spirit and whimsicality, all
tapering into a flame of girlish freakishness, which flitted, for the
rest of the morning, as a will-o’-the-wisp, across Rodney’s landscape.
He could not resist beginning an answer to her there and then. He
found it particularly delightful to shape a style which should express
the bowing and curtsying, advancing and retreating, which are
characteristic of one of the many million partnerships of men and
women. Katharine never trod that particular measure, he could not help
reflecting; Katharine—Cassandra; Cassandra—Katharine—they
alternated in his consciousness all day long. It was all very well to
dress oneself carefully, compose one’s face, and start off punctually
at half-past four to a tea-party in Cheyne Walk, but Heaven only knew
what would come of it all, and when Katharine, after sitting silent
with her usual immobility, wantonly drew from her pocket and slapped
down on the table beneath his eyes a letter addressed to Cassandra
herself, his composure deserted him. What did she mean by her
behavior?
He looked up sharply from his row of little pictures. Katharine was
disposing of the American lady in far too arbitrary a fashion. Surely
the victim herself must see how foolish her enthusiasms appeared in
the eyes of the poet’s granddaughter. Katharine never made any attempt
to spare people’s feelings, he reflected; and, being himself very
sensitive to all shades of comfort and discomfort, he cut short the
auctioneer’s catalog, which Katharine was reeling off more and more
absent-mindedly, and took Mrs. Vermont Bankes, with a queer sense of
fellowship in suffering, under his own protection.
But within a few minutes the American lady had completed her
inspection, and inclining her head in a little nod of reverential
farewell to the poet and his shoes, she was escorted downstairs by
Rodney. Katharine stayed by herself in the little room. The ceremony
of ancestor-worship had been more than usually oppressive to her.
Moreover, the room was becoming crowded beyond the bounds of order.
Only that morning a heavily insured proof-sheet had reached them from
a collector in Australia, which recorded a change of the poet’s mind
about a very famous phrase, and, therefore, had claims to the honor of
glazing and framing. But was there room for it? Must it be hung on the
staircase, or should some other relic give place to do it honor?
Feeling unable to decide the question, Katharine glanced at the
portrait of her grandfather, as if to ask his opinion. The artist who
had painted it was now out of fashion, and by dint of showing it to
visitors, Katharine had almost ceased to see anything but a glow of
faintly pleasing pink and brown tints, enclosed within a circular
scroll of gilt laurel-leaves. The young man who was her grandfather
looked vaguely over her head. The sensual lips were slightly parted,
and gave the face an expression of beholding something lovely or
miraculous vanishing or just rising upon the rim of the distance. The
expression repeated itself curiously upon Katharine’s face as she
gazed up into his. They were the same age, or very nearly so. She
wondered what he was looking for; were there waves beating upon a
shore for him, too, she wondered, and heroes riding through the
leaf-hung forests? For perhaps the first time in her life she thought
of him as a man, young, unhappy, tempestuous, full of desires and
faults; for the first time she realized him for herself, and not from
her mother’s memory. He might have been her brother, she thought. It
seemed to her that they were akin, with the mysterious kinship of
blood which makes it seem possible to interpret the sights which the
eyes of the dead behold so intently, or even to believe that they look
with us upon our present joys and sorrows. He would have understood,
she thought, suddenly; and instead of laying her withered flowers upon
his shrine, she brought him her own perplexities—perhaps a gift of
greater value, should the dead be conscious of gifts, than flowers and
incense and adoration. Doubts, questionings, and despondencies she
felt, as she looked up, would be more welcome to him than homage, and
he would hold them but a very small burden if she gave him, also, some
share in what she suffered and achieved. The depth of her own pride
and love were not more apparent to her than the sense that the dead
asked neither flowers nor regrets, but a share in the life which they
had given her, the life which they had lived.
Rodney found her a moment later sitting beneath her grandfather’s
portrait. She laid her hand on the seat next her in a friendly way,
and said:
“Come and sit down, William. How glad I was you were here! I felt
myself getting ruder and ruder.”
“You are not good at hiding your feelings,” he returned dryly.
“Oh, don’t scold me—I’ve had a horrid afternoon.” She told him how
she had taken the flowers to Mrs. McCormick, and how South Kensington
impressed her as the preserve of officers’ widows. She described how
the door had opened, and what gloomy avenues of busts and palm-trees
and umbrellas had been revealed to her. She spoke lightly, and
succeeded in putting him at his ease. Indeed, he rapidly became too
much at his ease to persist in a condition of cheerful neutrality. He
felt his composure slipping from him. Katharine made it seem so
natural to ask her to help him, or advise him, to say straight out
what he had in his mind. The letter from Cassandra was heavy in his
pocket. There was also the letter to Cassandra lying on the table in
the next room. The atmosphere seemed charged with Cassandra. But,
unless Katharine began the subject of her own accord, he could not
even hint—he must ignore the whole affair; it was the part of a
gentleman to preserve a bearing that was, as far as he could make it,
the bearing of an undoubting lover. At intervals he sighed deeply. He
talked rather more quickly than usual about the possibility that some
of the operas of Mozart would be played in the summer. He had received
a notice, he said, and at once produced a pocketbook stuffed with
papers, and began shuffling them in search. He held a thick envelope
between his finger and thumb, as if the notice from the opera company
had become in some way inseparably attached to it.
“A letter from Cassandra?” said Katharine, in the easiest voice in the
world, looking over his shoulder. “I’ve just written to ask her to
come here, only I forgot to post it.”
He handed her the envelope in silence. She took it, extracted the
sheets, and read the letter through.
The reading seemed to Rodney to take an intolerably long time.
“Yes,” she observed at length, “a very charming letter.”
Rodney’s face was half turned away, as if in bashfulness. Her view of
his profile almost moved her to laughter. She glanced through the
pages once more.
“I see no harm,” William blurted out, “in helping her—with Greek, for
example—if she really cares for that sort of thing.”
“There’s no reason why she shouldn’t care,” said Katharine, consulting
the pages once more. “In fact—ah, here it is—‘The Greek alphabet is
absolutely FASCINATING.’ Obviously she does care.”
“Well, Greek may be rather a large order. I was thinking chiefly of
English. Her criticisms of my play, though they’re too generous,
evidently immature—she can’t be more than twenty-two, I suppose?—
they certainly show the sort of thing one wants: real feeling for
poetry, understanding, not formed, of course, but it’s at the root of
everything after all. There’d be no harm in lending her books?”
“No. Certainly not.”
“But if it—hum—led to a correspondence? I mean, Katharine, I take
it, without going into matters which seem to me a little morbid, I
mean,” he floundered, “you, from your point of view, feel that there’s
nothing disagreeable to you in the notion? If so, you’ve only to
speak, and I never think of it again.”
She was surprised by the violence of her desire that he never should
think of it again. For an instant it seemed to her impossible to
surrender an intimacy, which might not be the intimacy of love, but
was certainly the intimacy of true friendship, to any woman in the
world. Cassandra would never understand him—she was not good enough
for him. The letter seemed to her a letter of flattery—a letter
addressed to his weakness, which it made her angry to think was known
to another. For he was not weak; he had the rare strength of doing
what he promised—she had only to speak, and he would never think of
Cassandra again.
She paused. Rodney guessed the reason. He was amazed.
“She loves me,” he thought. The woman he admired more than any one in
the world, loved him, as he had given up hope that she would ever love
him. And now that for the first time he was sure of her love, he
resented it. He felt it as a fetter, an encumbrance, something which
made them both, but him in particular, ridiculous. He was in her power
completely, but his eyes were open and he was no longer her slave or
her dupe. He would be her master in future. The instant prolonged
itself as Katharine realized the strength of her desire to speak the
words that should keep William for ever, and the baseness of the
temptation which assailed her to make the movement, or speak the word,
which he had often begged her for, which she was now near enough to
feeling. She held the letter in her hand. She sat silent.
At this moment there was a stir in the other room; the voice of Mrs.
Hilbery was heard talking of proof-sheets rescued by miraculous
providence from butcher’s ledgers in Australia; the curtain separating
one room from the other was drawn apart, and Mrs. Hilbery and Augustus
Pelham stood in the doorway. Mrs. Hilbery stopped short. She looked at
her daughter, and at the man her daughter was to marry, with her
peculiar smile that always seemed to tremble on the brink of satire.
“The best of all my treasures, Mr. Pelham!” she exclaimed. “Don’t
move, Katharine. Sit still, William. Mr. Pelham will come another
day.”
Mr. Pelham looked, smiled, bowed, and, as his hostess had moved on,
followed her without a word. The curtain was drawn again either by him
or by Mrs. Hilbery.
But her mother had settled the question somehow. Katharine doubted no
longer.
“As I told you last night,” she said, “I think it’s your duty, if
there’s a chance that you care for Cassandra, to discover what your
feeling is for her now. It’s your duty to her, as well as to me. But
we must tell my mother. We can’t go on pretending.”
“That is entirely in your hands, of course,” said Rodney, with an
immediate return to the manner of a formal man of honor.
“Very well,” said Katharine.
Directly he left her she would go to her mother, and explain that the
engagement was at an end—or it might be better that they should go
together?
“But, Katharine,” Rodney began, nervously attempting to stuff
Cassandra’s sheets back into their envelope; “if Cassandra—should
Cassandra—you’ve asked Cassandra to stay with you.”
“Yes; but I’ve not posted the letter.”
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