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about the valley in the moonlight, recalling the vanished images of the past. After some time, unable himself to sleep, and finding Baroni disinclined to slumber, he reminded his attendant of the promise he had once given at Jerusalem, to tell something of his history. Baroni was a lively narrator, and, accompanied by his gestures, his speaking glance, and all the pantomime of his energetic and yet controlled demeanour, the narrative, as he delivered it, would have been doubtless much more amusing than the calmer form in which, upon reflection, we have thought fit to record some incidents which the reader must not in any degree suppose to form merely an episode in this history. With this observation we solicit attention to


The history of the Baroni family.

BEING A CHAPTER IN THE LIFE OF SIDONIA.

I.

'I had no idea that you had a garrison here,' said Sidonia, as the distant sounds of martial music were wafted down a long, ancient street, that seemed narrower than it was from the great elevation of its fantastically-shaped houses, into the principal square in which was situate his hotel. The town was one of the least frequented of Flanders; and Sidonia, who was then a youth, scarcely of twenty summers, was on his rambling way to Frankfort, where he then resided.

'It is not the soldiers,' said the Flemish maiden in attendance, and who was dressed in one of those pretty black silk jackets that seem to blend so well with the sombre yet picturesque dwellings of the Spanish Netherlands. 'It is not the soldiers, sir; it is only the Baroni family.'

'And who are the Baroni family?'

'They are Italians, sir, and have been here this week past, giving some representations.'

'Of what kind?'

'I hardly know, sir, only I have heard that they are very beautiful. There is tumbling, I know for certain; and there was the Plagues of Egypt; but I believe it changes every night.'

'And you have not yet seen them?'

'Oh no, sir, it is not for such as me; the second places are half a franc!'

'And what is your name?' said Sidonia.

'Therese; at your service, sir.'

'You shall go and see the Baroni family to-night, Therese, if your mistress will let you.'

'I am sure she would if you would ask her, sir,' said Therese, looking down and colouring with delight. The little jacket seemed very agitated.

'Here they come!' said Sidonia, looking out of the window on the great square.

A man, extremely good-looking and well made, in the uniform of a marshal of France, his cocked hat fringed and plumed, and the colour of his coat almost concealed by its embroidery, played a clarionet like a master; four youths of a tender age, remarkable both for their beauty and their grace, dressed in very handsome scarlet uniforms, with white scarfs, performed upon French horns and similar instruments with great energy and apparent delight; behind them an honest Blouse, hired for the occasion, beat the double drum.

'Two of them are girls,' said Therese; 'and they are all the same family, except the drummer, who belongs, I hear, to Ypres. Sometimes there are six of them, two little ones, who, I suppose, are left at home to-day; they look quite like little angels; the boy plays the triangle and his sister beats a tambourine.'

'They are great artists,' murmured Sidonia to himself, as he listened to their performance of one of Donizetti's finest compositions. The father stood in the centre of the great square, the other musicians formed a circle round him; they continued their performance for about ten minutes to a considerable audience, many of whom had followed them, while the rest had collected at their appearance. There was an inclination in the curious multitude to press around the young performers, who would have been in a great degree hidden from general view by this discourteous movement, and even the sound of their instruments in some measure suppressed. Sidonia marked with interest the calm and commanding manner with which, under these circumstances, the father controlled the people. They yielded in an instant to his will: one tall blacksmith seemed scarcely to relish his somewhat imperious demeanour, and stood rooted to the ground; but Baroni, placing only one hand on the curmudgeon's brawny shoulder, while he still continued playing on his instrument with the other, whirled him away like a puppet. The multitude laughed, and the disconcerted blacksmith slunk away.

When the air was finished, Baroni took off his grand hat, and in a loud voice addressed the assembled people, informing them that this evening, in the largest room of the Auberge of St. Nicholas, there would be a variety of entertainments, consisting of masterpieces of strength and agility, dramatic recitations, dancing and singing, to conclude with the mystery of the Crucifixion of our blessed Lord and Saviour; in which all the actors in that memorable event, among others the blessed Virgin, the blessed St. Mary Magdalene, the Apostles, Pontius Pilate, the High Priest of the Jews, and many others, would appear, all to be represented by one family.

The speaker having covered himself, the band again formed and passed the window of Sidonia's hotel, followed by a stream of idle amateurs, animated by the martial strain, and attracted by the pleasure of hearing another fine performance at the next quarter of the town, where the Baroni family might halt to announce the impending amusements of the evening.

The moon was beginning to glitter, when Sidonia threw his cloak around him, and asked the way to the Auberge of St. Nicholas. It was a large, ungainly, whitewashed house, at the extremity of a suburb where the straggling street nearly ceased, and emptied itself into what in England would have been called a green. The many windows flared with lights, the doorway was filled with men smoking, and looking full of importance, as if, instead of being the usual loungers of the tavern, they were about to perform a principal part in the exhibition; they made way with respectful and encouraging ceremony to any one who entered to form part of the audience, and rated with sharp words, and sometimes a ready cuff, a mob of little boys who besieged the door, and implored every one who entered to give them tickets to see the Crucifixion. 'It's the last piece,' they perpetually exclaimed, 'and we may come in for five sous a head.'

Sidonia mounted the staircase, and, being a suitor for a ticket for the principal seats, was received with a most gracious smile by a pretty woman, fair-faced and arch, with a piquant nose and a laughing blue eye, who sat at the door of the room. It was a long and rather narrow apartment; at the end, a stage of rough planks, before a kind of curtain, the whole rudely but not niggardly lighted. Unfortunately for the Baroni family, Sidonia found himself the only first-class spectator. There was a tolerable sprinkling of those who paid half a franc for their amusement. These were separated from the first row, which Sidonia alone was to occupy; in the extreme distance was a large space not fitted up with benches, where the miscellaneous multitude, who could summon up five sous apiece later in the evening, to see the Crucifixion, were to be stowed.

'It hardly pays the lights,' said the pretty woman at the door. 'We have not had good fortune in this town. It seems hard, when there is so much for the money, and the children take such pains in going the rounds in the morning.'

'And you are Madame Baroni?' said Sidonia.

'Yes; I am the mother,' she replied.

'I should have thought you had been their sister,' said Sidonia.

'My eldest son is fifteen! I often wish that he was anything else but what he is, but we do not like to separate. We are all one family, sir, and that makes us bear many things.'

'Well, I think I know a way to increase your audience,' said Sidonia.

'Indeed! I am sure it is very kind of you to say so much; we have not met with a gentleman like you the whole time we have been here.'

Sidonia descended the stairs; the smoking amateurs made way for him with great parade, and pushed back with equal unkindness the young and wistful throng who still hovered round the portal.

'Don't you see the gentleman wants to go by? Get back, you boys!'

Sidonia halted on the doorway, and, taking advantage of a momentary pause, said, 'All the little boys are to come in free.'

What a rush!

The performances commenced by the whole of the Baroni family appearing in a row, and bowing to the audience. The father was now dressed in a Greek costume, which exhibited to perfection his compact frame: he looked like the captain of a band of Palikari; on his left appeared the mother, who, having thrown off her cloak, seemed a sylph or a sultana, for her bonnet had been succeeded by a turban. The three girls were on her left hand, and on the right of her husband were their three brothers. The eldest son, Francis, resembled his father, or rather was what his father must have been in all the freshness of boyhood; the same form of blended strength and symmetry; the same dark eye, the same determined air and regular features which in time would become strongly marked. The second boy, Alfred, about eleven, was delicate, fair, and fragile, like his mother; his sweet countenance, full of tenderness, changed before the audience with a rapid emotion. The youngest son, Michel, was an infant of four years, and with his large blue eyes and long golden hair, might have figured as one of the seraphs of Murillo.

There was analogy in the respective physical appearances of the brothers and the sisters. The eldest girl, Josephine, though she had only counted twelve summers, was in stature, and almost in form, a woman. She was strikingly handsome, very slender, and dark as night. Adelaide, in colour, in look, in the grace of every gesture, and in the gushing tenderness of her wild, yet shrinking glance, seemed the twin of Alfred. The little Carlotta, more than two years older than Michel, was the miniature of her mother, and had a piquant coquettish air, mixed with an expression of repose in one so young quite droll, like a little opera dancer. The father clapped his hands, and all, except himself, turned round, bowed to the audience, and retired, leaving Baroni and his two elder children. Then commenced a variety of feats of strength. Baroni stretched forth his right arm, and Josephine, with a bound, instantly sprang upon his shoulder; while she thus remained, balancing herself only on her left leg, and looking like a flying Victory, her father stretched forth his left arm, and Francis sprang upon the shoulder opposite to his sister, and formed with her a group which might have crowned a vase. Infinite were the postures into which, for more than half an hour, the brother and sister threw their flexible forms, and all alike distinguished for their agility, their grace, and their precision. At length, all the children, with the exception of Carlotta, glided from behind the curtain, and clustered around their father with a quickness which baffled observation. Alfred and Adelaide suddenly appeared, mounted upon Josephine and Francis, who had already resumed their former positions on the shoulders of their father, and stood immovable with outstretched arms, while their brother and sister balanced themselves above. This being arranged, Baroni caught up the young Michel, and, as it were, flung him up on high;
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