A Thorny Path — Complete by Georg Ebers (i can read with my eyes shut .txt) 📕

guest, but the door-keeper was clever and ingenious, and would do anything short of the impossible.

So he walked with his head high and his heart full of pride, and it confirmed his courage when one of Zminis’s men, whom they passed in the brightly illuminated Kanopic street, and who had helped to secure Philip, looked at him without recognizing him.

There was a great stir in this, the handsomest road through the city. The people were waiting for Caesar; but stricter order was observed than on the occasion of his arrival. The guard prohibited all traffic on the southern side of the way, and only allowed the citizens to walk up and down the footpath, shaded by trees, between the two roadways paved with granite flags, and the arcades in front of the houses on either side. The free inhabitants, unaccustomed to such restrictions, revenged themselves by cutting witticisms at Caesar’s expense, “for clearing the streets of Alexandria by his men-at-arms as he did those of Rome by the executioner. He seemed to have forgotten, as he kept the two roads open, that he only needed one, now that he had murdered his brother and partner.”

Melissa and her companion were ordered to join the crowd on the footway; but Argutis managed to convince a man on guard that they were two of the mimes who were to perform before Caesar—the door-keeper at the house of Seleukus would confirm the fact—and the official himself made way for them into the vestibule of this splendid dwelling.

But Melissa was as little in the humor to admire all the lavish magnificence which surrounded her as Alexander had been a few days since. Still veiled, she modestly took a place among the choir who stood on each side of the hall ready to welcome Caesar with singing and music. Argutis stopped to speak with his friend. She dimly felt that the whispering and giggling all about her was at her expense; and when an elderly, man, the choir-master, asked her what she wanted, and desired her to remove her veil, she obeyed at once, saying: “Pray let me stand here, the Lady Berenike will send for me.”

“Very well,” replied the musician; and he silenced the singers, who were hazarding various impertinent guesses as to the arrival of so pretty a girl just when Caesar was expected.

As Melissa dropped her veil the splendor of the scene, lighted up by numberless tapers and lamps, forced itself on her attention. She now perceived that the porphyry columns of the great hall were wreathed with flowers, and that garlands swung in graceful curves from the open roof; while at the farther end, statues had been placed of Septimus Severus and Julia Domna, Caracalla’s parents. On each side of these works of art stood bowers of plants, in which gay-plumaged birds were fluttering about, excited by the lights. But all these glories swam before her eyes, and the first question which the artist’s daughter was wont to ask herself, “is it really beautiful or no?” never occurred to her mind. She did not even notice the smell of incense, until some fresh powder was thrown on, and it became oppressive.

She was fully conscious only of two facts, when at last Argutis returned: that she was the object of much curious examination and that every one was wondering what detained Caesar so long.

At last, after she had waited many long minutes, the door-keeper approached her with a young woman in a rich but simple dress, in whom she recognized Johanna, the Christian waiting-maid of whom Alexander had spoken. She did not speak, but beckoned her to come.

Breathing anxiously, and bending her head low, Melissa, following her guide, reached a handsome impluvium, where a fountain played in the midst of a bed of roses. Here the moon and starlight mingled with that of lamps without number, and the ruddy glare of a blaze; for all round the basin, from which the playing waters danced skyward, stood marble genii, carrying in their hands or on their heads silver dishes, in which the leaping flames consumed cedar chips and aromatic resins.

At the back of this court, where it was as light as day, at the top of three steps, stood the statues of Alexander the Great and Caracalla. They were of equal size; and the artist, who had wrought the second in great haste out of the slightest materials, had been enjoined to make Caesar as like as possible in every respect to the hero he most revered. Thus they looked like brothers. The figures were lighted up by the fires which burned on two altars of ivory and gold. Beautiful boys, dressed as armed Erotes, fed the flames.

The whole effect was magical and bewildering; but, as she followed her guide, Melissa only felt that she was in the midst of a new world, such as she might perhaps have seen in a dream; till, as they passed the fountain, the cool drops sprinkled her face.

Then she suddenly remembered what had brought her hither. In a minute she must appear as a supplicant in the presence of Korinna’s mother—perhaps even in that of Caesar himself—and the fate of all dear to her depended on her demeanor. The sense of fulfilling a serious duty was uppermost in her mind. She drew herself up, and replaced a stray lock of hair; and her heart beat almost to bursting as she saw a number of, men standing on the platform at the top of the steps, round a lady who had just risen from her ivory seat. Giving her hand to a Roman senator, distinguished by the purple edge to his toga, she descended the steps, and advanced to meet Melissa.

This dignified matron, who was awaiting the ruler of the world and yet could condescend to come forward to meet a humble artist’s daughter, was taller by half a head than her illustrious companion; and the few minutes during which Berenike was coming toward her were enough to fill Melissa with thankfulness, confidence, and admiration. And even in that short time, as she gazed at the magnificent dress of blue brocade shot with gold and sparkling with precious stones which draped the lady’s majestic figure, she thought how keen a pang it must cost the mother, so lately bereft of her only child, to maintain a kindly, nay, a genial aspect, in the midst of this display, toward Caesar and a troop of noisy guests.

The sincerest pity for this woman, rich and preeminent as she was, filled the soul of the girl, who herself was so much to be pitied. But when the lady had come up to her, and asked, in her deep voice, what was the danger that threatened her brother, Melissa, with unembarrassed grace, and although it was the first time she had ever addressed a lady of such high degree, answered simply, with a full sense of the business in hand:

“My name is Melissa; I am the sister of Alexander the painter. I know it is overbold to venture into your presence just now, when you have so much else to think of; but I saw no other way of saving my brother’s life, which is in peril.”

At this Berenike seemed surprised. She turned to her companion, who was her sister’s husband, and the first Egyptian who had been admitted to the Roman Senate, and said, in a tone of gentle reproach:

“Did not I say so, Coeranus? Nothing but the most urgent need would have brought Alexander’s sister to speak with me at such an hour.”

And the senator, whose black eyes had rested with pleasure on Melissa’s rare beauty, promptly replied, “And if she had come for the veriest trifle she would