Floyd Grandon's Honor by Amanda Minnie Douglas (finding audrey txt) 📕

hand that is wandering through his beard, and presses her closer as she sits quietly on his knee. "I shall think nothing a trouble," he says. "It is father's trust to me. Come, you must be gay and happy, and not cloud Laura's wedding with forebodings. Let us take a tour through the house now. I am quite curious to know if I have remembered it rightly."

"I wonder if you can find your way. I must look after the luncheon."

"Oh, yes," he replies. "I think there is no labyrinth."

On one side of the hall there is the long drawing-room, and a smaller apartment that might be a conservatory it is so full of windows, or a library, but it is a sort of sitting-room at present. Then the tower, that has a large entrance, and might be the facade, if one pleased. An oaken stairway winds a little to the room above, which is empty but for a few chairs and a bamboo settee. Up again to another lovely room, and then it is crowned by an observatory. From here the prospect is magnificent. The towns above, that dot the river's edge, and the long stretch below, are like a panorama. How wonderfully changed! How busy and thriving this new world is! He thinks of the leagues and leagues he has traversed where a mill or a factory would be an unknown problem, and the listless stupor of content is over all. Yet buried in the sand or under ruins is the history of ages as prosperous, as intellectual, and as wise. How strange a thing the world of life really is!

Cecil breaks into his thoughts with her tender chatter. She is not an obtrusive child, and, though bright, has grave moods and strange spells of thought. She is delighted to be so high up and able to look down over everything.

They return at length, and he carries her down-stairs. On the second floor there is a connecting passage to the main house, and two beautiful rooms that he planned for himself because they were retired. Feminine belongings are scattered about,--satchels and fans and queer bottles of perfumery. He guesses rightly that Laura is domiciled here, and in the adjoining chamber Gertrude lies on the bed with a novel.

"Oh, Floyd!"

"Pardon me."

"Come in," she says, raising herself on one elbow. "I am up here a good deal, because I like quiet and my health is so wretched. Everybody else is busy about something, and I bore them, so I keep out of their way."

"You do look poorly," he answers, sympathetically. She is not only pale, but sallow, and there are hollows in her cheeks. Her hands, which were once very pretty, are thin as birds' claws. There is a fretful little crease in her forehead, and her eyes have a look of utter weariness.

"Yes, I am never strong. I cannot bear excitement. Marcia's life would exhaust me in a month, and Laura's fuss would drive me crazy. Have they said anything about her marriage?"

"It is all settled, or will be when her lover comes to-day. Do you like him, Gertrude?"

"He is well enough, I suppose, and rich. You couldn't imagine Laura marrying a poor man."

Floyd Grandon is not at all sure that he understands the hidden or manifest purposes of love, but he has a secret clinging to the orthodox belief that it is a necessary ingredient in marriages.

"You are cynical," he says, with a pleasant laugh. "You do not have enough fresh air."

"But I see Laura." Then, after a pause, "Do not imagine I have the slightest objection. There will be only two of us left, and it does seem as if Marcia might pick up some one. Floyd----"

"Well," as she makes a long pause.

"Do you know anything about the business? Eugene is so--so unsatisfactory. Where is Laura going to get her money?"

"I shall attend to that. Gertrude, what has been said about affairs that makes you all so desponding?"

Floyd Grandon asks a question as if he expected an answer. Gertrude gives a little twist to her long, slender figure, and pushes one shoulder forward.

"Well, there has been no money, and Eugene cannot get any. And all you hear about is notes to pay."

The house certainly does not look as if there was any lack. The table is bountiful, and he has seen four servants, he is quite sure.

"My not being here has delayed the settlement, no doubt," he answers, cheerfully. "It will all come right."

"You quite put courage into one. I suppose you always feel well and strong; you have grown handsome, Floyd, and there is nothing to make you desponding."

"Yes, I am always well. Do you stay in-doors all the time and read? You must have a change, something to stir your nerves and brain, and infuse a new spirit in you."

"I am too weak for exercise. Even carriage-riding tires me dreadfully. And my nerves cannot bear the least thing. I dread this wedding and all the tumult, only it will be excellent to have it finished up and off one's mind." Then she sighs and turns to her book again.

"We are on a tour of discovery," says Floyd, rather gayly, as he moves forward. "The house seems quite new to me, and extremely interesting."

She makes no effort to detain him. They turn into the hall, and a voice from above calls Floyd.

"Oh, are you up here, Marcia?" beginning to ascend.

"Yes. Here is my eyrie, my den, my study, or whatever name fits it best. I have a fancy for being high up. Nothing disturbs me. I have never been able, though, to decide which I really liked best, this or the tower. Only here I have three connecting rooms. Cecil, you little darling, come and kiss me! Floyd, I must paint that heavenly child! I have been doing a little at portraits. I want to take some lessons as soon as the ships come in. I hope you have brought fair weather, and--is it a high tide that floats the barque in successfully?"

She utters all this in a breath, and makes a dash at Cecil, who buries her face in her father's coat-sleeve.

"Cecil's kisses do not seem to be very plentiful," he remarks. "But how quaint and pretty you are up here!"

The sleeping chamber is done up in white, gold, and blue, and in very tolerable order. This middle room is characteristic. The floor is of hard wood and oiled, and rugs of every description are scattered about. Easels with and without pictures, studies, paintings in oil and water-colors, bric-a-brac of every shape and kind, from pretty to ugly, a cabinet, some book-shelves, a wide, tempting lounge in faded raw silk, with immense, loose cushions, two tables full of litter, and several lounging chairs. Evidently Marcia is not of the severe order.

The third room really beggars description. An easel stands before the window, with a pretentious canvas on which a winding river has made its appearance, but the dry land has not yet emerged from chaos.

"You paint"--he begins, when she interrupts,--

"And now that you have come, Floyd, you can give me some advice. I was such a young idiot when I ran over Europe, but you have done it leisurely. Did you devote much time to French art? I can't decide which to make a specialty. The French are certainly better teachers, but why, then, do so many go to Rome? It is my dream." And she clasps her hands in a melodramatic manner.

"What have you been doing?" he asks, as she pauses for breath.

"I took up those things first," nodding to some flower pieces. "But every school-girl paints them."

"These are exceedingly well done," he says, examining them closely.

"There is nothing distinctive about them. Who remembers a rose or a bunch of field flowers? Half a dozen women have honorable mention and one cannot be told from the other. But a landscape or a story or a striking portrait,--you really must let me try Cecil," glancing at her with rapture. "Oh, there is an article here in the _Art Journal_ on which you must give me an opinion." And flying up, she begins a confusing search. "It is so good to find a kindred soul----"

A light tap at the door breaks up the call. It is Jane, who with a true English courtesy says,--

"If you please, Mr. Grandon, Miss Laura sent me to say that Mr. Delancy has come."

Floyd has been so amused with Marcia that he goes rather reluctantly, and finds his sister's betrothed in the drawing-room, quite at home with Madame Lepelletier, though possibly a little dazzled. Arthur Delancy is a blond young man of five or six and twenty, well looking, well dressed, and up in all the usages of "the best society." He greets Mr. Grandon with just the right shade of deference as the elder and a sort of guardian to his _finance_. He pays his respects to Miss Cecil with an air that completely satisfies the little lady, it has the distance about it so congenial to her.

"Floyd," Laura says, with a laugh, "that child is intensely English. She has the 'insular pride' we hear so much about."

"And English hair and complexion," continues Mr. Delancy; while madame adds her graceful little meed.

A very pleasant general conversation ensues, followed by an elegant luncheon, to which Eugene adds a measure of gayety. Afterward the two gentlemen discuss business, and with several references to Laura the bridal day is appointed six weeks hence. The marriage they decide will be in church, and a wedding breakfast at home, quiet, with only a few friends and relatives, and after a week in Canada they will go to Newport.

"But how can I ever get ready?" cries Laura in dismay to madame. "Why, I haven't anything! I shall actually wear you out with questions and decisions. Oh, do you realize that you are a perfect godsend?" and she kisses her enthusiastically.

"Yes," says Madame Lepelletier, so softly and sweetly that it is like a breath of musical accord. "I will settle myself in the city and you must come to me----"

"In the city!" interrupts Laura, with both dismay and incredulity in her tone. "My dearest dear, you will not be allowed to leave Grandon Park, except with myself for keeper, to return as soon as may be."

"But I cannot trespass on your hospitality."

"Mamma, Floyd, will you come and invite Madame Lepelletier to make a two months' visit? I want her for six full weeks, and then she must have a little rest."

They overrule all her delicate scruples, though Mrs. Grandon does it rather against her will. Is it bringing temptation to Floyd's hand, that perhaps might not reach out otherwise!

That is settled. Floyd's boxes and trunks make their appearance, Eugene orders the horses, and the four go to drive on this magnificent afternoon.

"I think," Floyd says to his mother when the sound of wheels has subsided, "this luggage may as well go to the tower room. I wish----" Will he not seem ungracious to declare his preferences so soon?

"What?" she asks, a little nervously.

"It would make too much fuss at this crisis to change rooms with the girls, I suppose?"

"Let Laura take the larger front room? She did have it until we heard you were coming. Oh, she wouldn't mind. But you----"

"I should be out