Ancient Tales and Folk-Lore of Japan by Richard Gordon Smith (best novels ever txt) 📕
Hasunuma, his wife, and KÅnojÅ held a consultation. They were quite prepared that O Kei should marry, and KÅnojÅ did not object.
All things being settled, the ghost-girl held out her hand to KÅnojÅ saying:
'This is the last time you will touch the hand of O Ko. Farewell, my dear parents! Farewell to you all! I am about to pass away.'
Then she fainted away, and seemed dead, and remained thus for half an hour; while the others, overcome with the strange and weird things which they had seen and heard, sat round her, hardly uttering a word.
At the end of half an hour the body came to life, and standing up, said:
'Dear parents, have no more fear for me. I am perfectly well again; but I have no idea how I got down from my sick-room i
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Jogen entered fully into this joke, and shortly after left the village, with Kosa carrying his things and guiding the way.
The gorge in which the temple was situated was very steep and wild. Great moss-clad rocks lay strewn everywhere. When Jogen and his companion had got half-way up they sat down to rest and eat. Soon they heard voices of persons ascending, and ere long the innkeeper and some eight or nine of the village elders presented themselves.
‘We have followed you,’ said the innkeeper, ‘to try once more to dissuade you from running to a sure death. True, we want the temple opened and the ghosts appeased; but we do not wish it at the cost of another life. Please consider!’
‘I cannot change my mind,’ answered the priest. ‘Besides, this is the one chance of my life. Your village elders have promised me that if I am able to appease the spirit and reopen the temple I shall be the head priest of the temple, which must hereafter become celebrated.’
Again Jogen refused to listen to advice, and laughed at the villagers’ fears. Shouldering the packages that had been carried by Kosa, he said:
‘Go back with the rest. I can find my own way now easily enough. I shall be glad if you return tomorrow with carpenters, for no doubt the temple is in sad want of repairs, both inside and out. Now, my friends, until tomorrow, farewell. Have no fear for me: I have none for myself.’
The villagers made deep bows. They were greatly impressed by the bravery of Jogen, and hoped that he might be spared to become their priest. Jogen in his turn bowed, and then began to continue his ascent. The others watched him as long as he remained in view, and then retraced their steps to the village; Kosa thanking the good fortune that had not necessitated his having to go to the temple with the priest and return in the evening alone. With two or three people he felt brave enough; but to be here in the gloom of this wild forest and near the haunted temple alone—no: that was not in his line.
As Jogen climbed he came suddenly in sight of the temple, which seemed to be almost over his head, so precipitous were the sides of the mountain and the path. Filled with curiosity, the priest pressed on in spite of his heavy load, and some fifteen minutes later arrived panting on the temple platform, or terrace, which, like the temple itself, had been built on driven piles and scaffolding.
At first glance Jogen recognised that the temple was large; but lack of attention had caused it to fall into great dilapidation. Rank grasses grew high about its sides; fungi and creepers abounded upon the damp, sodden posts and supports; so rotten, in fact, did these appear, the priest mentioned in his written notes that evening that he feared the spirits less than the state of the posts which supported the building.
Cautiously Jogen entered the temple, and saw that there was a remarkably large and fine gilded figure of Buddha, besides figures of many saints. There were also fine bronzes and vases, drums from which the parchment had rotted off, incense-burners, or koros, and other valuable or holy things.
Behind the temple were the priests’ living quarters; evidently, before the ghost’s time, the temple must have had some five or six priests ever present to attend to it and to the people who came to pray.
The gloom was oppressive, and as the evening was already approaching Jogen bethought himself of light. Unpacking his bundle, he filled a lamp with oil, and found temple-sticks for the candles which he had brought with him. Having placed one of these on either side of the figure of Buddha, he prayed earnestly for two hours, by which time it was quite dark. Then he took his simple meal of rice, and settled himself to watch and listen. In order that he might see inside and outside the temple at the same time, he had chosen the gallery. Concealed behind an old column, he waited, in his heart disbelieving in ghosts, but anxious, as his notes said, to see a shito dama.
For some two hours he heard nothing. The wind—such little as there was—sighed round the temple and through the stems of the tall trees. An owl hooted from time to time. Bats flew in and out. A fungusy smell pervaded the air.
Suddenly, near midnight, Jogen heard a rustling in the bushes below him, as if somebody were pushing through. He thought it was a deer, or perhaps one of the large red-faced apes so fond of the neighbourhood of high and deserted temples; perhaps, even, it might be a fox or a badger.
The priest was soon undeceived. At the place whence the sound of the rustling leaves had come, he saw the clear and distinct shape of the well-known shito dama. It moved first one way and then another, in a hovering and jerky manner, and from it a voice as of distant buzzing proceeded; but—horror of horrors!—what was that standing among the bushes?
The priest’s blood ran cold. There stood the luminous skeleton of a man in loose priest’s clothes, with glaring eyes and a parchment skin! At first it remained still; but as the shito dama rose higher and higher the ghost moved after it—sometimes visible, sometimes not.
Higher and higher came the shito dama, until finally the ghost stood at the base of the great figure of Buddha, and was facing Jogen.
Cold beads of sweat stood out on the priest’s forehead; the marrow seemed to have frozen in his bones; he shook so that he could hardly stand. Biting his tongue to prevent screaming, he dashed for the small room in which he had left his bedding, and, having bolted himself in, proceeded to look through a crack between the boards. Yes! there was the figure of the ghost, still seated near the Buddha; but the shito dama had disappeared.
None of Jogen’s senses left him; but fear was paralysing his body, and he felt himself no longer capable of moving—no matter what should happen. He continued, in a lying position, to look through the hole.
The ghost sat on, turning only its head, sometimes to the right, sometimes to the left, and sometimes looking upwards.
For full an hour this went on. Then the buzzing sound began again, and the shito dama reappeared, circling and circling round the ghost’s body, until the ghost vanished, apparently having turned into the shito dama; and after circling round the holy figures three or four times it suddenly shot out of sight.
Next morning Kosa and five men came up to the temple. They found the priest alive but paralysed. He could neither move nor speak. He was carried to the village, dying before he got there.
Much use was made of the priest’s notes. No one else ever volunteered to live at the temple, which, two years later, was struck by lightning and burned to the ground. In digging among the remains, searching for bronzes and metal Buddhas, villagers came upon a skeleton buried, only a foot deep, near the bushes whence Jogen had first heard the sounds of rustling.
Undoubtedly the ghost and shito dama were those of a priest who had suffered a violent death and could not rest.
The bones were properly buried and masses said, and nothing has since been seen of the ghost.
All that remains of the temple are the moss-grown pedestals which formed the foundations.
Footnotes
36:1 In many stories in MS. volumes I have told of shito dama or astral spirits. So much evidence have I got from personal acquaintances as to their existence, and even frequent occurrence, that I almost believe in them myself. Some say that there are two shapes—the roundish oblong tadpole shape, and the more square-fronted eyed shape. Priests declare the shapes and sexes to be all alike, indistinguishable from each other and square-fronted, as in No. 2. My hunter, Oto of Itami, who, with his son, saw the old barber’s wife’s shito dama after she had died, declared that the shape was like an egg with a tail. At Tsuboune, near Naba, two or three dozen people who had seen the shito dama of a deaf man and that of a fisher-girl there declared both to be square-fronted. Again: At Toshi Shima the old men declare that there was a carpenter whose shito dama appeared five or six times some fifteen years ago, and that it was red, instead of having the ordinary phosphorescent smoky-white appearance. Shito dama, I take it, is the astral form that a spirit can assume if it wishes to wander the earth after death. This is the story of a dissatisfied spirit which haunted a temple and also showed itself as a ghost.
7. Rosetsu Watches the CarpVI A CARP GIVES A LESSON IN PERSEVERANCE 1
BETWEEN the years 1750 and 1760 there lived in Kyoto a great painter named Okyo-Maruyama Okyo. His paintings were such as to fetch high prices even in those days. Okyo had not only many admirers in consequence, but had also many pupils who strove to copy his style; among them was one named Rosetsu, who eventually became the best of all.
When first Rosetsu went to Okyo’s to study he was, without exception, the dullest and most stupid pupil that Okyo had ever had to deal with. His learning was so slow that pupils who had entered as students under Okyo a year and more after Rosetsu overtook him. He was one of those plodding but unfortunate youths who work hard, harder perhaps than most, and seem to go backwards as if the very gods were against them.
I have the deepest sympathy with Rosetsu. I myself became a bigger fool day by day as I worked; the harder I worked or tried to remember the more manifestly a fool I became.
Rosetsu, however, was in the end successful, having been greatly encouraged by his observations of the perseverance of a carp.
Many of the pupils who had entered Okyo’s school after Rosetsu had left, having become quite good painters. Poor Rosetsu was the only one who had made no progress whatever for three years. So disconsolate was he, and so little encouragement did his master offer, that at last, crestfallen and sad, he gave up the hopes he had had of becoming a great painter, and quietly left the school one evening, intending either to go home or to kill himself on the way. All that night he walked, and half-way into the next, when, tired out from want of sleep and of food, he flung himself down on the snow under the pine trees.
Some hours before dawn Rosetsu awoke, hearing a strange noise not thirty paces from him. He could not make it out, but sat up, listening, and glancing towards the place whence the sound—of splashing water—came.
As the day broke he saw that the noise was caused by a large carp, which was persistently jumping out of the water, evidently trying to reach a piece of sembei (a kind of biscuit made of rice and salt) lying on the ice of a pond near which Rosetsu found himself. For full three hours the fish must have been jumping thus unsuccessfully, cutting and bruising himself against the edges of the ice until the blood flowed and many scales had been lost.
Rosetsu watched its persistency with admiration. The fish tried every imaginable device. Sometimes it would make a determined attack on the ice where the biscuit lay from underneath, by charging directly upwards; at other times it would jump high in the air, and hope that by falling on the ice bit by bit would be broken away, until it should
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