The Golden Snare by James Oliver Curwood (novels to improve english .txt) 📕

to make his house for the night. It was an easy matter--a trick learned of the Eskimo. With his belt-ax he broke through the thick crust of the drift, using care that the "door" he thus opened into it was only large enough for the entrance of his body. Using a snowshoe as a shovel he then began digging out the soft interior of the drift, burrowing a two foot tunnel until he was well back from the door, where he made himself a chamber large enough for his sleeping-bag. The task employed him less than an hour, and when his bed was made, and he stood in front of the door to his igloo, his spirits began to return. The assurance that he had a home at his back in which neither cold nor storm could reach him inspirited him with an optimism which he had not felt at any time during the day.
From the timber he had borne a precious bundle of finely split kindlings of pitch-filled spruce, and with a handful of these he built himself a tiny fire over which, on a longer stick brought for the purpose, he suspended his tea pail, packed with snow. The crackling of the flames set him whistling. Darkness was falling swiftly about him. By the time his tea was ready and he had warmed his cold bannock and bacon the gloom was like a black curtain that he might have slit with a knife. Not a star was visible in the sky. Twenty feet on either side of him he could not see the surface of the snow. Now and then he added a bit of his kindling to the dying embers, and in the glow of the last stick he smoked his pipe, and as he smoked he drew from his wallet the golden snare. Coiled in the hollow of his hand and catching the red light of the pitch-laden fagot it shone with the rich luster of rare metal. Not until the pitch was burning itself out in a final sputter of flame did Philip replace it in the wallet.
With the going of the fire an utter and chaotic blackness shut him in. Feeling his way he crawled through the door of his tunnel, over the inside of which he had fastened as a flap his silk service tent. Then he stretched himself out in his sleeping-bag. It was surprisingly comfortable. Since he had left Breault's cabin he had not enjoyed such a bed. And last night he had not slept at all. He fell into deep sleep. The hours and the night passed over him. He did not hear the wailing of the wind that came with the dawn. When day followed dawn there were other sounds which he did not hear. His inner consciousness, the guardian of his sleep, cried for him to arouse himself. It pounded like a little hand in his brain, and at last he began to move restlessly, and twist in his sleeping-bag. His eyes shot open suddenly. The light of day filled his tunnel. He looked toward the "door" which he had covered with his tent.
The tent was gone.
In its place was framed a huge shaggy head, and Philip found himself staring straight into the eyes of Bram Johnson.


CHAPTER VII
Philip was not unaccustomed to the occasional mental and physical shock which is an inevitable accompaniment of the business of Law in the northland. But never had he felt quite the same stir in his blood as now--when he found himself looking down the short tunnel into the face of the man he was hunting.
There come now and then moments in which a curious understanding is impinged upon one without loss of time in reason and surmise--and this was one of those moments for Philip. His first thought as he saw the great wild face in the door of his tunnel was that Bram had been looking at him for some time--while he was asleep; and that if the desire to kill had been in the outlaw's breast he might have achieved his purpose with very little trouble. Equally swift was his observance of the fact that the tent with which he had covered the aperture was gone, and that his rifle, with the weight of which he had held the tent in place, had disappeared. Bram had secured possession of them before he had roused himself.
It was not the loss of these things, or entirely Bram's sudden and unexpected appearance, that sent through him the odd thrill, which he experienced. It was Bram's face, his eyes, the tense and mysterious earnestness that was in his gaze. It was not the watchfulness of a victor looking at his victim. In it there was no sign of hatred or of exultation. There was not even unfriendliness there. Rather it was the study of one filled with doubt and uneasiness, and confronted by a question which he could not answer. There was not a line of the face which Philip could not see now--its high cheek-bones, its wide cheeks, the low forehead, the flat nose, the thick lips. Only the eyes kept it from being a terrible face. Straight down through the generations Bram must have inherited those eyes from some woman of the past. They were strange things in that wild and hunted creature's face--gray eyes, large, beautiful. With the face taken away they would have been wonderful.
For a full minute not a sound passed between the two men. Philip's hand had slipped to the butt of his revolver, but he had no intention of using it. Then he found his voice. It seemed the most natural thing in the world that he should say what he did.
"Hello, Bram!"
"Boo-joo, m'sieu!"
Only Bram's thick lips moved. His voice was low and guttural. Almost instantly his head disappeared from the opening.
Philip dug himself quickly from his sleeping-bag. Through the aperture there came to him now another sound, the yearning whine of beasts. He could not hear Bram. In spite of the confidence which his first look at Bram had given him he felt a sudden shiver run up his spine as he faced the end of the tunnel on his hands and knees, his revolver in his hand. What a rat in a trap he would be if Bram loosed his wolves! What sport for the pack--and perhaps for the master himself! He could kill two or three--and that would be all. They would be in on him like a whirlwind, diving through his snow walls as easily as a swimmer might cut through water. Had he twice made a fool of himself? Should he have winged Bram Johnson, three times a murderer, in place of offering him a greeting?
He began crawling toward the opening, and again he heard the snarl and whine of the beasts. The sound seemed some distance away. He reached the end of the tunnel and peered out through the "door" he had made in the crust.
From his position he could see nothing--nothing but the endless sweep of the Barren and his old trail leading up to the snow dune. The muzzle of his revolver was at the aperture when he heard Bram's voice.
"M'sieu--ze revolv'--ze knife--or I mus' keel yon. Ze wolve plent' hungr'--"
Bram was standing just outside of his line of vision. He had not spoken loudly or threateningly, but Philip felt in the words a cold and unexcited deadliness of purpose against which he knew that it would be madness for him to fight. Bram had more than the bad man's ordinary drop on him. In his wolves he possessed not only an advantage but a certainty. If Philip had doubted this, as he waited for another moment with the muzzle of his revolver close to the opening, his uncertainty was swept away by the appearance thirty feet in front of his tunnel of three of Bram's wolves. They were giants of their kind, and as the three faced his refuge he could see the snarling gleam of their long fangs. A fourth and a fifth joined them, and after that they came within his vision in twos and threes until a score of them were huddled straight in front of him. They were restless and whining, and the snap of their jaws was like the clicking of castanets. He caught the glare of twenty pairs of eyes fastened on his retreat and involuntarily he shrank back that they might not see him. He knew that it was Bram who was holding them back, and yet he had heard no word, no command. Even as he stared a long snakelike shadow uncurled itself swiftly in the air and the twenty foot lash of Bram's caribou-gut whip cracked viciously over the heads of the pack. At the warning of the whip the horde of beasts scattered, and Bram's voice came again.
"M'sieu--ze revolv'--ze knife--or I loose ze wolve--"
The words were scarcely out of his mouth when Philip's revolver flew through the opening and dropped in the snow.
"There it is, old man," announced Philip. "And here comes the knife."
His sheath-knife followed the revolver.
"Shall I throw out my bed?" he asked.
He was making a tremendous effort to appear cheerful. But he could not forget that last night he had shot at Bram, and that it was not at all unreasonable to suppose that Bram might knock his brains out when he stuck his head out of the hole. The fact that Bram made no answer to his question about the bed did not add to his assurance. He repeated the question, louder than before, and still there was no answer. In the face of his perplexity he could not repress a grim chuckle as he rolled up his blankets. What a report he would have for the Department--if he lived to make it! On paper there would be a good deal of comedy about it--this burrowing oneself up like a hibernating woodchuck, and then being invited out to breakfast by a man with a club and a pack of brutes with fangs that had gleamed at him like ivory stilettos. He had guessed at the club, and a moment later as he thrust his sleeping-bag out through the opening he saw that it was quite obviously a correct one. Bram was possessing himself of the revolver and the knife. In the same hand he held his whip and a club.
Seizing the opportunity, Philip followed his bed quickly, and when Bram faced him he was standing on his feet outside the drift.
"Morning, Bram!"
His greeting was drowned in a chorus of fierce snarls that made his blood curdle even as he tried to hide from Bram any visible betrayal of the fact that every nerve up and down his spine was pricking him, like a pin. From Bram's throat there shot forth at the pack a sudden sharp clack of Eskimo, and with it the long whip snapped in their faces again.
Then he looked steadily at his prisoner. For the first time Philip saw the look which he dreaded darkening his face. A greenish fire burned in the strange eyes. The thick lips were set tightly, the flat nose seemed flatter, and with a shiver Philip noticed Bram's huge, naked hand gripping his club until the cords stood out like babiche thongs under the skin. In that moment he was ready to kill. A wrong word, a wrong act, and Philip knew that the end was inevitable.
In the same thick guttural voice which he used in his half-breed patois he demanded,
"Why you shoot--las' night!"
"Because I wanted to talk with you, Bram," replied Philip calmly. "I didn't shoot to hit you. I fired over your head."
"You want--talk," said Bram, speaking as if each word cost him a certain amount of effort. "Why--talk?"
"I