The Ambassadors by Henry James (ebook and pdf reader .txt) π
All of which, again, is but to say that the STEPS, for my fable, placed themselves with a prompt and, as it were, functional assurance--an air quite as of readiness to have dispensed with logic had I been in fact too stupid for my clue. Never, positively, none the less, as the links multiplied, had I felt less stupid than for the determination of poor Strether's errand and for the apprehension of his issue. These things continued to fall together, as by the neat action of their own weight and form, even while their commentator scratched his head about the
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"The very thing itself."
"And what it comes to then," Strether went on, "is that poor awful Chad is simply too good for her."
"Ah too good was what he was after all to be; but it was she herself, and she herself only, who was to have made him so."
It hung beautifully together, but with still a loose end. "Wouldn't he do for her even if he should after all break--"
"With his actual influence?" Oh little Bilham had for this enquiry the sharpest of all his controls. "How can he 'do'--on any terms whatever--when he's flagrantly spoiled?"
Strether could only meet the question with his passive, his receptive pleasure. "Well, thank goodness, YOU'RE not! You remain for her to save, and I come back, on so beautiful and full a demonstration, to my contention of just now--that of your showing distinct signs of her having already begun."
The most he could further say to himself--as his young friend turned away--was that the charge encountered for the moment no renewed denial. Little Bilham, taking his course back to the music, only shook his good-natured ears an instant, in the manner of a terrier who has got wet; while Strether relapsed into the sense--which had for him in these days most of comfort--that he was free to believe in anything that from hour to hour kept him going. He had positively motions and flutters of this conscious hour-to-hour kind, temporary surrenders to irony, to fancy, frequent instinctive snatches at the growing rose of observation, constantly stronger for him, as he felt, in scent and colour, and in which he could bury his nose even to wantonness. This last resource was offered him, for that matter, in the very form of his next clear perception--the vision of a prompt meeting, in the doorway of the room, between little Bilham and brilliant Miss Barrace, who was entering as Bilham withdrew. She had apparently put him a question, to which he had replied by turning to indicate his late interlocutor; toward whom, after an interrogation further aided by a resort to that optical machinery which seemed, like her other ornaments, curious and archaic, the genial lady, suggesting more than ever for her fellow guest the old French print, the historic portrait, directed herself with an intention that Strether instantly met. He knew in advance the first note she would sound, and took in as she approached all her need of sounding it. Nothing yet had been so "wonderful" between them as the present occasion; and it was her special sense of this quality in occasions that she was there, as she was in most places, to feed. That sense had already been so well fed by the situation about them that she had quitted the other room, forsaken the music, dropped out of the play, abandoned, in a word, the stage itself, that she might stand a minute behind the scenes with Strether and so perhaps figure as one of the famous augurs replying, behind the oracle, to the wink of the other. Seated near him presently where little Bilham had sat, she replied in truth to many things; beginning as soon as he had said to her--what he hoped he said without fatuity--"All you ladies are extraordinarily kind to me."
She played her long handle, which shifted her observation; she saw in an instant all the absences that left them free. "How can we be anything else? But isn't that exactly your plight? 'We ladies'-- oh we're nice, and you must be having enough of us! As one of us, you know, I don't pretend I'm crazy about us. But Miss Gostrey at least to-night has left you alone, hasn't she?" With which she again looked about as if Maria might still lurk.
"Oh yes," said Strether; "she's only sitting up for me at home." And then as this elicited from his companion her gay "Oh, oh, oh!" he explained that he meant sitting up in suspense and prayer. "We thought it on the whole better she shouldn't be present; and either way of course it's a terrible worry for her." He abounded in the sense of his appeal to the ladies, and they might take their choice of his doing so from humility or from pride. "Yet she inclines to believe I shall come out."
"Oh I incline to believe too you'll come out!"--Miss Barrace, with her laugh, was not to be behind. "Only the question's about WHERE, isn't it? However," she happily continued, "if it's anywhere at all it must be very far on, mustn't it? To do us justice, I think, you know," she laughed, "we do, among us all, want you rather far on. Yes, yes," she repeated in her quick droll way; "we want you very, VERY far on!" After which she wished to know why he had thought it better Maria shouldn't be present.
"Oh," he replied, "it was really her own idea. I should have wished it. But she dreads responsibility."
"And isn't that a new thing for her?"
"To dread it? No doubt--no doubt. But her nerve has given way."
Miss Barrace looked at him a moment. "She has too much at stake." Then less gravely: "Mine, luckily for me, holds out."
"Luckily for me too"--Strether came back to that. "My own isn't so firm, MY appetite for responsibility isn't so sharp, as that I haven't felt the very principle of this occasion to be 'the more the merrier.' If we ARE so merry it's because Chad has understood so well."
"He has understood amazingly," said Miss Barrace.
"It's wonderful--Strether anticipated for her.
"It's wonderful!" she, to meet it, intensified; so that, face to face over it, they largely and recklessly laughed. But she presently added: "Oh I see the principle. If one didn't one would be lost. But when once one has got hold of it--"
"It's as simple as twice two! From the moment he had to do something--"
"A crowd"--she took him straight up--"was the only thing? Rather, rather: a rumpus of sound," she laughed, "or nothing. Mrs. Pocock's built in, or built out--whichever you call it; she's packed so tight she can't move. She's in splendid isolation"-- Miss Barrace embroidered the theme.
Strether followed, but scrupulous of justice. "Yet with every one in the place successively introduced to her."
"Wonderfully--but just so that it does build her out. She's bricked up, she's buried alive!"
Strether seemed for a moment to look at it; but it brought him to a sigh. "Oh but she's not dead! It will take more than this to kill her."
His companion had a pause that might have been for pity. "No, I can't pretend I think she's finished--or that it's for more than to-night." She remained pensive as if with the same compunction. "It's only up to her chin." Then again for the fun of it: "She can breathe."
"She can breathe!"--he echoed it in the same spirit. "And do you know," he went on, "what's really all this time happening to me?-- through the beauty of music, the gaiety of voices, the uproar in short of our revel and the felicity of your wit? The sound of Mrs. Pocock's respiration drowns for me, I assure you, every other. It's literally all I hear."
She focussed him with her clink of chains. "Well--!" she breathed ever so kindly.
"Well, what?"
"She IS free from her chin up," she mused; "and that WILL be enough for her."
"It will be enough for me!" Strether ruefully laughed. "Waymarsh has really," he then asked, "brought her to see you?"
"Yes--but that's the worst of it. I could do you no good. And yet I tried hard."
Strether wondered. "And how did you try?"
"Why I didn't speak of you."
"I see. That was better."
"Then what would have been worse? For speaking or silent," she lightly wailed, "I somehow 'compromise.' And it has never been any one but you."
"That shows"--he was magnanimous--"that it's something not in you, but in one's self. It's MY fault."
She was silent a little. "No, it's Mr. Waymarsh's. It's the fault of his having brought her."
"Ah then," said Strether good-naturedly, "why DID he bring her?"
"He couldn't afford not to."
"Oh you were a trophy--one of the spoils of conquest? But why in that case, since you do 'compromise'--"
"Don't I compromise HIM as well? I do compromise him as well," Miss Barrace smiled. "I compromise him as hard as I can. But for Mr. Waymarsh it isn't fatal. It's--so far as his wonderful relation with Mrs. Pocock is concerned--favourable." And then, as he still seemed slightly at sea: "The man who had succeeded with ME, don't you see? For her to get him from me was such an added incentive."
Strether saw, but as if his path was still strewn with surprises. "It's 'from' you then that she has got him?"
She was amused at his momentary muddle. "You can fancy my fight! She believes in her triumph. I think it has been part of her joy.
"Oh her joy!" Strether sceptically murmured.
"Well, she thinks she has had her own way. And what's to-night for her but a kind of apotheosis? Her frock's really good."
"Good enough to go to heaven in? For after a real apotheosis," Strether went on, "there's nothing BUT heaven. For Sarah there's only to-morrow."
"And you mean that she won't find to-morrow heavenly?"
"Well, I mean that I somehow feel to-night--on her behalf--too good to be true. She has had her cake; that is she's in the act now of having it, of swallowing the largest and sweetest piece. There won't be another left for her. Certainly I haven't one. It can only, at the best, be Chad." He continued to make it out as for their common entertainment. "He may have one, as it were. up his sleeve; yet it's borne in upon me that if he had--"
"He wouldn't"--she quite understood--"have taken all THIS trouble? I dare say not, and, if I may be quite free and dreadful, I very much hope he won't take any more. Of course I won't pretend now," she added, "not to know what it's a question of."
"Oh every one must know now," poor Strether thoughtfully admitted; "and it's strange enough and funny enough that one should feel everybody here at this very moment to be knowing and watching and waiting."
"Yes--isn't it indeed funny?" Miss Barrace quite rose to it. "That's the way we ARE in Paris." She was always pleased with a new contribution to that queerness. "It's wonderful! But, you know," she declared, "it all depends on you. I don't want to turn the knife in your vitals, but that's naturally what you just now meant by our all being on top of you. We know you as the hero of the drama, and we're gathered to see what you'll do."
Strether looked at her a moment with a light perhaps slightly obscured. "I think that must be why the hero has taken refuge in this corner. He's scared at his heroism--he shrinks from his part."
"Ah but we nevertheless believe he'll play it. That's why," Miss Barrace kindly went on, "we take such an interest in you. We feel you'll come up to the scratch." And then as he seemed perhaps not quite to take fire: "Don't let him do it."
"Don't let Chad go?"
"Yes, keep hold of him. With all this"--and she indicated the general tribute--"he has done enough. We love him here-- he's charming."
"It's beautiful," said Strether, "the way you all can simplify when you will."
But she gave it to him back. "It's nothing to the way you will when you must."
He winced at it as at the very voice of prophecy, and it kept
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