The Awkward Age by Henry James (best novel books to read .TXT) 📕

only to wait, half in surprise, half in surrender, for the flow of his suggestiveness to run its course, so that, having herself provoked the occasion, she might do a little more to meet it. It was by no means, however, that his presence in any degree ceased to prevail; for there were minutes during which her face, the only thing in her that moved, turning with his turns and following his glances, actually had a look inconsistent with anything but submission to almost any accident. It might have expressed a desire for his talk to last and last, an acceptance of any treatment of the hour or any version, or want of version, of her act that would best suit his ease, even in fact a resigned prevision of the occurrence of something that would leave her, quenched and blank, with the appearance of having made him come simply that she might look at him. She might indeed well have been aware of an inability to look at him little enough to make it flagrant that she had appealed to him for something quite different. Keeping the situation meanwhile thus in his hands he recognised over the chimney a new alteration. “There used to be a big print—wasn’t there? a thing of the fifties—we had lots of them at home; some place or other ‘in the olden time.’ And now there’s that lovely French glass. So you see.” He spoke as if she had in some way gainsaid him, whereas he had not left her time even to answer a question. But he broke out anew on the beauty of her flowers. “You have awfully good ones—where do you get them? Flowers and pictures and—what are the other things people have when they’re happy and superior?—books and birds. You ought to have a bird or two, though I dare say you think that by the noise I make I’m as good myself as a dozen. Isn’t there some girl in some story—it isn’t Scott; what is it?—who had domestic difficulties and a cage in her window and whom one associates with chickweed and virtue? It isn’t Esmeralda—Esmeralda had a poodle, hadn’t she?—or have I got my heroines mixed? You’re up here yourself like a heroine; you’re perched in your tower or what do you call it?—your bower. You quite hang over the place, you know—the great wicked city, the wonderful London sky and the monuments looming through: or am I again only muddling up my Zola? You must have the sunsets—haven’t you? No—what am I talking about? Of course you look north. Well, they strike me as about the only thing you haven’t. At the same time it’s not only because I envy you that I feel humiliated. I ought to have sent you some flowers.” He smote himself with horror, throwing back his head with a sudden thought. “Why in goodness when I got your note didn’t I for once in my life do something really graceful? I simply liked it and answered it. Here I am. But I’ve brought nothing. I haven’t even brought a box of sweets. I’m not a man of the world.”

“Most of the flowers here,” Nanda at last said, “come from Mr. Longdon. Don’t you remember his garden?”

Vanderbank, in quick response, called it up. “Dear yes—wasn’t it charming? And that morning you and I spent there”—he was so careful to be easy about it—“talking under the trees.”

“You had gone out to be quiet and read—!”

“And you came out to look after me. Well, I remember,” Van went on, “that we had some good talk.”

The talk, Nanda’s face implied, had become dim to her; but there were other things. “You know he’s a great gardener—I mean really one of the greatest. His garden’s like a dinner in a house where the person—the person of the house—thoroughly knows and cares.”

“I see. And he sends you dishes from the table.”

“Often—every week. It comes to the same thing—now that he’s in town his gardener does it.”

“Charming of them both!” Vanderbank exclaimed. “But his gardener—that extraordinarily tall fellow with the long red beard—was almost as nice as himself. I had talks with HIM too and remember every word he said. I remember he told me you asked questions that showed ‘a deal of study.’ But I thought I had never seen all round such a charming lot of people— I mean as those down there that our friend has got about him. It’s an awfully good note for a man, pleasant servants, I always think, don’t you? Mr. Longdon’s—and quite without their saying anything; just from the sort of type and manner they had—struck me as a kind of chorus of praise. The same with Mitchy’s at Mertle, I remember,” Van rambled on. “Mitchy’s the sort of chap who might have awful ones, but I recollect telling him that one quite felt as if it were with THEM one had come to stay. Good note, good note,” he cheerfully repeated. “I’m bound to say, you know,” he continued in this key, “that you’ve a jolly sense for getting in with people who make you comfortable. Then, by the way, he’s still in town?”

Nanda waited. “Do you mean Mr. Mitchy?”

“Oh HE is, I know—I met them two nights ago; and by the way again— don’t let me forget—I want to speak to you about his wife. But I’ve not seen, do you know? Mr. Longdon—which is really too awful. Twice, thrice I think, have I at moments like this one snatched myself from pressure; but there’s no finding the old demon at any earthly hour. When do YOU go—or does he only come here? Of course I see you’ve got the place arranged for him. When I asked at his hotel at what hour he ever IS in, blest if the fellow didn’t say ‘very often, sir, about ten!’ And when I said ‘Ten P. M.?’ he quite laughed at my innocence over a person of such habits. What ARE his habits then now, and what are you putting him up to? Seriously,” Vanderbank pursued, “I AM awfully sorry and I wonder if, the first time you’ve a chance, you’d kindly tell him you’ve heard me say so and that I mean yet to run him to earth. The same really with the dear Mitchys. I didn’t somehow, the other night, in such a lot of people, get at them. But I sat opposite to Aggie all through dinner, and that puts me in mind. I should like volumes from you about Aggie, please. It’s too revolting of me not to go to see her. But every one knows I’m busy. We’re up to our necks!”

“I can’t tell you,” said Nanda, “how kind I think it of you to have found, with all you have to do, a moment for THIS. But please, without delay, let me tell you—!”

Practically, however, he would let her tell him nothing; his almost aggressive friendly optimism clung so to references of short range. “Don’t mention it, please. It’s too charming of you to squeeze me in. To see YOU moreover does me good. Quite distinct good. And your writing me touched me—oh but really. There were all sorts of old things in it.” Then he broke out once more on her books, one of which for some minutes past he had held in his hand. “I see you go in for sets—and, my dear child, upon my word, I see, BIG sets. What’s this?—‘Vol. 23: The British Poets.’ Vol. 23 is delightful—do tell me about Vol. 23. Are you doing much in the British Poets? But when the deuce, you wonderful being, do you find time to read? I don’t find any—it’s too hideous. One relapses in London into such illiteracy and barbarism. I have to keep up a false glitter to hide in conversation my rapidly increasing ignorance: I should be so ashamed after all to see other people NOT shocked by it. But teach me, teach me!” he gaily went on.

“The British Poets,” Nanda immediately answered, “were given me by Mr. Longdon, who has given me all the good books I have except a few—those in that top row—that have been given me at different times by Mr. Mitchy. Mr. Mitchy has sent me flowers too, as well as Mr. Longdon. And they’re both—since we’ve spoken of my seeing them—coming by appointment this afternoon; not together, but Mr. Mitchy at 5.30 and Mr. Longdon at 6.30.”

She had spoken as with conscious promptitude, making up for what she had not yet succeeded in saying by a quick, complete statement of her case. She was evidently also going on with more, but her actual visitor had already taken her up with a laugh. “You ARE making a day of it and you run us like railway-trains!” He looked at his watch. “Have I then time?”

“It seems to me I should say ‘Have I?’ But it’s not half-past four,” Nanda went on, “and though I’ve something very particular of course to say to you it won’t take long. They don’t bring tea till five, and you must surely stay till that. I had already written to you when they each, for the same reason, proposed this afternoon. They go out of town tomorrow for Sunday.”

“Oh I see—and they have to see you first. What an influence you exert, you know, on people’s behaviour!”

She continued as literal as her friend was facetious. “Well, it just happened so, and it didn’t matter, since, on my asking you, don’t you know? to choose your time, you had taken, as suiting you best, this comparatively early hour.”

“Oh perfectly.” But he again had his watch out. “I’ve a job, perversely —that was my reason—on the other side of the world; which, by the way, I’m afraid, won’t permit me to wait for tea. My tea doesn’t matter.” The watch went back to his pocket. “I’m sorry to say I must be off before five. It has been delightful at all events to see you again.”

He was on his feet as he spoke, and though he had been half the time on his feet his last words gave the effect of his moving almost immediately to the door. It appeared to come out with them rather clearer than before that he was embarrassed enough really to need help, and it was doubtless the measure she after an instant took of this that enabled Nanda, with a quietness all her own, to draw to herself a little more of the situation. The quietness was plainly determined for her by a quick vision of its being the best assistance she could show. Had he an inward terror that explained his superficial nervousness, the incoherence of a loquacity designed, it would seem, to check in each direction her advance? He only fed it in that case by allowing his precautionary benevolence to put him in so much deeper. Where indeed could he have supposed she wanted to come out, and what that she could ever do for him would really be so beautiful as this present chance to smooth his confusion and add as much as possible to that refined satisfaction with himself which would proceed from his having dealt with a difficult hour in a gallant and delicate way? To force upon him an awkwardness was like forcing a disfigurement or a hurt, so that at the end of a minute, during which the expression of her face became a kind of uplifted view of her opportunity, she arrived at the appearance of having changed places with him and of their being together precisely in order that he— not she—should be let down easily.

II

“But surely you’re not going already?” she asked. “Why in the world then do you suppose I appealed to you?”

“Bless me, no; I’ve