Jean-Christophe, vol 1 by Romain Rolland (fb2 epub reader .txt) đź“•
He waited for contradiction, and spat on the fire. Then, as neither mother nor child raised any objection, he was for going on, but relapsed into silence.
* * * * *
They said no more. Both Jean Michel, sitting by the fireside, and Louisa, in her bed, dreamed sadly. The old man, in spite of what he had said, had bitter thoughts about his son's marriage, and Louisa was thinking of it also, and blaming herself, although she had nothing wherewith to reproach herself.
She had been a servant when, to everybody's surprise, and her own especially, she married Melchior Krafft, Jean Michel's son. The Kraffts were without fortune, but were considerable people in the little Rhine town in which the old man had settled down more than fifty years before. Both father and son were musicians, and known to all the musicians of the country from Cologne to Mannheim. Melchior played the violin at the Hof-Theater, and Jean Michel had formerly been director of the grand-ducal concerts. The o
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artistic temperaments. But as they were naturally discontented and always
inclined to think themselves persecuted by fate, they persuaded themselves
that they had counted on the marriage of Christophe and Rosa; as soon as
they were quite certain that such a marriage would never come to pass, they
saw in it the mark of the usual ill luck. Logically, if fate were
responsible for their miscalculation, Christophe could not be: but the
Vogels’ logic was that which gave them the greatest opportunity for finding
reasons for being sorry for themselves. So they decided that if Christophe
had misconducted himself it was not so much for his own pleasure as to give
offense to them. They were scandalized. Very religious, moral, and oozing
domestic virtue, they were of those to whom the sins of the flesh are the
most shameful, the most serious, almost the only sins, because they are the
only dreadful sins—(it is obvious that respectable people are never likely
to be tempted to steal or murder).—And so Christophe seemed to them
absolutely wicked, and they changed their demeanor towards him. They were
icy towards him and turned away as they passed him. Christophe, who was in
no particular need of their conversation, shrugged his shoulders at all the
fuss. He pretended not to notice Amalia’s insolence: who, while she
affected contemptuously to avoid him, did all that she could to make him
fall in with her so that she might tell him all that was rankling in her.
Christophe was only touched by Rosa’s attitude. The girl condemned him more
harshly even than his family. Not that this new love of Christophe’s seemed
to her to destroy her last chances of being loved by him: she knew that she
had no chance left—(although perhaps she went on hoping: she always
hoped).—But she had made an idol of Christophe: and that idol had crumbled
away. It was the worst sorrow for her … yes, a sorrow more cruel to the
innocence and honesty of her heart, than being disdained and forgotten by
him. Brought up puritanically, with a narrow code of morality, in which she
believed passionately, what she had heard about Christophe had not only
brought her to despair but had broken her heart. She had suffered already
when he was in love with Sabine: she had begun then to lose some of her
illusions about her hero. That Christophe could love so commonplace a
creature seemed to her inexplicable and inglorious. But at least that love
was pure, and Sabine was not unworthy of it. And in the end death had
passed over it and sanctified it…. But that at once Christophe should
love another woman,—and such a woman!—was base, and odious! She took upon
herself the defense of the dead woman against him. She could not forgive
him for having forgotten her…. Alas! He was thinking of her more than
she: but she never thought that in a passionate heart there might be room
for two sentiments at once: she thought it impossible to be faithful to the
past without sacrifice of the present. Pure and cold, she had no idea of
life or of Christophe: everything in her eyes was pure, narrow, submissive
to duty, like herself. Modest of soul, modest of herself, she had only one
source of pride: purity: she demanded it of herself and of others. She
could not forgive Christophe for having so lowered himself, and she would
never forgive him.
Christophe tried to talk to her, though not to explain himself—(what could
he say to her? what could he say to a little puritanical and naĂŻve
girl?).—He would have liked to assure her that he was her friend, that he
wished for her esteem, and had still the right to it He wished to prevent
her absurdly estranging herself from him.—But Rosa avoided him in stern
silence: he felt that she despised him.
He was both sorry and angry. He felt that he did not deserve such contempt;
and yet in the end he was bowled over by it: and thought himself guilty. Of
all the reproaches cast against him the most bitter came from himself when
he thought of Sabine. He tormented himself.
“Oh! God, how is it possible? What sort of creature am I?…”
But he could not resist the stream that bore him on. He thought that life
is criminal: and he closed his eyes so as to live without seeing it. He had
so great a need to live, and be happy, and love, and believe!… No: there
was nothing despicable in his love! He knew that it was impossible to be
very wise, or intelligent, or even very happy in his love for Ada: but what
was there in it that could be called vile? Suppose—(he forced the idea on
himself)—that Ada were not a woman of any great moral worth, how was the
love that he had for her the less pure for that? Love is in the lover, not
in the beloved. Everything is worthy of the lover, everything is worthy of
love. To the pure all is pure. All is pure in the strong and the healthy of
mind. Love, which adorns certain birds with their loveliest colors, calls
forth from the souls that are true all that is most noble in them. The
desire to show to the beloved only what is worthy makes the lover take
pleasure only in those thoughts and actions which are in harmony with the
beautiful image fashioned by love. And the waters of youth in which the
soul is bathed, the blessed radiance of strength and joy, are beautiful and
health-giving, making the heart great.
That his friends misunderstood him filled him with bitterness. But the
worst trial of all was that his mother was beginning to be unhappy about
it.
The good creature was far from sharing the narrow views of the Vogels. She
had seen real sorrows too near ever to try to invent others. Humble, broken
by life, having received little joy from it, and having asked even less,
resigned to everything that happened, without even trying to understand it,
she was careful not to judge or censure others: she thought she had no
right. She thought herself too stupid to pretend that they were wrong when
they did not think as she did: it would have seemed ridiculous to try to
impose on others the inflexible rules of her morality and belief. Besides
that, her morality and her belief were purely instinctive: pious and pure
in herself she closed her eyes to the conduct of others, with the
indulgence of her class for certain faults and certain weaknesses. That had
been one of the complaints that her father-in-law, Jean Michel, had lodged
against her: she did not sufficiently distinguish between those who were
honorable and those who were not: she was not afraid of stopping in the
street or the market-place to shake hands and talk with young women,
notorious in the neighborhood, whom a respectable woman ought to pretend to
ignore. She left it to God to distinguish between good and evil, to punish
or to forgive. From others she asked only a little of that affectionate
sympathy which is so necessary to soften the ways of life. If people were
only kind she asked no more.
But since she had lived with the Vogels a change had come about in her. The
disparaging temper of the family had found her an easier prey because she
was crushed and had no strength to resist. Amalia had taken her in hand:
and from morning to night when they were working together alone, and Amalia
did all the talking, Louisa, broken and passive, unconsciously assumed the
habit of judging and criticising everything. Frau Vogel did not fail to
tell her what she thought of Christophe’s conduct. Louisa’s calmness
irritated her. She thought it indecent of Louisa to be so little concerned
about what put him beyond the pale: she was not satisfied until she had
upset her altogether. Christophe saw it. Louisa dared not reproach him: but
every day she made little timid remarks, uneasy, insistent: and when he
lost patience and replied sharply, she said no more: but still he could see
the trouble in her eyes: and when he came home sometimes he could see that
she had been weeping. He knew his mother too well not to be absolutely
certain that her uneasiness did not come from herself.—And he knew well
whence it came.
He determined to make an end of it. One evening when Louisa was unable to
hold back her tears and had got up from the table in the middle of supper
without Christophe being able to discover what was the matter, he rushed
downstairs four steps at a time and knocked at the Vogels’ door. He was
boiling with rage. He was not only angry about Frau Vogel’s treatment of
his mother: he had to avenge himself for her having turned Rosa against
him, for her bickering against Sabine, for all that he had had to put up
with at her hands for months. For months he had borne his pent-up feelings
against her and now made haste to let them loose.
He burst in on Frau Vogel and in a voice that he tried to keep calm, though
it was trembling with fury, he asked her what she had told his mother to
bring her to such a state.
Amalia took it very badly: she replied that she would say what she pleased,
and was responsible to no one for her actions—to him least of all. And
seizing the opportunity to deliver the speech which she had prepared, she
added that if Louisa was unhappy he had to go no further for the cause of
it than his own conduct, which was a shame to himself and a scandal to
everybody else.
Christophe was only waiting for her onslaught to strike out, He shouted
angrily that his conduct was his own affair, that he did not care a rap
whether it pleased Frau Vogel or not, that if she wished to complain of it
she must do so to him, and that she could say to him whatever she liked:
that rested with her, but he forbade her—(did she hear?)—forbade her
to say anything to his mother: it was cowardly and mean so to attack a poor
sick old woman.
Frau Vogel cried loudly. Never had any one dared to speak to her in such a
manner. She said that she was not to be lectured fey a rapscallion,—and in
her own house, too!—And she treated him with abuse.
The others came running up on the noise of the quarrel,—except Vogel, who
fled from anything that might upset, his health. Old Euler was called to
witness by the indignant Amalia and sternly bade Christophe in future to
refrain from speaking to or visiting them. He said that they did not need
him to tell them what they ought to do, that they did their duty and would
always do it.
Christophe declared that he would go and would never again set foot in
their house. However, he did not go until he had relieved his feelings by
telling them what he had still to say about their famous Duty, which had
become to him a personal enemy. He said that their Duty was the sort of
thing to make him love vice. It was people like them who discouraged good,
by insisting on making it unpleasant. It was their fault that so many find
delight by contrast among those who are dishonest, but amiable and
laughter-loving. It was a profanation of the name of duty to apply it to
everything, to the most stupid tasks, to trivial things, with a stiff and
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