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and, taking the appropriate pedagog-ical measures, unable to deal with them promptly.

There was nevertheless not even a one in a million chance of him giving up, and it decreased further as things progressed and the characters grew, until they ended up constituting a critical mass, such that giving it up became, very simply, non-negotiable. That had less to do with the fact that he felt sorry for them, since, if along the way they proved to be complete-ly useless, with a heavy heart, he would drop them like a bad habit, which was eventually to happen. Nei-ther was it just the fact that in general he rarely gave up on anything. Or that he’d be embarrassed about not knowing what to tell friends who, every now and again, asked how it was going. It did, however, defi-nitely have something to do with the following two reasons, two reasons which it didn’t take him long to realise, the one with relief and the other with surprise. What were they? Firstly, because he had started from absolute zero, whether he wanted to or not he would improve, and the more he improved the less β€œimprove-ment operations” the text demanded. Secondly, even if his writing was not yet as imaginative as he would have wanted, by and large, it got him high above his imagination. So much, in fact, that he would have a

- You were saying something about β€œzero waste”?

- Well, I take it back.

The writer is imaginative, not the writing.

Though make-or-break, I’m keeping it (this phrase) only because it’s partly true.

Simos Panopoulos - Look at that

121

very difficult time finding a comparable replacement from then on. Now, what in the world he found in it exactly, when it increasingly seemed more like slavery, albeit voluntary, and less than a hobby, was a complete mystery even to him. The proof of that lay in the fact that even if cornered, the most anyone would get out of him was the confession that he was finally doing something that, if we may allow him the expression, β€œdid it” for him.

All right, I understand that you’re lounging at the beach but not to the point to blow everything off. Cheap inventions like β€œdid it for him” won’t wash, mind you.

Simos Panopoulos - Look at that

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Chapter 18

The first thing he did as soon as he turned on his lap-top was correction, alias proofreading. Either way, he considered it far more feasible than writing, to such degree that, had it been up to him, he would extend it

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