Portia by Margaret Wolfe Hungerford (great novels .TXT) 📕

different from the one bestowed only a minute since upon Sir Mark.

"Then come out now," says Gore, as though pleasantly impressed by the suggestion conveyed in Fabian's speech. "Let us all shake off dull sloth and make a tour right round the gardens."

"A charming idea," says Portia, sitting more upright, and brightening visibly. She grows even animated, and animation, even of the faintest, is to be commended on such a day as this.

"Take your cousin to see the new carp-pond," says Gore, addressing Fabian, but watching Portia attentively. "You will like to see it, Portia?"

"So _very_ much," says Portia. "But if I do go it must be with Dicky."

Her manner as she says this gives both the men fully to understand that early in the day she had pledged herself to go for a walk some time in the afternoon. So far, so good--it _might_ have so explained itself--but, unfortunately, at this moment Dicky Browne (who, as Dulce says, is always in the wrong place at the wrong time) comes up behind them, and addresses them generally:

"What are you all conspiring about?" he says, genially. "Roger and Dulce, for the fourteenth time to-day, have again agreed to differ, so I seek refuge here. Take me in, will you? And, by-the-by, what shall we do with ourselves this grilling day!"

"I have just been suggesting a quiet stroll," says Sir Mark.

"The very thing," exclaims Mr. Browne, who is amiability itself. "Why on earth didn't we think of that before? Portia, if you will come with me, if you have not promised," with a glance at Sir Mark, "to go with anyone else, I will show you a new tennis court that will draw tears of admiration from your eyes."

This is the unfortunate part of it. It now becomes apparent to every one that Dicky did _not_ ask her early in the morning to go for a walk anywhere. Silence follows Dicky's speech. A faint-pink color, delicate but distinct, creeps into Portia's cheeks; she does not lower her head, however, or her eyes either, but gazes steadily through the open window at the hills in the far, far distance, misty with heat and coming rain.

She feels that Fabian's eyes are on her, and inwardly resents his scrutiny. As for Fabian himself, his brow contracts, and a somewhat unpleasant expression mars the beauty of his face; yet, turning to Dicky with the utmost composure, he says, calmly:

"Take Portia to see the carp-pond; that may interest her."

"So I will," says Dicky. "But you come, too, old man; won't you? You understand all about fish, you know, and that, and I don't a little screw. Make him come, Portia; he talks like a book when he has got to explain things."

"Don't trouble Portia," says Fabian, quietly. "_Even she_ could not persuade me to leave the house to-day, as I have business on hand that must be done."

There is the very faintest touch of sarcasm in his tone. The "even she," though very slightly done, is full of it. Portia, at least, is conscious of it. She unfurls her huge, black fan with a lazy gesture, and then turns her large eyes full upon him.

"So sorry my persuasions have failed," she says, slowly, not having persuaded him at all; and, satisfied with this speech, waves the fan indolently to and fro, and with half-closed eyes watches the merry little sunbeams outside as they run hither and thither over the grass.

"Oh! let us do something," says Dulce, from the distance. "I shall go mad if I am left here to talk to Roger all day."

"I am sure I don't want you to talk to me if it disagrees with you," says Roger, with ill-suppressed ire.

Then they tell her they are going for a gentle stroll before tea is ready, and she consents to go with them if Sir Mark will walk with her instead of Roger; and Roger, having indignantly disclaimed all anxiety to be her companion on this occasion, peace is restored, and they all sally forth armed with big, white umbrellas, to inspect the stupid carp.

Fabian alone remains indoors to transact the mysterious business, that I think would have been gladly laid aside had Portia so willed it. That she had absolutely refused to have him as her companion in her walk, was so evident at the time of her expressed desire to go to see the carp with Dicky Browne, that Fabian could not be blind to it. Standing in the window of the library now, with the dying sunset reddening the scene without, and shedding upon the flowers its tenderest tints of fair array, Fabian reminds himself of each word she had said, of each smallest smile and glance that had belonged to her, and at this moment hates her with a hatred that is exceptionally bitter.

Then a little wave flows over his soul, and he tells himself how that he is unjust, and a stranger cannot be reasonably expected to think him innocent of a crime he himself has been unable to refute.

The day wanes. Twilight falls; a flush of soft violet color deepens the sky. The sound of footsteps echoes again in the long hall without; they have returned from the carp and the new tennis ground, and are asking eagerly for their tea. The sun has gone down behind the Western hills, and the stained-glass windows are throwing a sombre light over the antlers and Gothic chairs, and mediaeval furniture, in which the halls delight. Fabian, hearing the footsteps, pulls himself together somewhat roughly, and, opening a door that leads to a passage in little use, makes his way to a distant office, where he tells himself, bitterly, he is "far from the madding crowd," and free from intrusion.

Dulce and Portia, crossing the hall, go down the north corridor that leads to the library Fabian has just vacated. A heavy crimson curtain conceals a door on one side, and, as they pass, a figure, emerging from behind it, brushes somewhat brusquely against Portia, filling her with sudden alarm.

This figure, as it appears in the vague gloaming, is bowed and bent, and altogether uncanny.

Portia, shrinking closer to Dulce, lays her hand upon her arm.

"Ah! what was that?" she says, fearfully.

"Only Gregory Slyme," returns Dulce, quickly, "you are not frightened at _him_, poor old thing, are you? Have you not seen him before?"

"No," says Portia, with a shudder and a backward glance at the shrunken figure creeping away down the corridor as if ashamed of itself.

"No?--that is strange; but he has affected his own room a good deal of late."

"But who is he?" anxiously.

"He was Uncle Christopher's secretary for years, and calls himself that still, but Fabian does all the writing now."

"What a start he gave me," says Portia, putting her hand hurriedly to her heart as though in pain. "A chill seemed to rush all through my blood. It was as though I had met something that had worked, and would work, me harm!"

"Fanciful baby," says Dulce, with very superior scorn; "old Slyme could not work ill to anyone. He has lived with us for years; but lately, within the last eight months, he has become--well, a little uncomfortable; indeed, perhaps, unbearable is the word."

"How so?--what has he done?" asks Portia, unaccountably interested in this shadow that has crossed her path.

"I think he is very fond of brandy," says Dulce, reluctantly, and in a very grieved little tone. "Poor old Gregory!"


CHAPTER VI.


"Present mirth hath present laughter,
What's to come is still unsure."
--SHAKESPEARE.


"JULIA is coming to-day," says Dulce, looking at them all, with the tea-pot poised in her hand. It is evident that this sudden announcement has hitherto been forgotten. "I heard from her this morning," she says, half apologetically, "but never thought of telling you until now. She will be here in time for dinner, and she is bringing the children with her."

"Only the children?" says Roger, the others are all singularly dumb.

"Yes. The _ayah_ has gone home. Of course she will bring a nurse of some sort, but not Singa."

"For even small mercies we should be thankful," says Roger.

"Who is Julia?" asks Portia, idly.


"'Who is Julia? What is she
That all our swains commend her?
Holy, fair, and wise is she,
The heavens such grace----'"


"Oh, that will do," says Dicky Browne, turning impatiently to Roger, who has just delivered himself of the above stanza.

"Don't be severe," says Dulce, reprovingly; "extravagant praise is always false, and as to the swains, that is what she _wants_ them to do, only they won't."

"Now, who is severe?" says Roger triumphantly.

"As yet, you have hardly described her," says Portia.

"Let me do it," entreats Mr. Browne, airily, "I feel in the very vein for that sort of thing. She is quite a thing to dream of; and she is much too preciously utter, and quite too awfully too-too!"

"That's obsolete now," says Dulce, "quite out of the market altogether. Too-too has been superseded, you should tell Portia she is very-very!"

"Odious," says Roger, in a careful aside as though determined to think Miss Blount's speech unfinished.

"She is like Barbauld's _Spring_," put in Sir Mark, lazily, coming up to have his cup refilled. "She is the 'sweet daughter of a rough and stormy sire.' Do any of you remember old Charley Blount?"

Plainly, nobody does. Everybody looks at everybody else, as though _they_ should have known him, but nothing comes of it.

"Well, he was just the funniest old thing," says Sir Mark, laughing, at some absurd recollection. "Well, he is gone now, and

'I know it is a sin For me to sit and grin At him here; But the old three-cornered hat And the breeches, and all that, _Were_ so queer.'

"And bless me, what a temper he had," says Sir Mark, laughing again at his quotation. "His clothes and his temper were old Blount's principal features. Hideous old monster he was too."

"Is she hideous?" ask Portia.

"N-o. She is well enough; she isn't a bit like him, if we forget the clothes and temper. She says her mother was very beautiful."

"I never knew a woman whose mother wasn't beautiful, once the mother was dead," says Roger. "Sort of thing they tell you the moment they get the chance."

Five o'clock has struck some time ago. Evening is coming on apace. On the dry, smooth-shaven lawn, outside, the shadows are lengthening, stretching themselves indolently as though weary from all the hide-and-seek they have been playing, since early dawn, in the nooks and corners of the quaint old garden.

June has not yet quite departed; its soft, fresh glory still