Artists' Wives by Alphonse Daudet (best non fiction books of all time .txt) 📕

former cage. Don't be alarmed, it won't stay there long. Either I am very much mistaken or the Parisian of yesterday will soon weary of the antiquated surroundings, and ere long regret the vivacities of her poet. Above all don't stir.
Your old friend,
Marestang.
_To Monsieur Marestang, attorney in Paris_.
At the same moment with your rational and friendly letter, I received a telegram from Moulins, announcing Nina's return. Ah! what a true prophet you were! She is coming back this evening, all alone, just as she left me, without the slightest advance on my part. The thing now will be to arrange so easy and agreeable a life for her, that she shall never again be tempted to leave me. I have laid in a stock of tenderness and patience during her week's absence. There is only one point on which I remain inflexible: I will not again receive that horrible _Tata Bobosse_, that blue stocking of 1820, who gave me her niece only in the hopes that my modest fame would serve to heighten hers. Remember, my dear Marestang, that ever since my marriage this wicked little old woman has always come between my wife and me, pushing her hump into all our amusements at the theatres, the exhibitions, in society, in the country, everywhere in fact. And you wonder after that, at my having displayed a certain haste in getting rid of her, and packing her off to her good town of Moulins. Indeed, my dear fellow, you have no idea of all the harm those old maids, suspicious and ignorant of life, are capable of doing in a young household. This one had stuffed my wife's pretty little head full of false, old fashioned, preposterous ideas, trumpery sentimentality of the time of Ipsiboe or young Florange: "Ah! if my lady love saw me!" For her, I was a poate, the poate one sees on the frontispieces of Renduel or Ladvocat, crowned with laurels, a lyre on his hips, and his short velvet-collared cloak blown aside by a Parnassian gust of wind. That was the husband she had promised her niece, and you may fancy how terribly my poor Nina must have been disappointed. Nevertheless I admit that I was very bungling with the dear child. As you say, I wanted to go ahead too rapidly, I frightened her. It was my part gently to modify all that the rather narrowing and false education of the convent and the sentimental dreams of the Aunt had effected, leaving the provincial perfume time to evaporate. However all this can be repaired since she is returning. She is returning, my dear friend! This evening, I shall go and meet her at the station and we shall walk home arm in arm, reconciled and happy.
Henri de B.
_Nina de B. to her Aunt in Moulins_.
He was waiting for me at the station and greeted me with a smile and open arms, as though I were returning from some ordinary journey. You can imagine that I put on my iciest appearance. Directly I reached home, I shut myself up in my room, where I dined alone, pleading fatigue. After which, I locked myself in. He came to bid me good-night through the key-hole, and to my great surprise, went away on tiptoe without anger or importunity. This morning, I called on Monsieur Petitbry, who gave me detailed instructions as to the way I was to act, the hour, place, witnesses. Ah! my dear Aunt, if you knew how frightened I am as the hour draws near.
His violence is so dreadful. Even when he is gentle like yesterday, his eyes have flashes of lightning. However, I will try and be courageous in thinking of you, my darling Aunt. Besides, as Monsieur Petitbry said to me, it is only a short painful moment to get over, and then we will both resume our former quiet life, so calm and happy.
Nina de B.
_From the same to the same_.
Dear Aunt, I am writing to you from my bed, torn by the emotions of that terrible scene. Who could have supposed that things would take this turn? Nevertheless I had taken every precaution. I had warned Marthe and her sister, who were to come at one o'clock, and I had chosen for the great scene the moment when on leaving the table, the servants are clearing away in the dining-room next to the study. From early morn my plans were laid; an hour of scales and exercises on the piano, the _Cloches du Monastere_, the _Reveries de Rosellen_, all the pieces he hates. This did not prevent his working away without betraying the slightest irritability. At breakfast, the same patience. A detestable breakfast, scraps, and the sweet dishes he loathes. And if you had seen my costume! A dress with a cape some five years out of date, a little black silk apron, and uncurled hair! In vain I sought for some signs of irritation, that well-known straight line that Monsieur hollows out between his eyebrows at the least annoyance. Well no! nothing! Really I might have thought they had changed my husband. He said to me in a calm and rather sad tone:
"Ah, you have done your hair in the old way."
I hardly answered, not wishing to hurry on matters before my witnesses had arrived, and then, strangely enough, I felt somewhat moved and upset beforehand by the scene I was trying to get up. At last, after a few still shorter replies on my part, he rose from the table and went into his own room. I followed him trembling. I heard my friends stationing themselves in the little drawing-room, and Pierre who came and went, arranging the glasses and silver. The decisive moment had arrived. He must now be brought to the needful point of violence, and it seemed to me this would be easy, after all I had done since the morning to irritate him.
When I entered his study I must have been very pale. I felt myself in the lion's cage. The thought flashed across me: "Suppose he killed me!" He did not present a very terrible appearance, however, leaning back on his divan, a cigar in his mouth.
"Do I disturb you?" I asked in my most ironical voice.
He replied gently:
"No. You see. I am not working."
Myself, viciously:
"Ah! indeed you don't work then at all, now?"
He still very mild.
"You are mistaken, my dear. On the contrary, I work a great deal. Only our craft is one in which a great deal of work can be done without having a tool in hand."
"And what may you be doing at this moment? Ah! yes, I know, your play in verse; always the same thing for the last two years. It is certainly lucky that your wife had a fortune! That allows you to idle at your ease."
I thought he would have sprung upon me at this. Not a bit of it. He came up to me and took hold of my hands gently:
"Come, is it to be always the same thing? Are we to begin our life of warfare again? If so, why did you come back?"
I confess I felt rather moved by his sad and affectionate tone; but I thought of you, my poor Aunt, of your exile, of his harsh conduct towards us, and that gave me courage. I said to him the bitterest, most wounding things I could think of--I know not what--that I wished to heaven I had never married an artist; that at Moulins, every one pitied me; that I found my friends married to magistrates, serious, influential men, in good positions, while he--If even he made money--But no, Monsieur would work for fame only! and what fame!
At Moulins no one knew him; at Paris, his pieces were hissed. His books did not sell. And so on, and so on. My brain seemed to whirl round as all the malicious words came from me one after the other. He looked at me without replying, in chilly anger. Of course this coldness exasperated me still more. I was so much excited, that I no longer recognized my own voice, raised to an extraordinary pitch, and the last words I screamed at him--I can't remember what unjust and mad remark it was--seemed to buzz indistinctly in my ears. For a moment, I thought Monsieur Petitbry's assault with violence was an accomplished fact. Pallid, with set teeth Henri made two steps towards me:
"Madame!"
Then suddenly, his anger fell, his face became impassive again, and he looked at me with so scornful, insolent and calm a glance, that my patience came to an end. I raised my hand, and gave him the best box on the ear I ever gave in my life. At the noise, the door opened, and my witnesses appeared solemn and indignant.
"Monsieur! this is infamous!"
"Yes, isn't it?" said the poor fellow, showing his red cheek.
You can imagine my confusion. Happily, I took the line of fainting, and melting into torrents of tears, which relieved me greatly. At present, Henri is in my room. He watches by me, nurses me, and is really most kind. What can I do? What a checkmate! This will not prove very satisfactory to Monsieur Petitbry.
Nina de B.


BOHEMIA AT HOME.
I hardly fancy it would be possible to find in the whole of Paris, a more lively and peculiar house than that of the sculptor Simaise. Life there is one continual round of festivities. At whatever hour you drop in upon them, a sound of singing and laughter, or the jingle of a piano, guitar, or tamtam greets you. You can never enter the studio without finding a waltz going on, or a set of quadrilles, or a game of battledore and shuttlecock, or else it is cumbered with all the litter and preparations for a ball; shreds of tulle and ribbons lying scattered among the sculptor's chisels; artificial flowers hanging over the busts, and spangled skirts spreading over groups of moist clay.
The fact is that four big t daughters of sixteen to twenty-five years of age, all very pretty indeed, take up a great deal of room; and when these young ladies whirl round with their hair streaming down their backs, with floating ribbons, long pins, and showy ornaments, it really seems as if instead of four there were eight, sixteen, thirty-two Misses Simaise, as dashing the one as the other, talking and laughing loudly, with the hoydenish manner peculiar to artists' daughters, with the studio jests, the familiarity of students, and knowing also better than anyone how to dismiss a creditor or blow up a tradesman impertinent enough to present his bill at an inopportune moment.
These young damsels are the real mistresses of the house. From early dawn the father works, chisels, models unceasingly, for he has no settled income. At first he was ambitious and strove to do good work; some early successful exhibitions promised him future fame; but the necessity of providing for the support of his family, the clothing, feeding and future establishment of his children, threw him back into the ordinary work of the trade. As for Madame Simaise, she never attended to anything.
Very handsome when she married, very much admired in the artistic world into which her husband introduced her, at first satisfied with being only a pretty woman, later on she resigned herself to the part of a woman who had been pretty. A creole by birth, at least such was her pretension--although it was asserted that her parents had never left Courbevoie,--she spent the days from morning to night in a hammock swung up in turn in all the different rooms of the house, fanning herself and taking siestas, full of contempt for the material details of everyday life. She