Sacred and Profane Love by Arnold Bennett (best business books of all time TXT) 📕

essentially she was girlish compared to me. And yet--and yet--that which she had kept and which I had given away was precious, too--indefinably and wonderfully precious! The price of knowledge and of ecstasy seemed heavy to me then. The girl that had gone with Diaz into that hotel apartment had come out no more. She had expired there, and her extinction was the price, Oh, innocence! Oh, divine ignorance! Oh, refusal! None knows your value save her who has bartered you! And herein is the woman's tragedy.

There in that mausoleum I decided that I must never see Diaz again. He was fast in my heart, a flashing, glorious treasure, but I must never see him again. I must devote myself to memory.

On the dressing-table lay a brown-paper parcel which seemed out of place there. I opened it, and it contained a magnificently-bound copy of The Imitation of Christ. Upon the flyleaf was written: 'To dearest Carlotta on attaining her majority. With fondest love. C.P.'

It was too much; it was overwhelming. I wept again. Soul so kind and pure! The sense of my loss, the sense of the simple, proud rectitude of her life, laid me low.


V


Train journeys have too often been sorrowful for me, so much so that the conception itself of a train, crawling over the country like a snake, or flying across it like a winged monster, fills me with melancholy. Trains loaded with human parcels of sadness and illusion and brief joy, wandering about, crossing, and occasionally colliding in the murk of existence; trains warmed and lighted in winter; trains open to catch the air of your own passage in summer; night-trains that pierce the night with your yellow, glaring eyes, and waken mysterious villages, and leave the night behind and run into the dawn as into a station; trains that carry bread and meats for the human parcels, and pillows and fountains of fresh water; trains that sweep haughtily and wearily indifferent through the landscapes and the towns, sufficient unto yourselves, hasty, panting, formidable, and yet mournful entities: I have understood you in your arrogance and your pathos.

That little journey from Knype to Shawport had implanted itself painfully in my memory, as though during it I had peered too close into the face of life. And now I had undertaken another, and a longer one. Three months had elapsed--three months of growing misery and despair; three months of tedious familiarity with lawyers and distant relatives, and all the exasperating camp-followers of death; three months of secret and strange fear, waxing daily. And at last, amid the expostulations and the shrugs of wisdom and age, I had decided to go to London. I had little energy, and no interest, but I saw that I must go to London; I was driven there by my secret fear; I dared not delay. And not a soul in the wide waste of the Five Towns comprehended me, or could have comprehended me had it been so minded. I might have shut up the house for a time. But no; I would not. Always I have been sudden, violent, and arbitrary; I have never been able to tolerate half-measures, or to wait upon occasion. I sold the house; I sold the furniture. Yes; and I dismissed my faithful Rebecca and the clinging Lucy, and they departed, God knows where; it was as though I had sold them into slavery. Again and again, in the final week, I cut myself to the quick, recklessly, perhaps purposely; I moved in a sort of terrible languor, deaf to every appeal, pretending to be stony, and yet tortured by my secret fear, and by a hemorrhage of the heart that no philosophy could stanch. And I swear that nothing desolated me more than the strapping and the labelling of my trunks that morning after I had slept, dreamfully, in the bed that I should never use again--the bed that, indeed, was even then the property of a furniture dealer. Had I wept at all, I should have wept as I wrote out the labels for my trunks: 'Miss Peel, passenger to Golden Cross Hotel, London. Euston via Rugby,' with two thick lines drawn under the 'Euston.' That writing of labels was the climax. With a desperate effort I tore myself up by the roots, and all bleeding I left the Five Towns. I have never seen them since. Some day, when I shall have attained serenity and peace, when the battle has been fought and lost, I will revisit my youth. I have always loved passionately the disfigured hills and valleys of the Five Towns. And as I think of Oldcastle Street, dropping away sleepily and respectably from the Town Hall of Bursley, with the gold angel holding a gold crown on its spire, I vibrate with an inexplicable emotion. What is there in Oldcastle Street to disturb the dust of the soul?

I must tell you here that Diaz had gone to South America on a triumphal tour of concerts, lest I forget! I read it in the paper.

So I arrived in London on a February day, about one o'clock. And the hall-porter at the Golden Cross Hotel, and the two pale girls in the bureau of the hotel, were sympathetic and sweet to me, because I was young and alone, and in mourning, and because I had great rings round my eyes. It was a fine day, blue and mild. At half-past three I had nothing in the world to do. I had come to London without a plan, without a purpose, with scarcely an introduction; I wished simply to plunge myself into its solitude, and to be alone with my secret fear. I walked out into the street, slowly, like one whom ennui has taught to lose no chance of dissipating time. I neither liked nor disliked London. I had no feelings towards it save one of perplexity. I thought it noisy, dirty, and hurried. Its great name roused no thrill in my bosom. On the morrow, I said, I would seek a lodging, and perhaps write to Ethel Ryley. Meanwhile I strolled up into Trafalgar Square, and so into Charing Cross Road. And in Charing Cross Road--it was the curst accident of fate--I saw the signboard of the celebrated old firm of publishers, Oakley and Dalbiac. It is my intention to speak of my books as little as possible in this history. I must, however, explain that six months before my aunt's death I had already written my first novel, The Jest, and sent it to precisely Oakley and Dalbiac. It was a wild welter of youthful extravagances, and it aimed to depict London society, of which I knew nothing whatever, with a flippant and cynical pen. Oakley and Dalbiac had kept silence for several months, and had then stated, in an extremely formal epistle, that they thought the book might have some chance of success, and that they would be prepared to publish it on certain terms, but that I must not expect, etc. By that time I had lost my original sublime faith in the exceeding excellence of my story, and I replied that I preferred to withdraw the book. To this letter I had received no answer. When I saw the famous sign over a doorway the impulse seized me to enter and get the manuscript, with the object of rewriting it. Soon, I reflected, I might not be able to enter; the portals of mankind might be barred to me for a space.... I saw in a flash of insight that my salvation lay in work, and in nothing else. I entered, resolutely. A brougham was waiting at the doors.

After passing along counters furnished with ledgers and clerks, through a long, lofty room lined with great pigeon-holes containing thousands of books each wrapped separately in white paper, I was shown into what the clerk who acted as chamberlain called the office of the principal. This room, too, was spacious, but so sombre that the electric light was already burning. The first thing I noticed was that the window gave on a wall of white tiles. In the middle of the somewhat dingy apartment was a vast, square table, and at this table sat a pale, tall man, whose youth astonished me--for the firm of Oakley and Dalbiac was historic.

He did not look up exactly at the instant of my entering, but when he did look up, when he saw me, he stared for an instant, and then sprang from his chair as though magically startled into activity. His age was about thirty, and he had large, dark eyes, and a slight, dark moustache, and his face generally was interesting; he wore a dark gray suit. I was nervous, but he was even more nervous; yet in the moment of looking up he had not seemed nervous. He could not do enough, apparently, to make me feel at ease, and to show his appreciation of me and my work. He spoke enthusiastically of The Jest, begging me neither to suppress it nor to alter it. And, without the least suggestion from me, he offered me a considerable sum of money in advance of royalties. At that time I scarcely knew what royalties were. But although my ignorance of business was complete, I guessed that this man was behaving in a manner highly unusual among publishers. He was also patently contradicting the tenor of his firm's letter to me. I thanked him, and said I should like, at any rate, to glance through the manuscript.

'Don't alter it, Miss Peel, I beg,' he said. 'It is "young," I know; but it ought to be. I remember my wife said--my wife reads many of our manuscripts--by the way--' He went to a door, opened it, and called out, 'Mary!'

A tall and slim woman, extremely elegant, appeared in reply to this appeal. Her hair was gray above the ears, and I judged that she was four or five years older than the man. She had a kind, thin face, with shining gray eyes, and she was wearing a hat.

'Mary, this is Miss Peel, the author of The Jest--you remember. Miss Peel, my wife.'

The woman welcomed me with quick, sincere gestures. Her smile was very pleasant, and yet a sad smile. The husband also had an air of quiet, restrained, cheerful sadness.

'My wife is frequently here in the afternoon like this,' said the principal.

'Yes,' she laughed; 'it's quite a family affair, and I'm almost on the staff. I distinctly remember your manuscript, Miss Peel, and how very clever and amusing it was.'

Her praise was spontaneous and cordial, but it was a different thing from the praise of her husband. He obviously noticed the difference.

'I was just saying to Miss Peel--' he began, with increased nervousness.

'Pardon me,' I interrupted. 'But am I speaking to Mr. Oakley or Mr. Dalbiac?'

'To neither,' said he. 'My name is Ispenlove, and I am the nephew of the late Mr. Dalbiac. Mr. Oakley died thirty years ago. I have no partner.'

'You expected to see a very old gentleman, no doubt,' Mrs. Ispenlove remarked.

'Yes,' I smiled.

'People often do. And Frank is so very young. You live in London?'

'No,' I said; 'I have just come up.'

'To stay?'

'To stay.'

'Alone?'

'Yes. My aunt died a few months ago. I am all that is left of my family.'

Mrs. Ispenlove's eyes filled with tears, and she fingered a gold chain that hung from her neck.

'But have you got rooms--a house?'

'I am at a hotel for the moment.'

'But you have friends?'

I shook my head. Mr. Ispenlove was glancing rapidly from