The Inferno by Henri Barbusse (motivational novels TXT) 📕

. .


He did not look at her, and when he did look at her, he did not see her.

It was a solemn spectacle, a drama, but a drama dismal and depressing. That man was not happy, and yet I envied him his happiness. How explain this except by the fact that happiness is within us, within each of us, and is the desire for what we do not possess?

These two were together, but in reality far apart. They had left each other without leaving each other. A sort of intrigue about nothing held them together. They would never come nearer again, for between them lay the impassable barrier of love over and done with. This silence and this mutual ignorance are the cruelest things in the world. To cease to love is worse than to hate, for say what you will, death is worse than suffering.

I am sorry for the men and women who go through life together in the chains of indifference. I am sorry for the poor heart that has what it has for so short a time. I am sorry for the men who have the heart not to love any more.

And for a moment, seeing this simple harrowing scene, I underwent a little of the enormous suffering of those innumerable people who suffer all.

. . . . .


Amy finished dressing. She put on a coat to match her skirt, leaving it partly open to show her transparent flesh-coloured lingerie waist. Then she left us--her husband and me.

He, too, made ready to leave, but the door opened again. Was it Amy coming back? No, it was the maid, who, seeing the room was occupied, started to withdraw.

"Excuse me, sir. I came to put the room in order, but I don't want to disturb you."

"You may stay."

She began to pick things up and close drawers. He raised his head and looked at her out of the corner of his eye. Then he rose and went over to her awkwardly, as though fascinated. A scuffling and an outcry, stifled by a coarse laugh. She dropped her brush and the gown she was holding. He caught her from behind and put his arms around her waist.

"Oh, go on! Stop! What-che doing?"

He did not say anything, but pressed her closer to him.

She laughed. Her hair came partly undone and fell down over her blowsy face. He trod on Amy's gown, which had dropped from the girl's hand. Then she felt the thing had gone far enough.

"Now, that'll do, that'll do," she said.

Since he still said nothing and brought his jaw close to her neck, she got angry.

"I told you, that'll do. Stop, I say. What's the matter with you?"

At length he let her go, and left, laughing a devilish laugh of shame and cynicism.

He went out, his passion still seething. But it was not only the overwhelming instinct that was stirring in him. A moment before that exquisite woman had unfolded herself in his presence in all her exquisite beauty, and he had not desired her.

Perhaps she denied herself to him. Perhaps they had an agreement with each other. But I plainly saw that even his eyes did not care, those same eyes which kindled at the sight of the servant girl, that ignoble Venus with untidy hair and dirty finger nails.

Because he did not know her, because she was different from the one whom he knew. To have what one has not. So, strange as it may seem, it was an idea, a lofty, eternal idea that guided his instinct.

I understood--I to whom it was given to behold these human crises--I understood that many things which we place outside ourselves are really inside ourselves, and that this was the secret.

How the veils drop off! How the intricacies unravel, and simplicity appears!

. . . . .


One dark stormy night two women came and occupied the Room. I could not see them and caught only fragments of their strange, whispered talk of love. From that time on the meals of the boarding-house had a magic attraction for me. I studied all the faces, trying to identify those two beings.

But I questioned pairs of faces in vain. I made efforts to detect resemblances. There was nothing to guide me. I knew them no more than if they had been buried in the dark night outside.

There were five girls or young women in the dining-room. One of them, at least, must have been an occupant of the Room that night. But a stronger will than mine shut off her countenance. I did not know, and I was overwhelmed by the nothingness of what I saw.

They left, one at a time. I did not know. My hands twitched in the infinity of uncertainty, and my fingers pressed the void. My face was there, my face, which was a definite thing, confronting everything possible, everything indefinite.

. . . . .


The lady there! I recognised Amy. She was talking to the landlady beside the window. I did not notice her at first, because of the other boarders between us.

She was eating grapes, daintily, with a rather studied manner.

I turned towards her. Her name was Madame Montgeron or Montgerot. It sounded funny to me. Why did she have that name? It seemed not to suit her, or to be useless. It struck me how artificial words and signs are.

The meal was over. Almost everybody had gone out. Coffee cups and sticky little liqueur glasses were scattered on the table on which a sunbeam shone, mottling the tablecloth and making the glasses sparkle. A coffee stain had dried on the cloth and gave out fragrance.

I joined in the conversation between Amy and Madame Lemercier. She looked at me. I scarcely recognised her look, which I had seen so clearly before.

The man-servant came in and whispered a few words to Madame Lemercier. She rose, excused herself, and went out of the room. I was left with Amy. There were only two or three people in the dining-room, who were discussing what they were going to do in the afternoon.

I did not know what to say to her. The conversation flagged and died out. She must have thought that she did not interest me--this woman, whose heart I had seen, and whose destiny I knew as well as God Himself.

She reached for a newspaper lying on the table, read a line or two, then folded it, rose and also left the room.

Sickened by the commonplaceness of life and dull from the heaviness of the after-lunch hour, I leaned drowsily on the long, long table, the sunlit table disappearing into infinity, and I made an effort to keep my arms from giving way, my chin from dropping, and my eyes from closing.

And in that disorderly room, where the servants were already hastening quietly to clear the table and make ready for the evening meal, I lingered almost alone, not knowing whether I was happy or unhappy, not knowing what was real and what was supernatural.

Then I understood. It came upon me softly, heavily. I looked around at all those simple, peaceful things. Then I closed my eyes, and said to myself, like a seer who gradually becomes conscious of the nature of the revelation he has seen, "The infinite--why, this is the infinite. It is true. I can no longer doubt." It came upon me with force that there is nothing strange on earth, that the supernatural does not exist, or, rather, that it is everywhere. It is in reality, in simplicity, in peace. It is here, inside these walls. The real and the supernatural are one and the same. There can no more be mystery in life than there can be a fourth dimension.

I, like other men, am moulded out of infinity. But how confused it all was to me! And I dreamed of myself, who could neither know myself well nor rid me of myself--myself who was like a deep shadow between my heart and the sun.


CHAPTER VII

The same background, the same half-light tarnishing them as when I first saw them together. Amy and her lover were seated beside each other, not far from me.

They seemed to have been talking for some time already.

She was sitting behind him, on the sofa, concealed by the shadow of the evening and the shadow of the man. He was bending over, pale and vaguely outlined, with his hands on his knees.

The night was still cloaked in the grey silken softness of evening. Soon it would cast off this mantle and appear in all its bare darkness. It was coming on them like an incurable illness. They seemed to have a presentiment of it and sought refuge from the fatal shadows in talking and thinking of other things.

They talked apathetically about this and that. I heard the names of places and people. They mentioned a railway station, a public walk, a florist.

All at once she stopped and hid her face in her hands.

He took her wrists, with a sad slowness that showed how much he was used to these spells, and spoke to her without knowing what to say, stammering and drawing as close as he could to her.

"Why are you crying? Tell me why you are crying."

She did not answer. Then she took her hands away from her eyes and looked at him.

"Why? Do I know? Tears are not words."

. . . . .


I watched her cry--drown herself in a flood of tears. It is a great thing to be in the presence of a rational being who cries. A weak, broken creature shedding tears makes the same impression as an all- powerful god to whom one prays. In her weakness and defeat Amy was above human power.

A kind of superstitious admiration seized me before this woman's face bathed from an inexhaustible source, this face sincere and truthful.

. . . . .


She stopped crying and lifted her head. Without his questioning her again she said:

"I am crying because one is alone.

"One cannot get away from one's self. One cannot even confess anything. One is alone. And then everything passes, everything changes, everything takes flight, and as soon as everything takes flight one is alone. There are times when I see this better than at other times. And then I cannot help crying."

She was getting sadder and sadder, but then she had a little access of pride, and I saw a smile gently stir her veil of melancholy.

"I am more sensitive than other people. Things that other people would not notice awaken a distinct echo in me, and in such moments of lucidity, when I look at myself, I see that I am alone, all alone, all alone."

Disturbed to see her growing distress, he tried to