Dombey and Son by Charles Dickens (read aloud .txt) 📕

understands, dear Dombey. Edith, my dear,--she fully understands.'

Again, the good mother presses her daughter's arm. Mr Dombey offers no additional remonstrance; for the clergyman and clerk appear; and Mrs Miff, and Mr Sownds the Beadle, group the party in their proper places at the altar rails.

The sun is shining down, upon the golden letters of the ten commandments. Why does the Bride's eye read them, one by one? Which one of all the ten appears the plainest to her in the glare of light? False Gods; murder; theft; the honour that she owes her mother;--which is it that appears to leave the wall, and printing itself in glowing letters, on her book!

"Who giveth this woman to be married to this man?"'

Cousin Feenix does that. He has come from Baden-Baden on purpose. 'Confound it,' Cousin Feenix says--good-natured creature, Cousin Feenix--'when we do get a rich City fellow into the family, let us show him some attention; let us do something for him.' I give this woman to be married to this man,' saith Cousin Feenix therefore. Cousin Feenix, meaning to go in a straight line, but turning off sideways by reason of his wilful legs, gives the wrong woman to be married to this man, at first--to wit, a brides--maid of some condition, distantly connected with the family, and ten years Mrs Skewton's junior--but Mrs Miff, interposing her mortified bonnet, dexterously turns him back, and runs him, as on castors, full at the 'good lady:' whom Cousin Feenix giveth to married to this man accordingly. And will they in the sight of heaven--? Ay, that they will: Mr Dombey says he will. And what says Edith? She will. So, from that day forward, for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, till death do them part, they plight their troth to one another, and are married. In a firm, free hand, the Bride subscribes her name in the register, when they adjourn to the vestry. 'There ain't a many ladies come here,' Mrs Miff says with a curtsey--to look at Mrs Miff, at such a season, is to make her mortified bonnet go down with a dip--writes their names like this good lady!' Mr Sownds the Beadle thinks it is a truly spanking signature, and worthy of the writer--this, however, between himself and conscience. Florence signs too, but unapplauded, for her hand shakes. All the party sign; Cousin Feenix last; who puts his noble name into a wrong place, and enrols himself as having been born that morning. The Major now salutes the Bride right gallantly, and carries out that branch of military tactics in reference to all the ladies: notwithstanding Mrs Skewton's being extremely hard to kiss, and squeaking shrilly in the sacred edifice. The example is followed by Cousin. Feenix and even by Mr Dombey. Lastly, Mr Carker, with his white teeth glistening, approaches Edith, more as if he meant to bite her, than to taste the sweets that linger on her lips.

There is a glow upon her proud cheek, and a flashing in her eyes, that may be meant to stay him; but it does not, for he salutes her as the rest have done, and wishes her all happiness.

'If wishes,' says he in a low voice, 'are not superfluous, applied to such a union.'

'I thank you, Sir,' she answers, with a curled lip, and a heaving bosom.

But, does Edith feel still, as on the night when she knew that Mr Dombey would return to offer his alliance, that Carker knows her thoroughly, and reads her right, and that she is more degraded by his knowledge of her, than by aught else? Is it for this reason that her haughtiness shrinks beneath his smile, like snow within the hands that grasps it firmly, and that her imperious glance droops In meeting his, and seeks the ground?

'I am proud to see,' said Mr Carker, with a servile stooping of his neck, which the revelations making by his eyes and teeth proclaim to be a lie, 'I am proud to see that my humble offering is graced by Mrs Dombey's hand, and permitted to hold so favoured a place in so joyful an occasion.'

Though she bends her head, in answer, there is something in the momentary action of her hand, as if she would crush the flowers it holds, and fling them, with contempt, upon the ground. But, she puts the hand through the arm of her new husband, who has been standing near, conversing with the Major, and is proud again, and motionless, and silent.

The carriages are once more at the church door. Mr Dombey, with his bride upon his arm, conducts her through the twenty families of little women who are on the steps, and every one of whom remembers the fashion and the colour of her every article of dress from that moment, and reproduces it on her doll, who is for ever being married. Cleopatra and Cousin Feenix enter the same carriage. The Major hands into a second carriage, Florence, and the bridesmaid who so narrowly escaped being given away by mistake, and then enters it himself, and is followed by Mr Carker. Horses prance and caper; coachmen and footmen shine in fluttering favours, flowers, and new-made liveries. Away they dash and rattle through the streets; and as they pass along, a thousand heads are turned to look at them, and a thousand sober moralists revenge themselves for not being married too, that morning, by reflecting that these people little think such happiness can't last.

Miss Tox emerges from behind the cherubim's leg, when all is quiet, and comes slowly down from the gallery. Miss Tox's eyes are red, and her pocket-handkerchief is damp. She is wounded, but not exasperated, and she hopes they may be happy. She quite admits to herself the beauty of the bride, and her own comparatively feeble and faded attractions; but the stately image of Mr Dombey in his lilac waistcoat, and his fawn-coloured pantaloons, is present to her mind, and Miss Tox weeps afresh, behind her veil, on her way home to Princess's Place. Captain Cuttle, having joined in all the amens and responses, with a devout growl, feels much improved by his religious exercises; and in a peaceful frame of mind pervades the body of the church, glazed hat in hand, and reads the tablet to the memory of little Paul. The gallant Mr Toots, attended by the faithful Chicken, leaves the building in torments of love. The Chicken is as yet unable to elaborate a scheme for winning Florence, but his first idea has gained possession of him, and he thinks the doubling up of Mr Dombey would be a move in the right direction. Mr Dombey's servants come out of their hiding-places, and prepare to rush to Brook Street, when they are delayed by symptoms of indisposition on the part of Mrs Perch, who entreats a glass of water, and becomes alarming; Mrs Perch gets better soon, however, and is borne away; and Mrs Miff, and Mr Sownds the Beadle, sit upon the steps to count what they have gained by the affair, and talk it over, while the sexton tolls a funeral.

Now, the carriages arrive at the Bride's residence, and the players on the bells begin to jingle, and the band strikes up, and Mr Punch, that model of connubial bliss, salutes his wife. Now, the people run, and push, and press round in a gaping throng, while Mr Dombey, leading Mrs Dombey by the hand, advances solemnly into the Feenix Halls. Now, the rest of the wedding party alight, and enter after them. And why does Mr Carker, passing through the people to the hall-door, think of the old woman who called to him in the Grove that morning? Or why does Florence, as she passes, think, with a tremble, of her childhood, when she was lost, and of the visage of Good Mrs Brown?

Now, there are more congratulations on this happiest of days, and more company, though not much; and now they leave the drawing-room, and range themselves at table in the dark-brown dining-room, which no confectioner can brighten up, let him garnish the exhausted negroes with as many flowers and love-knots as he will.

The pastry-cook has done his duty like a man, though, and a rich breakfast is set forth. Mr and Mrs Chick have joined the party, among others. Mrs Chick admires that Edith should be, by nature, such a perfect Dombey; and is affable and confidential to Mrs Skewton, whose mind is relieved of a great load, and who takes her share of the champagne. The very tall young man who suffered from excitement early, is better; but a vague sentiment of repentance has seized upon him, and he hates the other very tall young man, and wrests dishes from him by violence, and takes a grim delight in disobliging the company. The company are cool and calm, and do not outrage the black hatchments of pictures looking down upon them, by any excess of mirth. Cousin Feenix and the Major are the gayest there; but Mr Carker has a smile for the whole table. He has an especial smile for the Bride, who very, very seldom meets it.

Cousin Feenix rises, when the company have breakfasted, and the servants have left the room; and wonderfully young he looks, with his white wristbands almost covering his hands (otherwise rather bony), and the bloom of the champagne in his cheeks.

'Upon my honour,' says Cousin Feenix, 'although it's an unusual sort of thing in a private gentleman's house, I must beg leave to call upon you to drink what is usually called a--in fact a toast.

The Major very hoarsely indicates his approval. Mr Carker, bending his head forward over the table in the direction of Cousin Feenix, smiles and nods a great many times.

'A--in fact it's not a--' Cousin Feenix beginning again, thus, comes to a dead stop.

'Hear, hear!' says the Major, in a tone of conviction.

Mr Carker softly claps his hands, and bending forward over the table again, smiles and nods a great many more times than before, as if he were particularly struck by this last observation, and desired personally to express his sense of the good it has done.

'It is,' says Cousin Feenix, 'an occasion in fact, when the general usages of life may be a little departed from, without impropriety; and although I never was an orator in my life, and when I was in the House of Commons, and had the honour of seconding the address, was--in fact, was laid up for a fortnight with the consciousness of failure--'

The Major and Mr Carker are so much delighted by this fragment of personal history, that Cousin Feenix laughs, and addressing them individually, goes on to say:

'And in point of fact, when I was devilish ill--still, you know, I feel that a duty devolves upon me. And when a duty devolves upon an Englishman, he is bound to get out of it, in my opinion, in the best way he can. Well! our family has had the gratification, to-day, of connecting itself, in the person of my lovely and accomplished relative, whom I now see--in point of fact, present--'

Here there is general applause.

'Present,' repeats Cousin Feenix, feeling that it is a neat point which will bear repetition,--'with one who--that is to say, with a man, at whom the finger of scorn can never--in fact, with my honourable friend Dombey, if he will allow me to call him so.'

Cousin Feenix bows to Mr Dombey; Mr Dombey solemnly returns the bow; everybody is more or less gratified and affected by