The Story of Rome From the Earliest Times to the End of the Republic by Arthur Gilman (story read aloud .txt) 📕

[Illustration: THE HOUSE-PHILOSOPHER.]

The Roman house at first was extremely simple, being of but one room called the atrium, or darkened chamber, because its walls were stained by the smoke that rose from the fire upon the hearth and with difficulty found its way through a hole in the roof. The aperture also admitted light and rain, the water that dripped from the roof being caught in a cistern that was formed in the middle of the room. The atrium was entered by way of a vestibule open to the sky, in which the gentleman of the house put on his toga as he went out. [Footnote: When Cincinnatus went out to work in the field, he left his toga at home, wearing his tunic only, and was “naked” (_nudus_), as the Romans said. The custom illustrates MATT, xxiv., 18. (See p. 86.)] Double doors admitted the visitor to the entrance-hall or ostium. There was a threshold, upon which it was unlucky to place the left foot; a knocker afforded means of announcing one’s approach, and a porter, who had a small room at the side, opened the door, showing the caller the words Cave canem (beware of the dog), or Salve (welcome), or perchance the dog himself reached out toward the visitor as far as his chain would allow. Sometimes, too, there would be noticed in the mosaic of the pavement the representation of the faithful domestic animal which has so long been the companion as well as the protector of his human friend. Perhaps myrtle or laurel might be seen on a door, indicating that a marriage was in process of celebration, or a chaplet announcing the happy birth of an heir. Cypress, probably set in pots in the vestibule, indicated a death, as a crape festoon does upon our own door-handles, while torches, lamps, wreaths, garlands, branches of trees, showed that there was joy from some cause in the house.

[Illustration: DINING TABLE AND COUCHES.]

In the “black room” the bed stood; there the meals were cooked and eaten, there the goodman received his friends, and there the goodwife sat in the midst of her maidens spinning. The original house grew larger in the course of time: wings were built on the sides, and the Romans called them wings as well as we (_ala_, a wing). Beyond the black room a recess was built in which the family records and archives were preserved, but with it for a long period the Roman house stopped its growth.

Before the empire came, however, there had been great progress in making the dwelling convenient as well as luxurious. Another hall had been built out from the room of archives, leading to an open court, surrounded by columns, known as the peristylum (_peri_ about, stulos, a pillar), which was sometimes of great magnificence.

Bedchambers were made separate from the atrium, but they were small, and would not seem very convenient to modern eyes.

The dining-room, called the triclinium (Greek, kline, a bed) from its three couches, was a very important apartment. In it were three lounges surrounding a table, on each of which three guests might be accommodated. The couches were elevated above the table, and each man lay almost flat on his breast, resting on his left elbow, and having his right hand free to use, thus putting the head of one near the breast of the man behind him, and making natural the expression that he lay in the bosom of the other. [Footnote: In the earliest times the Romans sat at table on benches. The habit of reclining was introduced from Greece, but Roman women sat at table long after the men had fallen into the new way.] As the guests were thus arranged by threes, it was natural that the rule should have been made that a party at dinner should not be less in number than the Graces nor more than the Muses, though it has remained a useful one ever since.

Spacious saloons or parlors were added to the houses, some of which were surrounded with galleries and highly adorned. In these the dining-tables were spread on occasions of more ceremony than usual. After the capture of Syracuse, and the increase of familiarity with foreign art, picture-rooms were built in private dwellings; and after the second Punic war, book-rooms became in some sort a necessity. Before the republic came to an end, it was so fashionable to have a book-room that ignorant persons who might not be able to read even the titles of their own books endeavored to give themselves the appearance of erudition by building book-rooms in their houses and furnishing them with elegance.

The books were in cases arranged around the walls in convenient manner, and busts and statues of the Muses, of Minerva, and of men of note were used then as they are now for ornaments. [Footnote: The books were rolls of the rind (_liber_) of the Egyptian papyrus, which early became an article of commerce, or of parchment, written on but one side and stained of a saffron color on the other. Slaves were employed to make copies of books that were much in demand, and booksellers bought and sold them.] House-philosophers were often employed to open to the uninstructed the stores of wisdom contained in the libraries.

As wealth and luxury increased, the Romans added the bath-room to their other apartments. In the early ages they had bathed for comfort and cleanliness once a week, but the warm bath was apparently unknown to them. In time this became very common, and in the days of Cicero there were hot and cold baths, both public and private, which were well patronized. Some were heated by fires in flues, directly under the floors, which produced a vapor bath. The bath was, however, considered a luxury, and at a later date it was held a capital offence to indulge in one on a religious holiday, and the public baths were closed when any misfortune happened to the republic.

Comfort and convenience united to take the cooking out of the atrium (which then became a reception-room) into a separate apartment known as the culina, or kitchen, in which was a raised platform on which coals might be burned and the processes of broiling, boiling, and roasting might be carried on in a primitive manner, much like the arrangement still to be seen at Rome. On the tops of the houses, after a while, terraces were planned for the purpose of basking in the sun, and sometimes they were furnished with shrubs, fruit-trees, and even fishponds. Often there were upwards of fifty rooms in a house on a single floor; but in the course of time land became so valuable that other stories were added, and many lived in flats. A flat was sometimes called an insula, which meant, properly, a house not joined to another, and afterwards was applied to hired lodgings. Domus, a house, meant a dwelling occupied by one family, whether it were an insula or not.

The floors of these rooms were sometimes, but not often, laid with boards, and generally were formed of stone, tiles, bricks, or some sort of cement. In the richer dwellings they were often inlaid with mosaics of elegant patterns. The walls were often faced with marble, but they were usually adorned with paintings; the ceilings were left uncovered, the beams supporting the floor or the roof above being visible, though it was frequently arched over. The means of lighting, either by day or night, were defective. The atrium was, as we have seen, lighted from above, and the same was true of other apartments—those at the side being illuminated from the larger ones in the middle of the house.

There were windows, however, in the upper stories, though they were not protected by glass, but covered with shutters or lattice-work, and, at a later period, were glazed with sheets of mica. Smoking lamps, hanging from the ceiling or supported by candelabra, or candles, gave a gloomy light by night in the houses, and torches without.

The sun was chiefly depended upon for heat, for there were no proper stoves, though braziers were used to burn coals upon, the smoke escaping through the aperture in the ceiling, and, in rare cases, hot-air furnaces were constructed below, the heat being conveyed to the upper rooms through pipes. There has been a dispute regarding chimneys, but it seems almost certain that the Romans had none in their dwellings, and, indeed, there was little need of them for purposes of artificial warmth in so moderate a climate as theirs.

Such were some of the chief traits of the city houses of the Romans.

Besides these, there were villas in the country, some of which were simply farm-houses, and others places of rest and luxury supported by the residents of cities. The farm villa was placed, if possible, in a spot secluded from visitors, protected from the severest winds, and from the malaria of marshes, in a well-watered place near the foot of a well-wooded mountain. It had accommodations for the kitchen, the wine-press, the farm-superintendent, the slaves, the animals, the crops, and the other products of the farm. There were baths, and cellars for the wine and for the confinement of the slaves who might have to be chained.

Varro thus describes life at a rural household: “Manius summons his people to rise with the sun, and in person conducts them to the scene of their daily work. The youths make their own bed, which labor renders soft to them, and supply themselves with water-pot and lamp. Their drink is the clear fresh spring; their fare, bread, with onions as a relish. Every thing prospers in house and field. The house is no work of art, but an architect might learn symmetry from it. Care is taken of the field that it shall not be left disorderly, and waste or go to ruin through slovenliness or neglect; and, in return, grateful Ceres wards off damage from the produce, that the high-piled sheaves may gladden the heart of the husbandman. Here hospitality still holds good; every one who has but imbibed mother’s milk is welcome. The bread-pantry, the wine-vat, and the store of sausages on the rafter,—lock and key are at the service of the traveller, and piles of food are set before him; contented, the sated guest sits, looking neither before him nor behind, dozing by the hearth in the kitchen. The warmest double-wool sheepskin is spread as a couch for him. Here people still, as good burgesses, obey the righteous law which neither out of envy injures the innocent, nor out of favor pardons the guilty. Here they speak no evil against their neighbors. Here they trespass not with their feet on the sacred hearth, but honor the gods with devotion and with sacrifices; throw to the familiar spirit his little bit of flesh into his appointed little dish, and when the master of the household dies accompany the bier with the same prayer with which those of his father and of his grandfather were borne forth.”

The pleasure villa had many of the appointments of the town house, but was outwardly more attractive, of course. It stood in the midst of grassy slopes, was approached through avenues of trees leading to the portico, before which was a terrace and ornaments made of box-trees cut into fantastic forms representing animals. The dining-room stood out from the other buildings, and was light and airy. Perhaps a grand bedchamber was likewise built out from the others, so that it might have the warmth of the sun upon it through the entire day. Connected with the establishment were walks ornamented with flowerbeds, closely clipped hedges, and trees tortured into all sorts of unnatural