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similar. I want yours. I want theone you have, even if I already have one or many.3. Lust: I have to have it. 4. Anger: I will hurt you to insure that I have it, andand to insure that you do not have one. 5. Envy: I hate that you have one. 6. Greed: There is no end to how much I want, or to howlittle I want you to have in comparison. 7. Sloth: I am opposed to you moving up the ladder: itmeans that I will have to move up the ladder, to keepmy position of lordship over you. If I have twice asmuch

have also been concerned not to leave out of accountChina's relations with her neighbours. Now that we have a betterknowledge of China's neighbours, the Turks, Mongols, Tibetans, Tunguses,Tai, not confined to the narratives of Chinese, who always speak only of"barbarians", we are better able to realize how closely China has beenassociated with her neighbours from the first day of her history to thepresent time; how greatly she is indebted to them, and how much she hasgiven them. We no

sons who appeared to listen to him with respect. d'Artagnan fancied quite naturally, according to his custom, that he must be the object of their conversation, and listened. This time d'Artagnan was only in part mistaken; he himself was not in question, but his horse was. The gentleman appeared to be enumerating all his qualities to his auditors; and, as I have said, the auditors seeming to have great deference for the narrator, they every moment burst into fits of laughter. Now, as a

Franklin's longest work, and yet it is only a fragment. The first part, written as a letter to his son, William Franklin, was not intended for publication; and the composition is more informal and the narrative more personal than in the second part, from 1730 on, which was written with a view to publication. The entire manuscript shows little evidence of revision. In fact, the expression is so homely and natural that his grandson, William Temple Franklin, in editing the work changed some of the

ldManse. And now--because, beyond my deserts, I was happy enoughto find a listener or two on the former occasion--I again seizethe public by the button, and talk of my three years' experiencein a Custom-House. The example of the famous "P. P. Clerk ofthis Parish," was never more faithfully followed. The truthseems to be, however, that when he casts his leaves forth uponthe wind, the author addresses, not the many who will fling asidehis volume, or never take it up, but the few who

relative social positions of man and wife, but the religious reflection of these conditions in the minds of men. Hence Bachofen represents the Oresteia of Aeschylos as the dramatic description of the fight between the vanishing maternal and the paternal law, rising and victorious during the time of the heroes.Klytaemnestra has killed her husband Agamemnon on his return from the Trojan war for the sake of her lover Aegisthos; but Orestes, her son by Agamemnon, avenges the death of his father by