The Best Ghost Stories by - (read along books .txt) 📕

"Oh, Hugh, darling!"

When she looked up again the woman was sitting there before her. Mrs. Wilton had not heard her come in. With her experience, wide enough now, of seers and fortune-tellers of all kinds, she saw at once that this woman was different from the others. She was used to the quick appraising look, the attempts, sometimes clumsy, but often cleverly disguised, to collect some fragments of information whereupon to erect a plausible vision. But this woman looked as if she took it out of herself.

Not that her appearance suggested intercourse with the spiritual world more than the others had done; it suggested that, in fact, considerably less. Some of the others were frail, yearning, evaporated creatures, and the ex-priest in Paris had something terrible and condemned in his look. He might well sup with the devil, that man, and probably did in some way or other.

But this was a little fat, weary-faced woman about fifty, who only did not look like a cook because she looked more like a sempstress. Her black dress was all covered with white threads. Mrs. Wilton looked at her with some embarrassment. It seemed more reasonable to be asking a woman like this about altering a gown than about intercourse with the dead. That seemed even absurd in such a very commonplace presence. The woman seemed timid and oppressed: she breathed heavily and kept rubbing her dingy hands, which looked moist, one over the other; she was always wetting her lips, and coughed with a little dry cough. But in her these signs of nervous exhaustion suggested overwork in a close atmosphere, bending too close over the sewing-machine. Her uninteresting hair, like a rat's pelt, was eked out with a false addition of another color. Some threads had got into her hair too.

Her harried, uneasy look caused Mrs. Wilton to ask compassionately: "Are you much worried by the police?"

"Oh, the police! Why don't they leave us alone? You never know who comes to see you. Why don't they leave me alone? I'm a good woman. I only think. What I do is no harm to any one." . . .

She continued in an uneven querulous voice, always rubbing her hands together nervously. She seemed to the visitor to be talking at random, just gabbling, like children do sometimes before they fall asleep.

"I wanted to explain——" hesitated Mrs. Wilton.

But the woman, with her head pressed close against the back of the chair, was staring beyond her at the wall. Her face had lost whatever little expression it had; it was blank and stupid. When she spoke it was very slowly and her voice was guttural.

"Can't you see him? It seems strange to me that you can't see him. He is so near you. He is passing his arm round your shoulders."

This was a frequent gesture of Hugh's. And indeed at that moment she felt that somebody was very near her, bending over her. She was enveloped in tenderness. Only a very thin veil, she felt, prevented her from seeing. But the woman saw. She was describing Hugh minutely, even the little things like the burn on his right hand.

"Is he happy? Oh, ask him does he love me?"

The result was so far beyond anything she had hoped for that she was stunned. She could only stammer the first thing that came into her head. "Does he love me?"

"He loves you. He won't answer, but he loves you. He wants me to make you see him; he is disappointed, I think, because I can't. But I can't unless you do it yourself."

After a while she said:

"I think you will see him again. You think of nothing else. He is very close to us now."

Then she collapsed, and fell into a heavy sleep and lay there motionless, hardly breathing. Mrs. Wilton put some notes on the table and stole out on tip-toe.

She seemed to remember that downstairs in the dark shop the dealer with the waxen face detained her to show some old silver and jewelry and such like. But she did not come to herself, she had no precise recollection of anything, till she found herself entering a church near Portland Place. It was an unlikely act in her normal moments. Why did she go in there? She acted like one walking in her sleep.

The church was old and dim, with high black pews. There was nobody there. Mrs. Wilton sat down in one of the pews and bent forward with her face in her hands.

After a few minutes she saw that a soldier had come in noiselessly and placed himself about half-a-dozen rows ahead of her. He never turned round; but presently she was struck by something familiar in the figure. First she thought vaguely that the soldier looked like her Hugh. Then, when he put up his hand, she saw who it was.

She hurried out of the pew and ran towards him. "Oh, Hugh, Hugh, have you come back?"

He looked round with a smile. He had not been killed. It was all a mistake. He was going to speak. . . .

Footsteps sounded hollow in the empty church. She turned and glanced down the dim aisle.

It was an old sexton or verger who approached. "I thought I heard you call," he said.

"I was speaking to my husband." But Hugh was nowhere to be seen.

"He was here a moment ago." She looked about in anguish. "He must have gone to the door."

"There's nobody here," said the old man gently. "Only you and me. Ladies are often taken funny since the war. There was one in here yesterday afternoon said she was married in this church and her husband had promised to meet her here. Perhaps you were married here?"

"No," said Mrs. Wilton, desolately. "I was married in India."

It might have been two or three days after that, when she went into a small Italian restaurant in the Bayswater district. She often went out for her meals now: she had developed an exhausting cough, and she found that it somehow became less troublesome when she was in a public place looking at strange faces. In her flat there were all the things that Hugh had used; the trunks and bags still had his name on them with the labels of places where they had been together. They were like stabs. In the restaurant, people came and went, many soldiers too among them, just glancing at her in her corner.

This day, as it chanced, she was rather late and there was nobody there. She was very tired. She nibbled at the food they brought her. She could almost have cried from tiredness and loneliness and the ache in her heart.

Then suddenly he was before her, sitting there opposite at the table. It was as it was in the days of their engagement, when they used sometimes to lunch at restaurants. He was not in uniform. He smiled at her and urged her to eat, just as he used in those days. . . .

I met her that afternoon as she was crossing Kensington Gardens, and she told me about it.

"I have been with Hugh." She seemed most happy.

"Did he say anything?"

"N-no. Yes. I think he did, but I could not quite hear. My head was so very tired. The next time——"

I did not see her for some time after that. She found, I think, that by going to places where she had once seen him—the old church, the little restaurant—she was more certain to see him again. She never saw him at home. But in the street or the park he would often walk along beside her. Once he saved her from being run over. She said she actually felt his hand grabbing her arm, suddenly, when the car was nearly upon her.

She had given me the address of the clairvoyant; and it is through that strange woman that I know—or seem to know—what followed.

Mrs. Wilton was not exactly ill last winter, not so ill, at least, as to keep to her bedroom. But she was very thin, and her great handsome eyes always seemed to be staring at some point beyond, searching. There was a look in them that seamen's eyes sometimes have when they are drawing on a coast of which they are not very certain. She lived almost in solitude: she hardly ever saw anybody except when they sought her out. To those who were anxious about her she laughed and said she was very well.

One sunny morning she was lying awake, waiting for the maid to bring her tea. The shy London sunlight peeped through the blinds. The room had a fresh and happy look.

When she heard the door open she thought that the maid had come in. Then she saw that Hugh was standing at the foot of the bed. He was in uniform this time, and looked as he had looked the day he went away.

"Oh, Hugh, speak to me! Will you not say just one word?"

He smiled and threw back his head, just as he used to in the old days at her mother's house when he wanted to call her out of the room without attracting the attention of the others. He moved towards the door, still signing to her to follow him. He picked up her slippers on his way and held them out to her as if he wanted her to put them on. She slipped out of bed hastily. . . .

It is strange that when they came to look through her things after her death the slippers could never be found.

Once 'pon a time dey was a li'l' black boy whut he name was Mose. An' whin he come erlong to be 'bout knee-high to a mewel, he 'gin to git powerful 'fraid ob ghosts, 'ca'se dat am sure a mighty ghostly location whut he lib' in, 'ca'se dey's a grabeyard in de hollow, an' a buryin'-ground on de hill, an' a cemuntary in betwixt an' between, an' dey ain't nuffin' but trees nowhar excipt in de clearin' by de shanty an' down de hollow whar de pumpkin-patch am.

An' whin de night come' erlong, dey ain't no sounds at all whut kin be heard in dat locality but de rain-doves, whut mourn out, "Oo-oo-o-o-o!" jes dat trembulous an' scary, an' de owls, whut mourn out, "Whut-whoo-o-o-o!" more trembulous an' scary dan dat, an' de wind, whut mourn out, "You-you-o-o-o!" mos' scandalous' trembulous an' scary ob all. Dat a powerful onpleasant locality for a li'l' black boy whut he name was Mose.

'Ca'se dat li'l' black boy he so specially black he can't be seen in de dark at all 'cept by de whites ob he eyes. So whin he go' outen de house at night, he ain't dast shut he eyes, 'ca'se den ain't nobody can see him in de least. He jest as invidsible as nuffin'. An' who know' but whut a great, big ghost bump right into him 'ca'se it can't see him? An' dat shore w'u'd scare dat li'l' black boy powerful' bad, 'ca'se yever'body knows whut a cold, damp pussonality a ghost is.

So whin dat li'l' black Mose go' outen de shanty at night, he keep' he eyes wide open, you may be shore. By day he eyes 'bout de size ob butter-pats, an' come sundown he eyes 'bout de size ob saucers; but whin he go' outen de shanty at night, he eyes am de size ob de white chiny plate whut set on de