The Notebooks of Leonardo Da Vinci by Leonardo Da Vinci (moboreader txt) ๐
PROLEGOMENA AND GENERAL INTRODUCTION TO THE BOOK ON PAINTING
Clavis Sigillorum and Index of Manuscripts.--The author's intentionto publish his MSS. (1).--The preparation of the MSS. forpublication (2).--Admonition to readers (3).--The disorder in theMSS. (4).--Suggestions for the arrangement of MSS. treating ofparticular subjects (5--8).--General introductions to the book onpainting (9--13).--The plan of the book on painting (14--17).--Theuse of the book on painting (18).--Necessity of theoreticalknowledge (19, 20).--The function of the eye (21--23).--Variabilityof the eye (24).--Focus of sight (25).--Differences of perception byone eye and by both eyes (26--29).--The comparative size of theimage depends on the amount of light (30--39).
II.
LINEAR PERSPECTIVE
General remarks on perspective (40--41).--The elements ofperspective:--of the point (42--46).--Of the line (47--48).--Thenature of the outline (49).--Definition of perspective (50).--Theperception of t
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Maschi e femmini insieme unite, implies an infringement of the usually strict rule of the separation of the sexes.], just like herds of goats. The neighbours out of pity succoured us with victuals, and they had previously been our enemies. And if
[Footnote 18: I vicini, nostri nimici. The town must then have stood quite close to the frontier of the country. Compare 1336. L. 7. vicini ai nostri confini. Dr. M. JORDAN has already published lines 4-13 (see Das Malerbuch, Leipzig, 1873, p. 90:โhis reading differs from mine) under the title of โDescription of a landscape near Lake Comoโ. We do in fact find, among other loose sheets in the Codex Atlanticus, certain texts referring to valleys of the Alps (see Nos. 1030, 1031 and note p. 237) and in the arrangement of the loose sheets, of which the Codex Atlanticus has been formed, these happen to be placed close to this text. The compiler stuck both on the same folio sheet; and if this is not the reason for Dr. JORDANโS choosing such a title (Description &c.) I cannot imagine what it can have been. It is, at any rate, a merely hypothetical statement. The designation of the population of the country round a city as โthe enemyโ (_nemici_) is hardly appropriate to Italy in the time of Leonardo.]
it had not been for certain people who succoured us with victuals, all would have died of hunger. Now you see the state we are in. And all these evils are as nothing compared with those which are promised to us shortly.
I know that as a friend you will grieve for my misfortunes, as I, in former letters have shown my joy at your prosperity โฆ
Notes about events observed abroad (1338-1339).
1338.
BOOK 43. OF THE MOVEMENT OF AIR ENCLOSED IN WATER.
I have seen motions of the air so furious that they have carried, mixed up in their course, the largest trees of the forest and whole roofs of great palaces, and I have seen the same fury bore a hole with a whirling movement digging out a gravel pit, and carrying gravel, sand and water more than half a mile through the air.
[Footnote: The first sixteen lines of this passage which treat of the subject as indicated on the title line have no place in this connexion and have been omitted.]
[Footnote 2: Ho veduto movimenti &c. Nothing of the kind happened in Italy during Leonardoโs lifetime, and it is therefore extremely probable that this refers to the natural phenomena which are so fully described in the foregoing passage. (Compare too, No. 1021.) There can be no doubt that the descriptions of the Deluge in the Libro di Pittura (Vol. I, No. 607-611), and that of the fall of a mountain No. 610, l. 17-30 were written from the vivid impressions derived from personal experience. Compare also Pl. XXXIV-XL.]
1339.
[Footnote: It may be inferred from the character of the writing, which is in the style of the note in facsimile Vol. I, p. 297, that this passage was written between 1470 and 1480. As the figure 6 at the end of the text indicates, it was continued on another page, but I have searched in vain for it. The reverse of this leaf is coloured red for drawing in silver point, but has not been used for that purpose but for writing on, and at about the same date. The passages are given as Nos. 1217, 1218, 1219, 1162 and No. 994 (see note page 218). The text given above is obviously not a fragment of a letter, but a record of some personal experience. No. 1379 also seems to refer to Leonardoโs journeys in Southern Italy.]
Like a whirling wind which rushes down a sandy and hollow valley, and which, in its hasty course, drives to its centre every thing that opposes its furious course โฆ
No otherwise does the Northern blast whirl round in its tempestuous progress โฆ
Nor does the tempestuous sea bellow so loud, when the Northern blast dashes it, with its foaming waves between Scylla and Charybdis; nor Stromboli, nor Mount Etna, when their sulphurous flames, having been forcibly confined, rend, and burst open the mountain, fulminating stones and earth through the air together with the flames they vomit.
Nor when the inflamed caverns of Mount Etna [Footnote 13: Mongibello is a name commonly given in Sicily to Mount Etna (from Djebel, Arab.=mountain). Fr. FERRARA, Descrizione dellโ Etna con la storia delle eruzioni (Palermo, 1818, p. 88) tells us, on the authority of the Cronaca del Monastero Benedettino di Licordia of an eruption of the Volcano with a great flow of lava on Sept. 21, 1447. The next records of the mountain are from the years 1533 and 1536. A. Percy neither does mention any eruptions of Etna during the years to which this note must probably refer Memoire des tremblements de terre de la peninsule italique, Vol. XXII des Memoires couronnees et Memoires des savants etrangers. Academie Royal de Belgique).
A literal interpretation of the passage would not, however, indicate an allusion to any great eruption; particularly in the connection with Stromboli, where the periodical outbreaks in very short intervals are very striking to any observer, especially at night time, when passing the island on the way from Naples to Messina.], rejecting the ill-restained element vomit it forth, back to its own region, driving furiously before it every obstacle that comes in the way of its impetuous rage โฆ
Unable to resist my eager desire and wanting to see the great โฆ of the various and strange shapes made by formative nature, and having wandered some distance among gloomy rocks, I came to the entrance of a great cavern, in front of which I stood some time, astonished and unaware of such a thing. Bending my back into an arch I rested my left hand on my knee and held my right hand over my downcast and contracted eye brows: often bending first one way and then the other, to see whether I could discover anything inside, and this being forbidden by the deep darkness within, and after having remained there some time, two contrary emotions arose in me, fear and desireโfear of the threatening dark cavern, desire to see whether there were any marvellous thing within it โฆ
Drafts of Letters to Lodovico il Moro (1340-1345).
1340.
[Footnote: The numerous corrections, the alterations in the figures (l. 18) and the absence of any signature prove that this is merely the rough draft of a letter to Lodovico il Moro. It is one of the very few manuscripts which are written from left to rightโsee the facsimile of the beginning as here reproduced. This is probably the final sketch of a document the clean of which copy was written in the usual manner. Leonardo no doubt very rarely wrote so, and this is probably the reason of the conspicuous dissimilarity in the handwriting, when he did. (Compare Pl. XXXVIII.) It is noteworthy too that here the orthography and abbreviations are also exceptional. But such superficial peculiarities are not enough to stamp the document as altogether spurious. It is neither a forgery nor the production of any artist but Leonardo himself. As to this point the contents leave us no doubt as to its authenticity, particularly l. 32 (see No. 719, where this passage is repeated). But whether the fragment, as we here see it, was written from Leonardoโs dictationโa theory favoured by the orthography, the erasures and correctionsโor whether it may be a copy made for or by Melzi or Mazenta is comparatively unimportant. There are in the Codex Atlanticus a few other documents not written by Leonardo himself, but the notes in his own hand found on the reverse pages of these leaves amply prove that they were certainly in Leonardoโs possession. This mark of ownership is wanting to the text in question, but the compilers of the Codex Atlanticus, at any rate, accepted it as a genuine document.
With regard to the probable date of this projected letter see Vol. II, p. 3.]
Most illustrious Lord, Having now sufficiently considered the specimens of all those who proclaim themselves skilled contrivers of instruments of war, and that the invention and operation of the said instruments are nothing different to those in common use: I shall endeavour, without prejudice to any one else, to explain myself to your Excellency showing your Lordship my secrets, and then offering them to your best pleasure and approbation to work with effect at opportune moments as well as all those things which, in part, shall be briefly noted below.
1) I have a sort of extremely light and strong bridges, adapted to be most easily carried, and with them you may pursue, and at any time flee from the enemy; and others, secure and indestructible by fire and battle, easy and convenient to lift and place. Also methods of burning and destroying those of the enemy.
2) I know how, when a place is besieged, to take the water out of the trenches, and make endless variety of bridges, and covered ways and ladders, and other machines pertaining to such expeditions.
3) Item. If, by reason of the height of the banks, or the strength of the place and its position, it is impossible, when besieging a place, to avail oneself of the plan of bombardment, I have methods for destroying every rock or other fortress, even if it were founded on a rock, &c.
4) Again I have kinds of mortars; most convenient and easy to carry; and with these can fling small stones almost resembling a storm; and with the smoke of these causing great terror to the enemy, to his great detriment and confusion.
9) [8] And when the fight should be at sea I have kinds of many machines most efficient for offence and defence; and vessels which will resist the attack of the largest guns and powder and fumes.
5) Item. I have means by secret and tortuous mines and ways, made without noise to reach a designated [spot], even if it were needed to pass under a trench or a river.
6) Item. I will make covered chariots, safe and unattackable which, entering among the enemy with their artillery, there is no body of men so great but they would break them. And behind these, infantry could follow quite unhurt and without any hindrance.
7) Item. In case of need I will make big guns, mortars and light ordnance of fine and useful forms, out of the common type.
8) Where the operation of bombardment should fail, I would contrive catapults, mangonels, trabocchi and other machines of marvellous efficacy and not in common use. And in short, according to the variety of cases, I can contrive
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