The Grammar of English Grammars by Goold Brown (free ebook reader .txt) π
"In what regards the laws of grammatical purity," says Dr. Campbell, "the violation is much more conspicuous than the observance."--See Philosophy of Rhetoric, p. 190. It therefore falls in with my main purpose, to present to the public, in the following ample work, a condensed mass of special criticism, such as is not elsewhere to be found in
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OBS. 2.βIn most languages, there are in each tense, through all the moods of every verb, six different terminations to distinguish the different persons and numbers. This will be well understood by every one who has ever glanced at the verbs as exhibited in any Latin, Greek, French, Spanish, or Italian grammar. To explain it to others, a brief example shall be given: (with the remark, that the Latin pronouns, here inserted, are seldom expressed, except for emphasis:) "Ego amo, I love; Tu amas, Thou lovest; Ille amat, He loves; Nos amamus, We love; Vos amatis, You love; Illi amant, They love." Hence it may be perceived, that the paucity of variations in the English verb, is a very striking peculiarity of our language. Whether we are gainers or losers by this simplicity, is a question for learned idleness to discuss. The common people who speak English, have far less inclination to add new endings to our verbs, than to drop or avoid all the remains of the old. Lowth and Murray tell us, "This scanty provision of terminations is sufficient for all the purposes of discourse;" and that, "For this reason, the plural termination en, (they loven, they weren,) formerly in use, was laid aside as unnecessary, and has long been obsolete."βLowth's Gram., p. 31; Murray's, 63.
OBS. 3.βThough modern usage, especially in common conversation, evidently inclines to drop or shun all unnecessary suffixes and inflections, still it is true, that the English verb in some of its parts, varies its termination, to distinguish, or agree with, the different persons and numbers. The change is, however, principally confined to the second and third persons singular of the present tense of the indicative mood, and to the auxiliaries hast and has of the perfect. In the ancient biblical style, now used only on solemn occasions, the second person singular is distinguished through all the tenses of the indicative and potential moods. And as the use of the pronoun thou is now mostly confined to the solemn style, the terminations of that style are retained in connexion with it, through all the following examples of the conjugation of verbs. In the plural number, there is no variation of ending, to denote the different persons; and the verb in the three persons plural, (with the two exceptions are and were, from am and was,) is the same as in the first person singular. Nor does the use of you for the singular, warrant its connexion with any other than the plural form of the verb. This strange and needless confusion of the numbers, is, in all languages that indulge it, a practical inconvenience. It would doubtless have been much better, had thou and you still kept their respective placesβthe one, nominative singularβthe other, objective pluralβas they appear in the Bible. But as the English verb is always attended by a noun or a pronoun, expressing the subject of the affirmation, no ambiguity arises from the want of particular terminations in the verb, to distinguish the different persons and numbers.
OBS. 4.βAlthough our language, in its ordinary use, exhibits the verbs in such forms only, as will make, when put together, but a very simple conjugation; there is probably no other language on earth, in which it would be so difficult for a learned grammarian to fix, settle, and exhibit, to the satisfaction of himself and others, the principles, paradigms, rules, and exceptions, which are necessary for a full and just exhibition of this part of speech. This difficulty is owing, partly to incompatibilities or unsettled boundaries between the solemn and the familiar style; partly to differences in the same style between ancient usage and modern; partly to interfering claims of new and old forms of the preterit and the perfect participle; partly to the conflicting notions of different grammarians respecting the subjunctive mood; and partly to the blind tenacity with which many writers adhere to rugged derivatives, and prefer unutterable contractions to smooth and easy abbreviations. For example: a clergyman says to a lucky gamester, (1.) "You dwell in a house which you neither planned nor built." A member of the Society of Friends would say, (2.) "Thou dwellst in a house which thou neither planned nor built." Or, if not a scholar, as likely as not, (3.) "Thee dwells in a house which thee neither planned nor built." The old or solemn style would b3, (4.) "Thou dwellest in a house which thou neither plannedst nor buildedst." Some untasteful and overgrammatical poet will have it, (5.) "Thou dwell'st in halls thou neither plann'dst nor build'dst." The doctrine of Murray's Grammar, and of most others, would require, (6.) "Thou dwellest in a house which thou neither plannedst nor builtest." Or, (according to this author's method of avoiding unpleasant sounds,) the more complex form, (7.) "Thou dost dwell in a house which thou neither didst plan nor didst build." Out of these an other poet will make the line, (8.) "Dost dwell in halls which thou nor plann'dst nor built'st." An other, more tastefully, would drop the st of the preterit, and contract the present, as in the second instance above: thus,
(9.) "Thou dwellst in halls thou neither planned nor built, And revelst there in riches won by guilt."
OBS. 5.βNow let all these nine different forms of saying the same thing, by the same verbs, in the same mood, and the same two tenses, be considered. Let it also be noticed, that for these same verbs within these limits, there are yet other forms, of a complex kind; as, "You do dwell," or, "You are dwelling;" used in lieu of, "Thou dost dwell," or, "Thou art dwelling:" so, "You did plan," or, "You were planning;" used in lieu of, "Thou didst plan," or, "Thou wast planning." Take into the account the opinion of Dr. Webster and others, that, "You was planning," or, "You was building," is a still better form for the singular number; and well "established by national usage, both here and in England."βImproved Gram., p. 25. Add the less inaccurate practice of some, who use was and did familiarly with thou; as, "Thou was planning, did thou build?" Multiply all this variety tenfold, with a view to the other moods and tenses of these three verbs, dwell, plan, and build; then extend the product, whatever it is, from these three common words, to all the verbs in the English language. You will thus begin to have some idea of the difficulty mentioned in the preceding observation. But this is only a part of it; for all these things relate only to the second person singular of the verb. The double question is, Which of these forms ought to be approved and taught for that person and number? and which of them ought to be censured and rejected as bad English? This question is perhaps as important, as any that can arise in English grammar. With a few candid observations by way of illustration, it will be left to the judgement of the reader.
OBS. 6.βThe history of youyouing and thoutheeing appears to be this. Persons in high stations, being usually surrounded by attendants, it became, many centuries ago, a species of court flattery, to address individuals of this class, in the plural number, as if a great man were something more than one person. In this way, the notion of greatness was agreeably multiplied, and those who laid claim to such honour, soon began to think themselves insulted whenever they were addressed with any other than the plural pronoun.[236] Humbler people yielded through fear of offence; and the practice extended, in time, to all ranks of society: so that at present the customary mode of familiar as well as complimentary address, is altogether plural; both the verb and the pronoun being used in that form.[237] This practice, which confounds one of the most important distinctions of the language, affords a striking instance of the power of fashion. It has made propriety itself seem improper. But shall it be allowed, in the present state of things, to confound our conjugations and overturn our grammar? Is it right to introduce it into our paradigms, as the only form of the second person singular, that modern usage acknowledges? Or is it expedient to augment by it that multiplicity of other forms, which must either take this same place or be utterly rejected? With due deference to those grammarians who have adopted one or the other of these methods, the author of this work answers all these questions decidedly in the negative. It is not to be denied, that the use of the plural for the singular is now so common as to form the customary mode of address to individuals of every rank. The Society of Friends, or Quakers, however, continue to employ the singular number in familiar discourse; and custom, which has now destroyed the compliment of the plural, has removed also the supposed opprobrium of the singular, and placed it on an equality with the plural in point of respect. The singular is universally employed in reference to the Supreme Being; and is generally preferred in poetry. It is the language of Scripture, and of the Prayer-Book; and is consistently retained in nearly all our grammars; though not always, perhaps, consistently treated.
OBS. 7.βWhatever is fashionable in speech, the mere disciples of fashion will always approve; and, probably, they will think it justifiable to despise or neglect all that is otherwise. These may be contented with the sole use of such forms of address as, "You, you, sir;"β"You, you, madam." But the literati who so neglect all the services of religion, as to forget that these are yet conducted in English independently of all this fashionable youyouing, must needs be poor judges of what belongs to their own justification, either as grammarians or as moral agents. A fashion by virtue of which millions of youths are now growing up in ignorance of that form of address which, in their own tongue, is most appropriate to poetry, and alone adapted to prayer, is perhaps not quite so light a matter as some people imagine. It is at least so far from being a good reason for displacing that form from the paradigms of our verbs in a grammar, that indeed no better needs be offered for tenaciously retaining it. Many children may thus learn at school what all should know, and what there is little chance for them to learn elsewhere. Not all that presume to minister in religion, are well acquainted with what is called the solemn style. Not all that presume to explain it in grammars, do know what it is. A late work, which boasted the patronage of De Witt Clinton, and through the influence of false praise came nigh to be imposed by a law of New York on all the common schools of that State; and which, being subsequently sold in Philadelphia for a great price, was there republished under the name of the "National School Manual;" gives the following account of this part of grammar: "In the solemn and poetic styles, the second person singular, in both the above tenses, is thou; and the second person plural, is ye, or you. The verb, to agree with the second person singular, changes its termination. Thus: 2d person, sing. Pres. Tense, Thou walkest, or Thou walketh. Imperfect Tense, Thou walkedst. In the third person singular, in the above styles, the verb has sometimes a different termination; as, Present Tense, He, she, or it walks or walketh. The above form of inflection may be applied to all verbs used in the solemn or poetic styles; but for ordinary purposes, I have supposed it proper to employ the form of the verb, adopted in common conversation, as least perplexing to young minds."βBartlett's Common School Manual, Part ii, p. 114. What can be hoped from an author who is ignorant enough to think "Thou walketh" is good English? or from one who tells us, that "It walks" is of the solemn style? or from one who does not know that you is never a nominative in the style of the Bible?
OBS. 8.βNowhere on earth is fashion more completely mistress of all the tastes and usages
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