English Literary Criticism by Charles Edwyn Vaughan (smart ebook reader TXT) π
The attack on the stage had been opened by the corporation and the clergy. It was soon joined by the men of letters. And the essay of Sidney was an answer neither to a town councillor, nor to a preacher, but to a former dramatist and actor. This was Stephen Gosson, author of the School of Abuse. The style of Gosson's pamphlet is nothing if not literary. It is full of the glittering conceits and the fluent rhetoric which the ready talent of Lyly had just brought into currency. It is euphuism of the purest water, with all the merits and all the drawbacks of the euphuistic manner. For that very reason the blow was felt the more keenly. It was violently resented as treason by the playwrights and journalists who still professed to reckon Gosson among their ranks. [Footnote: Lodge writes, "I
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The second kind, is of them that deal with matters philosophical; either moral, as Tyrtaus, Phocylides, and Cato: or natural, as Lucretius and Virgil's Georgics; or astronomical, as Manilius, and Pontanus; or historical, as Lucan; which who mislike, the fault is in their judgments quite out of taste, and not in the sweet food of sweetly-uttered knowledge. But because this second sort is wrapped within the fold of the proposed subject, and takes not the course of his own invention, whether they properly be poets or no, let grammarians dispute; and go to the third, indeed right poets, of whom chiefly this question ariseth; betwixt whom and these second is such a kind of difference, as betwixt the meaner sort of painters (who counterfeit only such faces as are set before them) and the more excellent; who, having no law but wit, bestow that in colours upon you which is fittest for the eye to see; as the constant, though lamenting look of Lucretia, when she punished in herself another's fault.
Wherein he painteth not Lucretia whom he never saw, but painteth the outward beauty of such a virtue: for these third be they which most properly do imitate to teach and delight; and, to imitate, borrow nothing of what is, hath been, or shall be: but range, only reined with learned discretion, into the divine consideration of what may be, and should be. These be they that, as the first and most noble sort may justly be termed Vates, so these are waited on in the excellentest languages and best understandings, with the fore-described name of poets: for these indeed do merely make to imitate: and imitate both to delight and teach: and delight to move men to take that goodness in hand, which without delight they would fly as from a stranger: and teach, to make them know that goodness whereunto they are moved, which being the noblest scope to which ever any learning was directed, yet want there not idle tongues to bark at them. These be subdivided into sundry more special denominations. The most notable be the heroic, lyric, tragic, comic, satiric, iambic, elegiac, pastoral, and certain others. Some of these being termed according to the matter they deal with, some by the sorts of verses they liked best to write in, for indeed the greatest part of poets have apparelled their poetical inventions in that numbrous kind of writing which is called verse: indeed but apparelled, verse being but an ornament and no cause to poetry: sith there have been many most excellent poets that never versified, and now swarm many versifiers that need never answer to the name of poets. For Xenophon, who did imitate so excellently, as to give us effigiem justi imperii the portraiture of a just empire under the name of Cyrus (as Cicero says of him), made therein an absolute heroical poem.
So did Heliodorus in his sugared invention of that picture of love in Theagenes and Chariclea, and yet both these wrote in prose: which I speak to show, that it is not rhyming and versing that maketh a poet, no more than a long gown maketh an advocate: who, though he pleaded in armour, should be an advocate and no soldier. But it is that feigning notable images of virtues, vices, or what else, with that delightful teaching which must be the right describing note to know a poet by: although, indeed, the senate of poets hath chosen verse as their fittest raiment, meaning, as in matter they passed all in all, so in manner to go beyond them: not speaking (table-talk fashion, or like men in a dream) words as they chanceably fall from the mouth, but peyzing [Footnote: weighing.] each syllable of each word by just proportion according to the dignity of the subject.
Now, therefore, it shall not be amiss first to weigh this latter sort of poetry by his works, and then by his parts; and if in neither of these anatomies he be condemnable, I hope we shall obtain a more favourable sentence. This purifying of wit, this enriching of memory, enabling of judgment, and enlarging of conceit, which commonly we call learning, under what name soever it come forth, or to what immediate end soever it be directed, the final end is, to lead and draw us to as high a perfection, as our degenerate souls made worse by their clayey lodgings, can be capable of. This, according to the inclination of the man, bred many formed impressions; for some that thought this felicity principally to be gotten by knowledge, and no knowledge to be so high and heavenly as acquaintance with the stars, gave themselves to astronomy; others, persuading themselves to be demigods if they knew the causes of things, became natural and supernatural philosophers; some an admirable delight drew to music; and some the certainty of demonstration, to the mathematics. But all, one and other, having this scope to know, and by knowledge to lift up the mind from the dungeon of the body, to the enjoying his own divine essence. But when by the balance of experience it was found, that the astronomer looking to the stars might fall into a ditch, that the inquiring philosopher might be blind in himself, and the mathematician might draw forth a straight line with a crooked heart: then lo, did proof the overruler of opinions make manifest that all these are but serving sciences, which, as they have each a private end in themselves, so yet are they all directed to the highest end of the mistress knowledge, by the Greeks called Arkitektonike, which stands (as I think) in the knowledge of a man's self, in the ethic and politic consideration, with the end of well-doing, and not of well-knowing only; even as the saddler's next end is to make a good saddle: but his farther end, to serve a nobler faculty, which is horsemanship: so the horseman's to soldiery, and the soldier not only to have the skill, but to perform the practice of a soldier: so that the ending end of all earthly learning, being virtuous action, those skills that most serve to bring forth that, have a most just title to be princes over all the rest. Wherein if we can show the poet's nobleness, by setting him before his other competitors, among whom as principal challengers step forth the moral philosophers, whom methinketh I see coming towards me with a sullen gravity, as though they could not abide vice by daylight, rudely clothed for to witness outwardly their contempt of outward things, with books in their hands against glory, whereto they set their names, sophistically speaking against subtlety, and angry with any man in whom they see the foul fault of anger; these men casting largess as they go, of definitions, divisions, and distinctions, with a scornful interrogative, do soberly ask, whether it be possible to find any path, so ready to lead a man to virtue, as that which teacheth what virtue is? and teacheth it not only by delivering forth his very being, his causes, and effects: but also, by making known his enemy vice, which must be destroyed, and his cumbersome servant passion, which must be mastered, by showing the generalities that contain it, and the specialities that are derived from it: lastly, by plain setting down, how it extendeth itself out of the limits of a man's own little world, to the government of families and maintaining of public societies. [Footnote: A principal clauseβIt will be well, or some equivalentβis unhappily lacking to this long sentence.]
The historian scarcely giveth leisure to the moralist, to say so much, but that he, laden with old mouse-eaten records, authorizing himself (for the most part) upon other histories, whose greatest authorities are built upon the notable foundation of hearsay, having much ado to accord differing writers, and to pick truth out of partiality, better acquainted with a thousand years ago than with the present age, and yet better knowing how this world goeth than how his own wit runneth, curious for antiquities and inquisitive of novelties, a wonder to young folks, and a tyrant in table-talk, denieth in a great chafe that any man, for teaching of virtue and virtuous actions, is comparable to him. I am Lux vitae, Temporum Magistra, Vita memoriae, Nuncia vetustatis, &c.
The philosopher (saith he) teacheth a disputative virtue, but I do an active: his virtue is excellent in the dangerless academy of Plato, but mine showeth forth her honourable face in the battles of Marathon, Pharsalia, Poitiers, and Agincourt. He teacheth virtue by certain abstract considerations, but I only bid you follow the footing of them that have gone before you. Old-aged experience goeth beyond the fine- witted philosopher, but I give the experience of many ages. Lastly, if he make the songbook, I put the learner's hand to the lute; and if he be the guide, I am the light.
Then would he allege you innumerable examples, conferring story by story, how much the wisest senators and princes have been directed by the credit of history, as Brutus, Alphonsus of Aragon, and who not, if need be? At length the long line of their disputation maketh a point in this, that the one giveth the precept, and the other the example.
Now, whom shall we find (sith the question standeth for the highest form in the school of learning) to be moderator? Truly, as me seemeth, the poet; and if not a moderator, even the man that ought to carry the title from them both, and much more from all other serving sciences. Therefore compare we the poet with the historian and with the moral philosopher, and, if he go beyond them both, no other human skill can match him. For as for the divine, with all reverence it is ever to be excepted, not only for having his scope as far beyond any of these, as eternity exceedeth a moment, but even for passing each of these in themselves.
And for the lawyer, though Jus be the daughter of Justice, and Justice the chief of virtues, yet because he seeketh to make men good, rather Formidine poenae than Virtutis amore or to say righter, doth not endeavour to make men good, but that their evil hurt not others: having no care, so he be a good citizen, how bad a man he be. Therefore, as our wickedness maketh him necessary, and necessity maketh him honourable, so is he not in the deepest truth to stand in rank with these, who all endeavour to take naughtiness away, and plant goodness even in the secretest cabinet of our souls. And these four are all that any way deal in that consideration of men's manners, which being the supreme knowledge, they that best breed it deserve the best commendation.
The philosopher therefore and the historian are they which would win the goal: the one by precept, the other by example. But both not having both, do both halt. For the philosopher, setting down with thorny argument the bare rule, is so hard of utterance, and so misty to be conceived, that one that hath no other guide but him shall wade in him till he be old before he shall find sufficient cause to be honest; for his knowledge standeth so upon the abstract and general, that happy is that man who may understand him, and more happy that can apply what he doth understand.
On the other side, the historian wanting the precept is so tied, not to what should be, but to what is, to the particular truth of things, and not to the general reason of things, that his example draweth no necessary consequence, and therefore a less fruitful doctrine.
Now doth the peerless poet perform both: for whatsoever the philosopher saith should be done, he giveth a perfect picture of it in some one, by whom he presupposeth it was done. So as he coupleth the general notion with the particular example. A perfect picture, I say; for he yieldeth to the powers of the mind an image of that whereof the philosopher bestoweth but a wordish description: which doth neither strike, pierce, nor possess the sight of the soul so much as that other doth.
For as in outward things, to a man that had never seen an elephant or a rhinoceros, who should tell him most exquisitely all their shapes, colour, bigness, and particular marks; or of a gorgeous palace, the architecture; with declaring the full beauties, might well make the hearer able to repeat, as it were by rote, all he had heard, yet should never satisfy his inward conceits, with being witness to itself of a true lively knowledge: but the same man, as soon as he might
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