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Einstein Comes upon the Scene. Einstein starts with the assumption that there is no possible way of identifying this ether. Suppose we ignore the ether altogether, what then?6
If we do ignore the ether we no longer have any absolute point of reference; for if the ether is considered stationary the velocity of all bodies within the ether may be referred to it; any point in space may be considered a fixed point. If, however, there is no ether, or if we are to ignore it, how are we to get the velocity of bodies in space?
The Principle of Relativity. If we are to believe in the “causal relationship between only such things as lie within the realm of observation,” then observation teaches us that bodies move only relative to one another, and that the idea of absolute motion of a body in space is meaningless. Einstein, therefore, postulates that there is no such thing as absolute motion, and that all we can discuss is the relative motion of one body with respect to another. This is just as logical a deduction from Michelson’s experiment as the attempt to explain Michelson’s anomalous results in the light of an all-pervading ether.
Consider for a moment Newton’s scheme. This great pioneer pictured an absolute standard of position in space relative to which all velocities are measured. Velocities were measured by noting the distance covered and dividing the result by the time taken to cover the distance. Space was a definite entity; and so was time. “Time,” said Newton, “flows evenly on,” independent of aught else. To Newton time and space were entirely different, in no way to be confounded.
Just as Newton conceived of absolute space, so he conceived of absolute time. From the latter standard of reference the idea of a “simultaneity of events” at different places arose. But now if there is no standard of reference, if the ether does not exist or does not function, if two points A and B cannot be referred to a third, and fixed point C, how can we talk of “simultaneity of events” at A and B?7
In fact, Einstein shows that if all you can speak about is relative motion, then one event which takes say one minute on one planet would not take one minute on another. For consider two bodies in space, say the planets Venus and the earth, with an observer B on Venus and another A on the earth. B notes the time taken for a ray of light to travel from B to the distance M. A on the earth has means of observing the same event. B records one minute. A is puzzled, for his watch records a little more than one minute. What is the explanation? Granting that the two clocks register the same time to start with, and assuming further Einstein’s hypothesis that the velocity of light is independent of its source, the difference in time is due to the fact that the planet Venus moves with reference to the observer on the earth; so that A in reality does not measure the path BM and MB, but BM′ and M′B′, where BB′ represents the distance Venus itself has moved in the interval. And if you put yourself in B’s position on Venus the situation is exactly reversed. All of which is simply another way of saying that what is a certain time on one body in space is another time on another body in space. There is nothing definite in time.
Prof. Cohen’s Illustration. Further bewildering possibilities are clearly outlined in this apt illustration: “If when you are going away on a long and continuous journey you write home at regular intervals, you should not be surprised that with the best possible mail service your letters will reach home at progressively longer intervals, since each letter will have a greater distance to travel than its predecessor. If you were armed with instruments to hear the home clock ticking, you would find that as your distance from home keeps on increasing, the intervals between the successive ticks (that is, its seconds) grow longer, so that if you travelled with the velocity of sound the home clock would seem to slow down to a standstill—you would never hear the next tick.
“Precisely the same is true if you substitute light rays for sound waves. If with the naked eye or with a telescope you watch a clock moving away from you, you will find that its minute hand takes a longer time to cover its five-minute intervals than does the chronometer in your hand, and if the clock travelled with the velocity of light you would forever see the minute hand at precisely the same point. That which is true of the clock is, of course, also true of all time intervals which it measures, so that if you moved away from the earth with the velocity of light everything on it would appear as still as on a painted canvas.”
Your time has apparently come to a standstill in one position and is moving in another! All this seems absurd enough, but it does show that time alone has little meaning.
Minkowski’s Conclusion. The relativity theory requires that we thoroughly reorganise our method of measuring time. But this is intimately associated with our method of measuring space, the distance between two points. As we proceed we find that space without time has little meaning, and vice versa. This leads Minkowski to the conclusion that “time by itself and space by itself are mere shadows; they are only two aspects of a single and indivisible manner of coordinating the facts of the physical world.” Einstein incorporated this time-space idea in his theory of relativity.
How We Measure a Point in Space. Suppose I say to you that the chemical laboratory of Columbia University faces Broadway; would that locate the laboratory? Hardly, for any building along Broadway would face Broadway. But suppose I add that it is situated at Broadway and 117th Street, south-east? there could be little doubt then. But if, further, this laboratory would occupy but part of the building, say the third floor; then the situation would be specified by naming Broadway, 117th Street S. E., third floor. If Broadway represents length, 117th Street width, and third floor height, we can see what is meant when we say that three dimensions are required to locate a position in space.
The Fourth Dimension. A point on a line may be located by one dimension; a point on a wall requires two dimensions; a point in the room, like the chemical laboratory above ground, needs three. The layman cannot grasp the meaning of a fourth dimension; yet the mathematician does imagine it, and plays with it in mathematical terms. Minkowski and Einstein picture time as the fourth dimension. To them time occupies no more important position than length, breadth, or thickness, and is as intimately related to these three as the three are to one another. H. G. Wells, the novelist, has beautifully caught this spirit when in his novel, “The Time Machine,” he makes his hero travel backwards and forwards along time just as a man might go north or south. When the man with his time machine goes forward he is in the future; when he goes backwards he is in the past.
In reality, if we stop to think a minute, there is no valid reason for the non-existence of a fourth dimension. If one, two and three dimensions, why not four—and five and six, for that matter? Theoretically at least there is no reason why the limit should be set at three. However, our minds become sluggish when we attempt to picture dimensions beyond three; just as an extraordinary effort on our part is needed to follow Einstein when he “juggles” with space and time.
Our difficulty in imagining four dimensions may be likened to the difficulty two-dimensioned beings would experience in imagining us, beings of the conventional three dimensions. Suppose these two-dimensional beings were living on the surface of the earth; what could they see? They could see nothing below and nothing above the surface. They would see shifting surfaces as we walked about, but being sensitive to length and breadth only, and not to height, they could gain no notion whatsoever of what we really look like. It is thus with us when we attempt to picture four-dimensional space.
Perhaps the analogy of the motion picture may help us somewhat. As everybody knows, these motion pictures consist of a series of photographs which are shown in rapid succession on the screen. Each photograph by itself conveys a sensation of space, that is, of three dimensions; but one photograph rapidly following another conveys the sensation of space and time—four dimensions. Space and time are interlinked.
The Time-space Idea Further Developed. We have already alluded to the fact that objects in space moving with different velocities build up different time intervals. Thus the velocity of the star Arcturus, if compared with reference to the earth, moves at the rate of 200 miles a second. Its motion through space is different from ours. Objects which, according to Lorentz, contract in the direction of their motion to an extent proportional to their velocity, will contract differently on the surface of Arcturus than on the earth. Our space is not Arcturus’ space; neither is Arcturus’ time our time. And what is true of the discrepancies existing between the space and time conceptions of the earth and Arcturus is true of any other two bodies in space moving at different velocities.
But is there no relationship existing between the space and time of one body in the universe as compared to the space and time of another? Can we not find something which holds good for all bodies in the universe? We can. We can express it mathematically. It is the concept of time and space interlinked; of time as the fourth dimension, length, breadth and thickness being the other three; of time as one of four co-ordinates and at right angles to the other three (a situation which requires a terrific stretch of the imagination to visualize). The four dimensions are sufficient to co-ordinate the time-space relationships of all bodies in the cosmos, and hence have a universality which is totally lacking when time and space are used independently of one another. The four components of our time-space are up-and-down, right-and-left, backwards-and-forwards, and sooner-and-later.
“Strain” and “Distortion” in Space. The four-dimensional unit has been given the name “world-line,” for the “world-line” of any particle in space is in reality a complete history of that particle as it moves about in space. Particles, we know, attract one another. If each particle is represented by a world-line these world-lines will be deflected from their course owing to such attraction.
Imagine a bladder representing the universe, with lines on it representing world-lines. Now squeeze the bladder. The world-lines are bent in various directions; they are “distorted.” This illustrates the influence of gravity on these world-lines; it is the “strain” brought about due to the force of attraction. The distorted bladder illustrates even more, for it is a true representation of the real world.
How Einstein’s Conception of Time and Space Led to a New View of Gravitation. In our conventional language we
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