Appreciations and Criticisms of the Works of Charles Dickens by G. K. Chesterton (book series for 12 year olds .txt) 📕

American Notes was written soon after Dickens had returned from his first visit to America. That visit had, of course, been a great epoch in his life; but how much of an epoch men did not truly realise until, some time after, in the middle of a quiet story about Salisbury and a ridiculous architect, his feelings flamed out and flared up to the stars in Martin Chuzzlewit. The American Notes are, however, interesting, because in them he betrays his feelings when he does not know that he is betraying them. Dickens’s first visit to America was, from his own point of view, and at the beginning, a happy and festive experiment. It is very characteristic of him that he went among the Americans, enjoyed them, even admired them, and then had a quarrel with them. Nothing was ever so unmistakable as his good-will, except his ill-will; and they were never far apart. And this was not, as some bloodless moderns have sneeringly insinuated, a mere repetition of the proximity between the benevolent stage and the quarrelsome stage of drink. It was a piece of pure optimism; he believed so readily that men were going to be good to him that an injury to him was something more than an injury: it was a shock. What was the exact nature of the American shock must, however, be more carefully stated.

The famous quarrel between Dickens and America, which finds its most elaborate expression in American Notes, though its most brilliant expression in Martin Chuzzlewit, is an incident about which a great deal remains to be said. But the thing which most specially remains to be said is this. This old Anglo-American quarrel was much more fundamentally friendly than most Anglo-American alliances. In Dickens’s day each nation understood the other enough to argue. In our time neither nation understands itself even enough to quarrel. There was an English tradition, from Fox and eighteenth-century England; there was an American tradition from Franklin and eighteenth-century America; and they were still close enough together to discuss their differences with acrimony, perhaps, but with certain fundamental understandings. The eighteenth-century belief in a liberal civilisation was still a dogma; for dogma is the only thing that makes argument or reasoning possible. America, under all its swagger, did still really believe that Europe was its fountain and its mother, because Europe was more fully civilised. Dickens, under all his disgust, did still believe that America was in advance of Europe, because it was more democratic. It was an age, in short, in which the word “progress” could still be used reasonably; because the whole world looked to one way of escape and there was only one kind of progress under discussion. Now, of course, “progress” is a useless word; for progress takes for granted an already defined direction; and it is exactly about the direction that we disagree. Do not let us therefore be misled into any mistaken optimism or special self-congratulation upon what many people would call the improved relations between England and America. The relations are improved because America has finally become a foreign country. And with foreign countries all sane men take care to exchange a certain consideration and courtesy. But even as late as the time of Dickens’s first visit to the United States, we English still felt America as a colony; an insolent, offensive, and even unintelligible colony sometimes, but still a colony; a part of our civilisation, a limb of our life. And America itself, as I have said, under all its bounce and independence, really regarded us as a mother country. This being the case it was possible for us to quarrel, like kinsmen. Now we only bow and smile, like strangers.

This tone, as a sort of family responsibility, can be felt quite specially all through the satires or suggestions of these American Notes. Dickens is cross with America because he is worried about America; as if he were its father. He explores its industrial, legal, and educational arrangements like a mother looking at the housekeeping of a married son; he makes suggestions with a certain acidity; he takes a strange pleasure in being pessimistic. He advises them to take note of how much better certain things are done in England. All this is very different from Dickens’s characteristic way of dealing with a foreign country. In countries really foreign, such as France, Switzerland, and Italy, he had two attitudes, neither of them in the least worried or paternal. When he found a thing in Europe which he did not understand, such as the Roman Catholic Church, he simply called it an old-world superstition, and sat looking at it like a moonlit ruin. When he found something that he did understand, such as luncheon baskets, he burst into carols of praise over the superior sense in our civilisation and good management to Continental methods. An example of the first attitude may be found in one of his letters, in which he describes the backwardness and idleness of Catholics who would not build a Birmingham in Italy. He seems quite unconscious of the obvious truth, that the backwardness of Catholics was simply the refusal of Bob Cratchit to enter the house of Gradgrind. An example of the second attitude can be found in the purple patches of fun in Mugby Junction; in which the English waitress denounces the profligate French habit of providing new bread and clean food for people travelling by rail. The point is, however, that in neither case has he the air of one suggesting improvements or sharing a problem with the people engaged on it. He does not go carefully with a notebook through Jesuit schools nor offer friendly suggestions to the governors of Parisian prisons. Or if he does, it is in a different spirit; it is in the spirit of an ordinary tourist being shown over the Coliseum or the Pyramids. But he visited America in the spirit of a Government inspector dealing with something it was his duty to inspect. This is never felt either in his praise or blame of Continental countries. When he did not leave a foreign country to decay like a dead dog, he merely watched it at play like a kitten. France he mistook for a kitten. Italy he mistook for a dead dog.

But with America he could feel—and fear. There he could hate, because he could love. There he could feel not the past alone nor the present, but the future also; and, like all brave men, when he saw the future he was a little afraid of it. For of all tests by which the good citizen and strong reformer can be distinguished from the vague faddist or the inhuman sceptic, I know no better test than this—that the unreal reformer sees in front of him one certain future, the future of his fad; while the real reformer sees before him ten or twenty futures among which his country must choose, and may, in some dreadful hour, choose the wrong one. The true patriot is always doubtful of victory; because he knows that he is dealing with a living thing; a thing with free will. To be certain of free will is to be uncertain of success.

The subject matter of the real difference of opinion between Dickens and the public of America can only be understood if it is thus treated as a dispute between brothers about the destiny of a common heritage. The point at issue might be stated like this. Dickens, on his side, did not in his heart doubt for a moment that England would eventually follow America along the road towards real political equality and purely republican institutions. He lived, it must be remembered, before the revival of aristocracy, which has since overwhelmed us—the revival of aristocracy worked through popular science and commercial dictatorship, and which has nowhere been more manifest than in America itself. He knew nothing of this; in his heart he conceded to the Yankees that not only was their revolution right but would ultimately be completed everywhere. But on the other hand, his whole point against the American experiment was this—that if it ignored certain ancient English contributions it would go to pieces for lack of them. Of these the first was good manners and the second individual liberty—liberty, that is, to speak and write against the trend of the majority. In these things he was much more serious and much more sensible than it is the fashion to think he was; he was indeed one of the most serious and sensible critics England ever had of current and present problems, though his criticism is useless to the point of nonentity about all things remote from him in style of civilisation or in time. His point about good manners is really important. All his grumblings through this book of American Notes, all his shrieking satire in Martin Chuzzlewit are expressions of a grave and reasonable fear he had touching the future of democracy. And remember again what has been already remarked—instinctively he paid America the compliment of looking at her as the future of democracy.

The mistake which he attacked still exists. I cannot imagine why it is that social equality is somehow supposed to mean social familiarity. Why should equality mean that all men are equally rude? Should it not rather mean that all men are equally polite? Might it not quite reasonably mean that all men should be equally ceremonious and stately and pontifical? What is there specially Equalitarian, for instance, in calling your political friends and even your political enemies by their Christian names in public? There is something very futile in the way in which certain Socialist leaders call each other Tom, Dick, and Harry; especially when Tom is accusing Harry of having basely imposed upon the well-known imbecility of Dick. There is something quite undemocratic in all men calling each other by the special and affectionate term “comrade”; especially when they say it with a sneer and smart inquiry about the funds. Democracy would be quite satisfied if every man called every other man “sir.” Democracy would have no conceivable reason to complain if every man called every other man “your excellency” or “your holiness” or “brother of the sun and moon.” The only democratic essential is that