English Literature: Its History and Significance for the Life of the English-Speaking World by William J. Long (good books for 8th graders txt) 📕

his perpetual lawsuits, and the last sad tragedy with his children, which suggests King Lear and his daughters; on the other hand there is his steady devotion to the classics and to the cultivation of the deep wisdom of the ancients, which suggests Pindar and Cicero. In his works we find the wild extravagance of Gebir, followed by the superb classic style and charm of Pericles and Aspasia. Such was Landor, a man of high ideals, perpetually at war with himself and the world.

Life. Lander's stormy life covers the whole period from Wordsworth's childhood to the middle of the Victorian Era. He was the son of a physician, and was born at Warwick, in 1775. From his mother he inherited a fortune; but it was soon scattered by large expenditures and law quarrels; and in his old age, refused help by his own children, only Browning's generosity kept Landor from actual want. At Rugby, and at Oxford, his extreme Republicanism brought him into constant trouble; and his fitting out a band of volunteers to assist the Spaniards against Napoleon, in 1808, allies him with Byron and his Quixotic followers. The resemblance to Byron is even more strikingly shown in the poem Gebir, published in 1798, a year made famous by the Lyrical Ballads of Wordsworth and Coleridge.

A remarkable change in Lander's life is noticeable in 1821, when, at forty-six years of age, after having lost his magnificent estate of Llanthony Abbey, in Glamorganshire, and after a stormy experience in Como, he settled down for a time at Fiesole near Florence. To this period of calm after storm we owe the classical prose works for which he is famous. The calm, like that at the center of a whirlwind, lasted but a short time, and Landor, leaving his family in great anger, returned to Bath, where he lived alone for more than twenty years. Then, in order to escape a libel suit, the choleric old man fled back to Italy. He died at Florence, in 1864. The spirit of his whole life may be inferred from the defiant farewell which he flung to it:

I strove with none, for none was worth my strife;
      Nature I loved, and next to Nature Art;
I warmed both hands before the fire of life;
      It sinks, and I am ready to depart.

Works. Landor's reaction from Romanticism is all the more remarkable in view of his early efforts, such as Gebir, a wildly romantic poem, which rivals any work of Byron or Shelley in its extravagance. Notwithstanding its occasional beautiful and suggestive lines, the work was not and never has been successful; and the same may be said of all his poetical works. His first collection of poems was published in 1795, his last a full half century later, in 1846. In the latter volume, The Hellenics,--which included some translations of his earlier Latin poems, called Idyllia Heroica,--one has only to read "The Hamadryad," and compare it with the lyrics of the first volume, in order to realize the astonishing literary vigor of a man who published two volumes, a half century apart, without any appreciable diminution of poetical feeling. In all these poems one is impressed by the striking and original figures of speech which Landor uses to emphasize his meaning.

It is by his prose works, largely, that Landor has won a place in our literature; partly because of their intrinsic worth, their penetrating thought, and severe classic style; and partly because of their profound influence upon the writers of the present age. The most noted of his prose works are his six volumes of Imaginary Conversations (1824-1846). For these conversations Landor brings together, sometimes in groups, sometimes in couples, well-known characters, or rather shadows, from the four corners of the earth and from the remotest ages of recorded history. Thus Diogenes talks with Plato, Æsop with a young slave girl in Egypt, Henry VIII with Anne Boleyn in prison, Dante with Beatrice, Leofric with Lady Godiva,--all these and many others, from Epictetus to Cromwell, are brought together and speak of life and love and death, each from his own view point. Occasionally, as in the meeting of Henry and Anne Boleyn, the situation is tense and dramatic; but as a rule the characters simply meet and converse in the same quiet strain, which becomes, after much reading, somewhat monotonous. On the other hand, one who reads the Imaginary Conversations is lifted at once into a calm and noble atmosphere which braces and inspires him, making him forget petty things, like a view from a hilltop. By its combination of lofty thought and severely classic style the book has won, and deserves, a very high place among our literary records.

The same criticism applies to Pericles and Aspasia, which is a series of imaginary letters, telling the experiences of Aspasia, a young lady from Asia Minor, who visits Athens at the summit of its fame and glory, in the great age of Pericles. This is, in our judgment, the best worth reading of all Landor's works. One gets from it not only Landor's classic style, but--what is well worth while--a better picture of Greece in the days of its greatness than can be obtained from many historical volumes.

Summary of the Age of Romanticism. This period extends from the war with the colonies, following the Declaration of Independence, in 1776, to the accession of Victoria in 1837, both limits being very indefinite, as will be seen by a glance at the Chronology following. During the first part of the period especially, England was in a continual turmoil, produced by political and economic agitation at home, and by the long wars that covered two continents and the wide sea between them. The mighty changes resulting from these two causes have given this period the name of the Age of Revolution. The storm center of all the turmoil at home and abroad was the French Revolution, which had a profound influence on the life and literature of all Europe. On the Continent the overthrow of Napoleon at Waterloo (1815) apparently checked the progress of liberty, which had started with the French Revolution,[233] but in England the case was reversed. The agitation for popular liberty, which at one time threatened a revolution, went steadily forward till it resulted in the final triumph of democracy, in the Reform Bill of 1832, and in a number of exceedingly important reforms, such as the extension of manhood suffrage, the removal of the last unjust restrictions against Catholics, the establishment of a national system of schools, followed by a rapid increase in popular education, and the abolition of slavery in all English colonies (1833). To this we must add the changes produced by the discovery of steam and the invention of machinery, which rapidly changed England from an agricultural to a manufacturing nation, introduced the factory system, and caused this period to be known as the Age of Industrial Revolution.

The literature of the age is largely poetical in form, and almost entirely romantic in spirit. For, as we have noted, the triumph of democracy in government is generally accompanied by the triumph of romanticism in literature. At first the literature, as shown especially in the early work of Wordsworth, Byron, and Shelley, reflected the turmoil of the age and the wild hopes of an ideal democracy occasioned by the French Revolution. Later the extravagant enthusiasm subsided, and English writers produced so much excellent literature that the age is often called the Second Creative period, the first being the Age of Elizabeth. The six chief characteristics of the age are: the prevalence of romantic poetry; the creation of the historical novel by Scott; the first appearance of women novelists, such as Mrs. Anne Radcliffe, Jane Porter, Maria Edgeworth, and Jane Austen; the development of literary criticism, in the work of Lamb, De Quincey, Coleridge, and Hazlitt; the practical and economic bent of philosophy, as shown in the work of Malthus, James Mill, and Adam Smith; and the establishment of great literary magazines, like the Edinburgh Review, the Quarterly, Blackwood's, and the Athenaeum.

In our study we have noted (1) the Poets of Romanticism: the importance of the Lyrical Ballads of 1798; the life and work of Wordsworth, Coleridge, Scott, Byron, Shelley, and Keats; (2) the Prose Writers: the novels of Scott; the development of literary criticism; the life and work of the essayists, Lamb, De Quincey, Landor, and of the novelist Jane Austen.

Selections for Reading. Manly's English Poetry and Manly's English Prose (each one vol.) contain good selections from all authors studied. Ward's English Poets (4 vols.), Craik's English Prose Selections (5 vols.), Braithwaite's The Book of Georgian Verse, Page's British Poets of the Nineteenth Century, and Garnett's English Prose from Elizabeth to Victoria, may also be used to advantage. Important works, however, should be read entire in one of the inexpensive school editions given below. (Full titles and publishers may be found in the General Bibliography at the end of this book.)

Wordsworth. Intimations of Immortality, Tintern Abbey, best lyrics and sonnets, in Selections, edited by Dowden (Athenaeum Press Series); selections and short poems, edited by M. Arnold, in Golden Treasury Series; Selections, also in Everyman's Library, Riverside Literature Series, Cassell's National Library, etc.

Coleridge. Ancient Mariner, edited by L. R. Gibbs, in Standard English Classics; same poem, in Pocket Classics, Eclectic English Classics, etc.; Poems, edited by J. M. Hart, in Athenæum Press (announced, 1909); Selections, Golden Book of Coleridge, in Everyman's Library; Selections from Coleridge and Campbell, in Riverside Literature; Prose Selections (Ginn and Company, also Holt); Lectures on Shakespeare, in Everyman's Library, Bohn's Standard Library, etc.

Scott. Lady of the Lake, Marmion, Ivanhoe, The Talisman, Guy Mannering, Quentin Durward. Numerous inexpensive editions of Scott's best poems and novels in Standard English Classics, Pocket Classics, Cassell's National Library, Eclectic English Classics, Everyman's Library, etc.; thus, Lady of the Lake, edited by Edwin Ginn, and Ivanhoe, edited by W. D. Lewis, both in Standard English Classics; Marmion, edited by G. B. Acton, and The Talisman, edited by F. Treudly, in Pocket Classics, etc.

Byron. Mazeppa and The Prisoner of Chillon, edited by S. M. Tucker, in Standard English Classics; short poems, Selections from Childe Harold, etc., in Canterbury Poets, Riverside Literature, Holt's English Readings, Pocket Classics, etc.

Shelley. To a Cloud, To a Skylark, West Wind, Sensitive Plant, Adonais, etc., all in Selections from Shelley, edited by Alexander, in Athenæum Press Series; Selections, edited by Woodberry, in Belles Lettres Series; Selections, also in Pocket Classics, Heath's English Classics, Golden Treasury Series, etc.

Keats. Ode on a Grecian Urn, Eve of St. Agnes, Hyperion, Lamia, To a Nightingale, etc., in Selections from Keats, in Athenæum Press; Selections also in Muses' Library, Riverside Literature, Golden Treasury Series, etc.

Lamb. Essays: Dream Children, Old China, Dissertation on Roast Pig, etc., edited by Wauchope, in Standard English Classics; various essays also in Camelot Series, Temple Classics, Everyman's Library, etc. Tales from Shakespeare, in Home and School Library (Ginn and Company); also in Riverside Literature, Pocket Classics, Golden Treasury, etc.

De Quincey. The English Mail-Coach and Joan of Arc, in Standard English Classics, etc.; Confessions of an English Opium-Eater, in Temple Classics, Morley's Universal Library, Everyman's Library, Pocket Classics, etc.; Selections, edited by M. H. Turk, in Athenæum Press; Selections, edited by B. Perry (Holt).

Landor. Selections, edited by W. Clymer, in Athenæum Press; Pericles and Aspasia, in Camelot Series; Imaginary Conversations, selected (Ginn and Company); the same, 2 vols., in Dutton's Universal Library; selected poems, in Canterbury Poets; selections, prose and verse, in Golden Treasury Series.

Jane Austen. Pride and Prejudice, in Everyman's Library, Pocket Classics, etc.

Bibliography.[234]

History. Text-book, Montgomery, pp. 323-357; Cheyney, 576-632. General Works. Green, X, 2-4, Traill, Gardiner, Macaulay, etc. Special Works. Cheyney's Industrial and Social History of England; Warner's Landmarks of English Industrial History; Hassall's Making of the British Empire; Macaulay's William Pitt; Trevelyan's Early Life of Charles James Fox; Morley's Edmund Burke; Morris's Age of Queen Anne and the Early Hanoverians.

Literature. General Works. Mitchell, Courthope, Garnett and