The Black Opal by Katharine Susannah Prichard (english novels to improve english TXT) π
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Katharine Susannah Prichard was born in 1883 to Australian parents then living in Fiji, but she grew up in Tasmania, lived for a while in both Melbourne and London before finally settling in Western Australia. She was one of the co-founders of the Communist Party of Australia in 1921, and her status as a communist and a female writer led to her being frequently under surveillance and harassment by the Australian police and other government authorities.
She wrote The Black Opal in 1921, and the novel focuses on the very close-knit opal-mining community living and working on Fallen Star Ridge, a fictitious location set in New South Wales, Australia. Life is hard for the miners as their fortunes rise and fall with the amounts and quality of black opal they can uncover. Black opal is a beautiful mineral with fiery gleams of color, much valued for jewelry. Finding productive seams of such opal is a matter of both hard work and good luck.
The novel is a well-drawn study of the relationships of the people living on the Ridge, and the two main characters are portrayed with clarity: Michael Brady, an older man much respected by the other miners for this knowledge and ethical approach, and Sophie Rouminof, a beautiful teenage girl who is the darling of the camp but who abruptly runs away to America after being disappointed in love.
Despite the difficulties the individual miners face, there is a community spirit and an agreement on basic values and principles of behavior at the Ridge. But this community of shared endeavor is eventually jeopardized by the influence of outsiders, in particular an American who wishes to buy up the individual mines, operate them under a company structure, and simply pay the miners a salary. This conflict between capitalism and honest manual labour becomes one of the most important themes of the work.
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- Author: Katharine Susannah Prichard
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By Katharine Susannah Prichard.
Table of Contents Titlepage Imprint Part I I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI Part II I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX Endnotes Colophon Uncopyright ImprintThis ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
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Part I IA string of vehicles moved slowly out of the New Town, taking the road over the long, low slope of the Ridge to the plains.
Nothing was moving on the wide stretch of the plains or under the fine, clear blue sky of early spring, except this train of shabby, dust-covered vehicles. The road, no more than a track of wheels on shingly earth, wound lazily through paper daisies growing in drifts beside it, and throwing a white coverlet to the dim, circling horizon. The faint, dry fragrance of paper daisies was in the air; a native cuckoo calling.
The little girl sitting beside Michael Brady in Newtonβs buggy glanced behind her now and then. Michael was driving the old black horse from the coach stables and Newtonβs bay mare, and Sophie and her father were sitting beside him on the front seat. In the open back of the buggy behind them lay a long box with wreaths and bunches of paper daisies and budda blossoms over it.
Sophie knew all the people on the road, and to whom the horses and buggies they had borrowed belonged. Jun Johnson and Charley Heathfield were riding together in the Afghan storekeeperβs sulky with his fat white pony before them. Anwah Kaked and Mrs. Kaked had the store cart themselves. Watty and Mrs. Frost were on the coach. Ed Ventry was driving them and had put up the second seat for George and Mrs. Woods and Maggie Grant. Peter Newton and Cash Wilson followed in Newtonβs newly varnished black sulky. Sam Nancarrow had given Martha MβCready a lift, and Pony-Fence Inglewood was driving Mrs. Archie and Mrs. Ted Cross in Robbβs old heavy buggy, with the shaggy draught mare used for carting water in the township during the summer, in the shafts. The Flailsβ homemade jinker, whose body was painted a dull yellow, came last of the vehicles on the road. Sophie could just see Arthur Henty and two or three stockmen from Warria riding through a thin haze of red dust. But she knew men were walking two abreast behind the vehicles and horsemenβ βBill Grant, Archie and Ted Cross, and a score of miners from the Three Mile and the Punti rush. At a curve of the road she had seen Snowshoes and Potch straggling along behind the others, the old man stooping to pick wild flowers by the roadside, and Potch plodding on, looking straight in front of him.
Buggies, horses, and people, they had come all the way from her home at the Old Town. Almost everybody who lived on Fallen Star Ridge was there, driving, riding, or walking on the road across the plains behind Michael, her father, and herself. It was all so strange to Sophie; she felt so strange in the black dress she had on and which Mrs. Grant had cut down from one of her own. There was a black ribbon on her old yellow straw hat too, and she had on a pair of black cotton gloves.
Sophie could not believe her mother was what they called βdeadβ; that it was her mother in the box with flowers on just behind her. They had walked along this very road, singing and gathering wild flowers, and had waited to watch the sun set, or the moon rise, so often.
She glanced at her father. He was sitting beside her, a piece of black stuff on his arm and a strip of the same material round his old felt hat. The tears poured down his cheeks, and he shook out the large, new, white handkerchief he had bought at Chassy Robbβs store that morning, and blew his nose every few minutes. He spoke sometimes to Michael; but Michael did not seem to hear him. Michael sat staring ahead, his face as though cut in wood.
Sophie remembered Michael had been with her when Mrs. Grant said.β ββ β¦ Her mind went back over that.
βSheβs dead, Michael,β Mrs. Grant had said.
And she had leaned against the window beside her motherβs bed, crying. Michael was on his knees by the bed. Sophie had thought Michael looked so funny, kneeling like that, with his head in his hands, his great heavy boots jutting up from the floor. The light, coming in through the window near the head of the bed, shone on the nails in the soles of his boots. It was so strange to see these two people whom she knew quite well, and whom she had only seen doing quite
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