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The Dark Paradise Mysteries

by Debra Bokur

The Fire Thief

The Bone Field

THE BONE FIELD

DEBRA BOKUR

www.kensingtonbooks.com

All copyrighted material within is Attributor Protected.

Table of Contents

Title Page

Copyright Page

Dedication

ACKNOWLEDGMENTS

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

CHAPTER 32

CHAPTER 33

Teaser chapter

This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the authorโ€™s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

To the extent that the image or images on the cover of this book depict a person or persons, such person or persons are merely models, and are not intended to portray any character or characters featured in the book.

KENSINGTON BOOKS are published by

Kensington Publishing Corp.

119 West 40th Street

New York, NY 10018

Copyright ยฉ 2021 by Debra A. Bokur-Rawsthorne

All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.

Library of Congress Card Catalogue Number: 2020952451

The K logo is a trademark of Kensington Publishing Corp.

ISBN: 978-1-4967-2775-6

First Kensington Hardcover Edition: June 2021

ISBN-13: 978-1-4967-2777-0 (ebook)

ISBN-10: 1-4967-2777-0 (ebook)

To my son, James Walker McDaniel:

Thank you for inspiring and delighting me each and every

day of your life, and for filling my own with awe and joy.

ACKNOWLEDGMENTS

With my appreciation and deep gratitude to T. Kuโ€˜uipo Alana for her generous assistance and invaluable insight on the spelling and pronunciation of the Hawaiian words, phrases, names, and places that appear in this book, and also in The Fire Thief. My thanks, too, to my family at Kensington, and to my readersโ€”and to the islands of Hawaiโ€˜i for providing endless inspiration.

CHAPTER 1

The midmorning sun hammered down on the old pineapple fieldโ€™s rutted surface, imparting a relentless, blazing glare. The ocean breeze had failed, on a colossal scale, to deliver a cooler version of tropical air over the lip of the coastal cliffs and down into the Palawai Basin plains of Lnaโ€˜i Islandโ€™s central region. It was hot, and it was early, and it was going to get hotter.

Detective Kali Mhoe peered once again into the recesses of the freshly dug trench at her feet. Sheโ€™d been in, out, and around the hole for most of the morning, and her sleeveless green T-shirt, tied in a messy knot just below her breasts, was soaked with sweat. Streaks of dirt partially obscured a tattoo encircling her upper left arm, depicting a stylized, slightly geometric interpretation of a thrusting spear.

At the bottom of the hole in front of her was an old refrigerator, its door flung open and partially resting on the mound of red-tinged dirt that had been created during its excavation. There was a small backhoe parked close by, on loan from the islandโ€™s community cemetery. It was close enough that she could feel the additional heat radiating from the surface of its recently used engine.

The area around the open ground had been enclosed by crime scene tape, while a makeshift tarp on poles covered the hole, tenting it from the unlikely possibility of wind interference on this unusually still morning, and fending off the sunโ€™s glare for the benefit of the police photographer. In place of the abundant natural island light, bright, artificial lights had been set up around the perimeter, angled to illuminate the depths of the hole.

The tarp had proven completely ineffective at providing any semblance of shade. In the trench, Maui medical examiner Mona Stitchardโ€”commonly known as โ€œStitches,โ€ but only behind her backโ€”was kneeling beside the refrigerator, taking measurements and making notes in a small book. Her hooded, sterile white plastic jumpsuit clung to her arms and the sides of her face, held in place against her skin by a layer of perspiration. Kali could see that her narrow eyeglasses were sliding down her nose.

Kali studied the peculiar contents of the open refrigerator, then took a long swig of water from a bottle hooked onto her belt, leaning her head back as a few drops trickled down off the edge of her chin.

Police Captain Walter Alakaโ€™i walked up and stood beside her. He regarded the refrigerator with curiosity, his frown giving way to a row of creases in his wide brow. โ€œWell, I gotta say this is definitely a new one. Any brilliant initial thoughts youโ€™re not sharing?โ€

Kali shook her head, considering the question. โ€œSorry. Nothing yet, beyond the obvious, slightly bizarre component.โ€

She looked away, across the field, and then back down into the hole. What she didnโ€™t say was that she was keenly aware of a residual sadness and loss still clinging to this space, filling the molecules of earth around her feet, newly disturbed after untold years.

Stitches glanced up at Kali and Walter.

โ€œWell, I suppose we all like a challenge.โ€ She waved her arm at a fly buzzing by her face. โ€œAnd this should certainly be interesting.โ€

The three of them regarded the derelict refrigerator. It was an older General Electric model, with a single, large main compartment and a smaller freezer door on the top. The shelves from the main compartment were missing.

โ€œMy mother had a refrigerator like this one,โ€ said Walter, pointing at it with the opened bottle of water he was holding. โ€œAnd a matching stove. She was crazy proud of them. Horrible shade of yellow, if you ask me.โ€

โ€œTechnically, the color is harvest gold,โ€ said Stitches. โ€œHugely popular from the 1960s all the way through the โ€™70s.โ€

Walter

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