Poetry by William Carlos Williams (scary books to read .txt) 📕
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Poems is an anthology of William Carlos Williams’ poetry collections, combining The Tempers (1913), Al Que Quiere! (1917), and Sour Grapes (1921). Williams is recognized as one of the foremost poets of American Modernism. In these collections a reader may perceive Williams’ contact with and subsequent growth through and away from Imagism. The poet’s work asserts a decidedly American approach to Modernism and features highly localized diction and imagery.
William Carlos Williams was born in 1883, grew up in New Jersey, and was educated in Europe and the United States. He was friends with Hilda Doolittle “H. D.” and Ezra Pound, and through these friendships was introduced to Imagism. He eventually broke with the Imagists and invested himself instead in capturing the unique diction and linguistic intermingling of the United States, while remaining committed to the concreteness that characterizes Imagism. A practising doctor, Williams included many images of bodies, sickness, and medical care in his early poems. Williams later claimed there are “no ideas but in things,” a sentiment rooted in both his contact with Imagism and his firm sense of place.
Williams continued to read and respond to expatriate and English Modernism, culminating in his long work Paterson. In his later career Williams influenced postwar literary movements, most notably the Beat Generation. He died in 1963.
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- Author: William Carlos Williams
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That come to you, you having the knowledge
Rather than to those uninitiate—
To you, marvelous old queen, give me always
A new marriage—”
But she laughed loudly—
“A new grip upon those garments that brushed me
In days gone by on beach, lawn, and in forest!
May I be lifted still, up and out of terror,
Up from before the death living around me—
Tom up continually and carried
Whatever way the head of your whim is,
A burr upon those streaming tatters—”
But the night had fallen, she stilled me
And led me away. Paterson—The Strike
At the first peep of dawn she roused me!
I rose trembling at the change which the night saw!
For there, wretchedly brooding in a corner
From which her old eyes glittered fiercely—
“Go!” she said, and I hurried shivering
Out into the deserted streets of Paterson.
That night she came again, hovering
In rags within the filmy ceiling—
“Great Queen, bless me with thy tatters!”
“You are blest, go on!”
“Hot for savagery,
Sucking the air! I went into the city,
Out again, baffled onto the mountain!
Back into the city!
Nowhere
The subtle! Everywhere the electric!”
“A short bread-line before a hitherto empty tea shop:
No questions—all stood patiently,
Dominated by one idea: something
That carried them as they are always wanting to be carried,
‘But what is it,’ I asked those nearest me,
‘This thing heretofore unobtainable
That they seem so clever to have put on now!’
“Why since I have failed them can it be anything but their own brood?
Can it be anything but brutality?
On that at least they’re united! That at least
Is their bean soup, their calm bread and a few luxuries!
“But in me, more sensitive, marvelous old queen
It sank deep into the blood, that I rose upon
The tense air enjoying the dusty fight!
Heavy drink were the low, sloping foreheads
The flat skulls with the unkempt black or blond hair,
The ugly legs of the young girls, pistons
Too powerful for delicacy!
The women’s wrists, the men’s arms, red
Used to heat and cold, to toss quartered beeves
And barrels, and milk-cans, and crates of fruit!
“Faces all knotted up like burls on oaks,
Grasping, fox-snouted, thick-lipped,
Sagging breasts and protruding stomachs,
Rasping voices, filthy habits with the hands.
“Nowhere you! Everywhere the electric!
“Ugly, venemous, gigantic!
Tossing me as a great father his helpless
Infant till it shriek with ecstasy
And its eyes roll and its tongue hangs out!—
“I am at peace again, old queen, I listen clearer now.”
AbroadNever, even in a dream,
Have I winged so high nor so well
As with her, she leading me by the hand,
That first day on the Jersey mountains!
And never shall I forget
The trembling interest with which I heard
Her voice in a low thunder:
“You are safe here. Look child, look open-mouth!
The patch of road between the steep bramble banks;
The tree in the wind, the white house there, the sky!
Speak to men of these, concerning me!
For never while you permit them to ignore me
In these shall the full of my freed voice
Come grappling the ear with intent!
Never while the air’s clear coolness
Is seized to be a coat for pettiness;
Never while richness of greenery
Stands a shield for prurient minds;
Never, permitting these things unchallenged
Shall my voice of leaves and varicolored bark come free through!”
At which, knowing her solitude,
I shouted over the country below me:
“Waken! my people, to the boughs green
With ripening fruit within you!
Waken to the myriad cinquefoil
In the waving grass of your minds!
Waken to the silent phoebe nest
Under the eaves of your spirit!”
But she, stooping nearer the shifting hills
Spoke again. “Look there! See them!
There in the oat field with the horses,
See them there! bowed by their passions
Crushed down, that had been raised as a roof beam!
The weight of the sky is upon them
Under which all roof beams crumble.
There is none but the single roof beam:
There is no love bears against the great firefly!
At this I looked up at the sun
Then shouted again with all the might I had.
But my voice was a seed in the wind.
Then she, the old one, laughing
Seized me and whirling about bore back
To the city, upward, still laughing
Until the great towers stood above the marshland
Wheeling beneath: the little creeks, the mallows
That I picked as a boy, the Hackensack
So quiet that seemed so broad formerly:
The crawling trains, the cedar swamp on the one side—
All so old, so familiar—so new now
To my marvelling eyes as we passed
Invisible.
Eight days went by, eight days
Comforted by no nights, until finally:
“Would you behold yourself old, beloved?”
I was pierced, yet I consented gladly
For I knew it could not be otherwise.
And she—“Behold yourself old!
Sustained in strength, wielding might in gript surges!
Not bodying the sun in weak leaps
But holding way over rockish men
With fern free fingers on their little crags,
Their hollows, the new Atlas, to bear them
For pride and for mockery! Behold
Yourself old! winding with slow might—
A vine among oaks—to the thin tops:
Leaving the leafless leaved,
Bearing purple clusters! Behold
Yourself old! birds are behind you.
You are the wind coming that stills birds,
Shakes the leaves in booming polyphony—
Slow, winning high way amid the knocking
Of boughs, evenly crescendo,
The din and bellow of the male wind!
Leap then from forest into foam!
Lash about from low into high flames
Tipping sound, the female chorus—
Linking all lions, all twitterings
To make them nothing! Behold yourself old!”
As I made to answer she continued,
A little wistfully yet in a voice clear cut:
“Good is my overlip and evil
My underlip to you henceforth:
For I have taken your soul between my two hands
And this shall be as it is spoken.”
And so it came to that last day
When, she leading by the hand, we went out
Early in the morning, I heavy of heart
For I knew the novitiate was ended
The ecstasy was over, the life begun.
In my woolen shirt and the pale blue necktie
My grandmother gave me, there I went
With the old queen right past the houses
Of my friends down the hill to the river
As on any usual day, any errand.
Alone, walking under trees,
I went with her, she with me in her wild hair,
By Santiago Grove and presently
She bent forward and knelt by the river,
The Passaic, that filthy river.
And there dabbling her mad hands,
She called me close beside her.
Raising the water then in the cupped palm
She bathed our brows wailing
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