Poetry by William Carlos Williams (scary books to read .txt) 📕
Description
Poems is an anthology of William Carlos Williams’ poetry collections, combining The Tempers (1913), Al Que Quiere! (1917), and Sour Grapes (1921). Williams is recognized as one of the foremost poets of American Modernism. In these collections a reader may perceive Williams’ contact with and subsequent growth through and away from Imagism. The poet’s work asserts a decidedly American approach to Modernism and features highly localized diction and imagery.
William Carlos Williams was born in 1883, grew up in New Jersey, and was educated in Europe and the United States. He was friends with Hilda Doolittle “H. D.” and Ezra Pound, and through these friendships was introduced to Imagism. He eventually broke with the Imagists and invested himself instead in capturing the unique diction and linguistic intermingling of the United States, while remaining committed to the concreteness that characterizes Imagism. A practising doctor, Williams included many images of bodies, sickness, and medical care in his early poems. Williams later claimed there are “no ideas but in things,” a sentiment rooted in both his contact with Imagism and his firm sense of place.
Williams continued to read and respond to expatriate and English Modernism, culminating in his long work Paterson. In his later career Williams influenced postwar literary movements, most notably the Beat Generation. He died in 1963.
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- Author: William Carlos Williams
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escape upward—
receding, dividing!
—sepals
that guard and contain
the flower!
Observe
how motionless
the eaten moon
lies in the protecting lines.
It is true:
in the light colors
of morning
brown-stone and slate
shine orange and dark blue.
But observe
the oppressive weight
of the squat edifice!
Observe
the jasmine lightness
of the moon.
This plot of ground
facing the waters of this inlet
is dedicated to the living presence of
Emily Richardson Wellcome
who was born in England; married;
lost her husband and with
her five year old son
sailed for New York in a two-master;
was driven to the Azores;
ran adrift on Fire Island shoal,
met her second husband
in a Brooklyn boarding house,
went with him to Puerto Rico
bore three more children, lost
her second husband, lived hard
for eight years in St. Thomas,
Puerto Rico, San Domingo, followed
the oldest son to New York,
lost her daughter, lost her “baby,”
seized the two boys of
the oldest son by the second marriage
mothered them—they being
motherless—fought for them
against the other grandmother
and the aunts, brought them here
summer after summer, defended
herself here against thieves,
storms, sun, fire,
against flies, against girls
that came smelling about, against
drought, against weeds, storm-tides,
neighbors, weasels that stole her chickens,
against the weakness of her own hands,
against the growing strength of
the boys, against wind, against
the stones, against trespassers,
against rents, against her own mind.
She grubbed this earth with her own hands,
domineered over this grass plot,
blackguarded her oldest son
into buying it, lived here fifteen years,
attained a final loneliness and—
If you can bring nothing to this place
but your carcass, keep out.
You exquisite chunk of mud
Kathleen—just like
any other chunk of mud!
—especially in April!
Curl up round their shoes
when they try to step on you,
spoil the polish!
I shall laugh till I am sick
at their amazement.
Do they expect the ground to be
always solid?
Give them the slip then;
let them sit in you;
soil their pants;
teach them a dignity
that is dignity, the dignity
of mud!
Lie basking in
the sun then—fast asleep!
Even become dust on occasion.
I lie here thinking of you:—
the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—
you far off there under
the wine-red selvage of the west!
Even in the time when as yet
I had no certain knowledge of her
She sprang from the nest, a young crow,
Whose first flight circled the forest.
I know now how then she showed me
Her mind, reaching out to the horizon,
She close above the tree tops.
I saw her eyes straining at the new distance
And as the woods fell from her flying
Likewise they fell from me as I followed—
So that I strongly guessed all that I must put from me
To come through ready for the high courses.
But one day, crossing the ferry
With the great towers of Manhattan before me,
Out at the prow with the sea wind blowing,
I had been wearying many questions
Which she had put on to try me:
How shall I be a mirror to this modernity?
When lo! in a rush, dragging
A blunt boat on the yielding river—
Suddenly I saw her! And she waved me
From the white wet in midst of her playing!
She cried me, “Haia! Here I am, son!
See how strong my little finger is!
Can I not swim well?
I can fly too!” And with that a great sea-gull
Went to the left, vanishing with a wild cry—
But in my mind all the persons of godhead
Followed after.
“Come!” cried my mind and by her might
That was upon us we flew above the river
Seeking her, grey gulls among the white—
In the air speaking as she had willed it:
“I am given,” cried I, “now I know it!
I know now all my time is forespent!
For me one face is all the world!
For I have seen her at last, this day,
In whom age in age is united—
Indifferent, out of sequence, marvelously!
Saving alone that one sequence
Which is the beauty of all the world, for surely
Either there in the rolling smoke spheres below us
Or here with us in the air intercircling,
Certainly somewhere here about us
I know she is revealing these things!”
And as gulls we flew and with soft cries
We seemed to speak, flying, “It is she
The mighty, recreating the whole world,
This the first day of wonders!
She is attiring herself before me—
Taking shape before me for worship,
A red leaf that falls upon a stone!
It is she of whom I told you, old
Forgiveless, unreconcilable;
That high wanderer of by-ways
Walking imperious in beggary!
At her throat is loose gold, a single chain
From among many, on her bent fingers
Are rings from which the stones are fallen,
Her wrists wear a diminished state, her ankles
Are bare! Toward the river! Is it she there?”
And we swerved clamorously downward—
“I will take my peace in her henceforth!”
It was then she struck—from behind,
In mid air, as with the edge of a great wing!
And instantly down the mists of my eyes
There came crowds walking—men as visions
With expressionless, animate faces;
Empty men with shell-thin bodies
Jostling close above the gutter,
Hasting—nowhere! And then for the first time
I really saw her, really scented the sweat
Of her presence and—fell back sickened!
Ominous, old, painted—
With bright lips, and lewd Jew’s eyes
Her might strapped in by a corset
To give her age youth, perfect
In her will to be young she had covered
The godhead to go beside me.
Silent, her voice entered at my eyes
And my astonished thought followed her easily:
“Well, do their eyes shine, do their clothes fit?
These live I tell you! Old men with red cheeks,
Young men in gay suits! See them!
Dogged, quivering, impassive—
Well—are these the ones you envied?”
At which I answered her, “Marvelous old queen,
Grant me power to catch something of this day’s
Air and sun into your service!
That these toilers after peace and after pleasure
May turn to you, worshippers at all hours!”
But she sniffed upon the words warily—
Yet I persisted, watching for an answer:
“To you, horrible old woman,
Who know all fires out of the bodies
Of all men that walk with lust at heart!
To you, O mighty, crafty prowler
After the youth of all cities, drunk
With the sight of thy archness! All
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