The Mill on the Floss by George Eliot (best beach reads of all time .txt) 📕
Description
Published in 1860, The Mill on the Floss was the second novel published by George Eliot (the pen name of Mary Ann Evans). Set in the late 1820s or early 1830s, it tells the story of two young people, Tom and Maggie Tulliver, from their childhood into early adulthood. Their father, Jeremy Tulliver, owns Dorlcote Mill on the river Floss, and the children grow to adolescence in relative comfort. However Mr. Tulliver is litigious and initiates an unwise legal suit against a local solicitor, Mr. Wakem. The suit is thrown out and the associated costs throw the Tulliver family into poverty, and they lose possession of the mill.
The main character of the novel is Maggie Tulliver, an intelligent and passionate child and young woman, whose mental, romantic, and moral struggles we follow closely. As in Eliot’s other novels, the author shows a realistic and sympathetic understanding of human behavior.
The Mill on the Floss is regarded as a classic of English literature, and has been made into both a film and a television series.
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- Author: George Eliot
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“Ay, ay, Luke; stop a bit, sit down,” said Mr. Tulliver pointing his stick toward a chair, and looking at him with that pursuant gaze which convalescent persons often have for those who have tended them, reminding one of an infant gazing about after its nurse. For Luke had been a constant night-watcher by his master’s bed.
“How’s the water now, eh, Luke?” said Mr. Tulliver. “Dix hasn’t been choking you up again, eh?”
“No, sir, it’s all right.”
“Ay, I thought not; he won’t be in a hurry at that again, now Riley’s been to settle him. That was what I said to Riley yesterday—I said—”
Mr. Tulliver leaned forward, resting his elbows on the armchair, and looking on the ground as if in search of something, striving after vanishing images like a man struggling against a doze. Maggie looked at Tom in mute distress, their father’s mind was so far off the present, which would by-and-by thrust itself on his wandering consciousness! Tom was almost ready to rush away, with that impatience of painful emotion which makes one of the differences between youth and maiden, man and woman.
“Father,” said Maggie, laying her hand on his, “don’t you remember that Mr. Riley is dead?”
“Dead?” said Mr. Tulliver, sharply, looking in her face with a strange, examining glance.
“Yes, he died of apoplexy nearly a year ago. I remember hearing you say you had to pay money for him; and he left his daughters badly off; one of them is under-teacher at Miss Firniss’s, where I’ve been to school, you know.”
“Ah?” said her father, doubtfully, still looking in her face. But as soon as Tom began to speak he turned to look at him with the same inquiring glances, as if he were rather surprised at the presence of these two young people. Whenever his mind was wandering in the far past, he fell into this oblivion of their actual faces; they were not those of the lad and the little wench who belonged to that past.
“It’s a long while since you had the dispute with Dix, father,” said Tom. “I remember your talking about it three years ago, before I went to school at Mr. Stelling’s. I’ve been at school there three years; don’t you remember?”
Mr. Tulliver threw himself backward again, losing the childlike outward glance under a rush of new ideas, which diverted him from external impressions.
“Ay, ay,” he said, after a minute or two, “I’ve paid a deal o’ money—I was determined my son should have a good eddication; I’d none myself, and I’ve felt the miss of it. And he’ll want no other fortin, that’s what I say—if Wakem was to get the better of me again—”
The thought of Wakem roused new vibrations, and after a moment’s pause he began to look at the coat he had on, and to feel in his side-pocket. Then he turned to Tom, and said in his old sharp way, “Where have they put Gore’s letter?”
It was close at hand in a drawer, for he had often asked for it before.
“You know what there is in the letter, father?” said Tom, as he gave it to him.
“To be sure I do,” said Mr. Tulliver, rather angrily. “What o’ that? If Furley can’t take to the property, somebody else can; there’s plenty o’ people in the world besides Furley. But it’s hindering—my not being well—go and tell ’em to get the horse in the gig, Luke; I can get down to St. Ogg’s well enough—Gore’s expecting me.”
“No, dear father!” Maggie burst out entreatingly; “it’s a very long while since all that; you’ve been ill a great many weeks—more than two months; everything is changed.”
Mr. Tulliver looked at them all three alternately with a startled gaze; the idea that much had happened of which he knew nothing had often transiently arrested him before, but it came upon him now with entire novelty.
“Yes, father,” said Tom, in answer to the gaze. “You needn’t trouble your mind about business until you are quite well; everything is settled about that for the present—about the mill and the land and the debts.”
“What’s settled, then?” said his father, angrily.
“Don’t you take on too much bout it, sir,” said Luke. “You’d ha’ paid iverybody if you could—that’s what I said to Master Tom—I said you’d ha’ paid iverybody if you could.”
Good Luke felt, after the manner of contented hardworking men whose lives have been spent in servitude, that sense of natural fitness in rank which made his master’s downfall a tragedy to him. He was urged, in his slow way, to say something that would express his share in the family sorrow; and these words, which he had used over and over again to Tom when he wanted to decline the full payment of his fifty pounds out of the children’s money, were the most ready to his tongue. They were just the words to lay the most painful hold on his master’s bewildered mind.
“Paid everybody?” he said, with vehement agitation, his face flushing, and his eye lighting up. “Why—what—have they made me a bankrupt?”
“Oh, father, dear father!” said Maggie, who thought that terrible word really represented the fact; “bear it well, because we love you; your children will always love you. Tom will pay them all; he says he will, when he’s
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