Short Fiction by Kate Chopin (love story books to read .txt) 📕
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Kate Chopin’s most famous work nowadays is the novel The Awakening, but at the turn of the last century she was more famous for her short fiction, published in American magazines like the St. Louis Post-Dispatch, Youth’s Companion, and Vogue. A prolific writer, over the course of fourteen years she penned nearly a hundred stories, although many didn’t see publication until a new collection was released in 1963. The stories focus on life in 1890s Louisiana, a setting that she was living in as a resident of New Orleans and Natchitoches. They’re told from many different points of view, but always with empathy for the struggles, both big and small, of the protagonists.
This collection contains the forty-nine short stories of Kate Chopin verified to be in the U.S. public domain, including “Désirée’s Baby” and “The Dream of an Hour.” They’re presented in the order they were originally written.
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- Author: Kate Chopin
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Augustine had sold out the locksmith’s shop and the business, and had removed further down the street over a bakery. Out of her window she had hung a sign, “Blanchisseuse de Fin.” Often, in passing by, Mamzelle Fleurette would catch a glimpse of Augustine up at the window, plying the irons; her sleeves rolled to the elbows, baring her round, white arms, and the little black curls all moist and tangled about her face. It was early spring then, and there was a languor in the air; an odor of jasmine in every passing breeze; the sky was blue, unfathomable, and fleecy white; and people along the narrow street laughed, and sang, and called to one another from windows and doorways. Augustine had set a pot of rose-geranium on her window sill and hung out a bird cage.
Once, Mamzelle Fleurette in passing on her way to confession heard her singing roulades, vying with the bird in the cage. Another time she saw the young woman leaning with half her body from the window, exchanging pleasantries with the baker standing beneath on the banquette.
Still, a little later, Mamzelle Fleurette began to notice a handsome young fellow often passing the store. He was jaunty and debonnaire and wore a rich watchchain, and looked prosperous. She knew him quite well as a fine young Gascon, who kept a stall in the French Market, and from whom she had often bought charcuterie. The neighbors told her the young Gascon was paying his addresses to Mme. Lacodie. Mamzelle Fleurette shuddered. She wondered if Lacodie knew! The whole situation seemed suddenly to shift its base, causing Mamzelle Fleurette to stagger. What ground would her poor heart and soul have to do battle upon now?
She had not yet had time to adjust her conscience to the altered conditions when one Saturday afternoon, as she was about to start out to confession, she noticed an unusual movement down the street. The bellhanger, who happened to be presenting himself in the character of a customer, informed her that it was nothing more nor less than Mme. Lacodie returning from her wedding with the Gascon. He was black and bitter with indignation, and thought she might at least have waited for the year to be out. But the charivari was already on foot; and Mamzelle need not feel alarmed if, in the night, she heard sounds and clamor to rouse the dead as far away as Metairie ridge.
Mamzelle Fleurette sank down in a chair, trembling in all her members. She faintly begged the bell hanger to pour her a glass of water from the stone pitcher behind the counter. She fanned herself and loosened her bonnet strings. She sent the bell hanger away.
She nervously pulled off her rusty black kid gloves, and ten times more nervously drew them on again. To a little customer, who came in for chewing gum, she handed a paper of pins.
There was a great, a terrible upheaval taking place in Mamzelle Fleurette’s soul. She was preparing for the first time in her life to take her conscience into her own keeping.
When she felt herself sufficiently composed to appear decently upon the street, she started out to confession. She did not go to Father Fochelle. She did not even go to the Cathedral; but to a church which was much farther away, and to reach which she had to spend a picayune for car fare.
Mamzelle Fleurette confessed herself to a priest who was utterly new and strange to her. She told him all her little venial sins, which she had much difficulty in bringing to a number of any dignity and importance whatever. Not once did she mention her love for Lacodie, the dead husband of another woman.
Mamzelle Fleurette did not ride back to her home; she walked. The sensation of walking on air was altogether delicious; she had never experienced it before. A long time she stood contemplative before a shop window in which were displayed wreaths, mottoes, emblems, designed for the embellishment of tombstones. What a sweet comfort it would be, she reflected, on the 1st of November to carry some such delicate offering to Lacodie’s last resting place. Might not the sole care of his tomb devolve upon her, after all! The possibility thrilled her and moved her to the heart. What thought would the merry Augustine and her lover-husband have for the dead lying in cemeteries!
When Mamzelle Fleurette reached home she went through the store directly into her little back room. The first thing which she did, even before unpinning the dotted lace veil, was to take the Dictionnaire de La Langue Francaise from beneath the pile of old books on the mantelpiece. It was not easy to find Lacodie’s picture hidden somewhere in its depths. But the search afforded her almost a sensuous pleasure; turning the leaves slowly back and forth.
When she had secured the likeness she went into the store and from her showcase selected a picture frame—the very handsomest there; one of those which sold for thirty-five cents.
Into the frame Mamzelle Fleurette neatly and deftly pasted Lacodie’s picture. Then she re-entered her room and deliberately hung it upon the wall—between the crucifix and the portrait of Empress Eugénie—and she did not care if the Gascon’s wife ever saw it or not.
Odalie Misses MassOdalie sprang down from the mule-cart, shook out her white skirts, and firmly grasping her parasol, which was blue to correspond with her sash, entered Aunt Pinky’s gate and proceeded towards the old woman’s cabin. She was a thick-waisted young thing who walked with a firm tread and carried her head with a determined poise. Her straight brown hair had been rolled up over night in papillotes, and the artificial curls stood out in clusters, stiff and uncompromising beneath the rim of her white chip hat. Her mother, sister and brother remained seated in the cart before the gate.
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