Crime and Punishment by Fyodor Dostoevsky (love novels in english TXT) 📕
Description
Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family.
Dostoevsky’s original idea for the novel centered on the Marmeladov family and the impact of alcoholism in Russia, but inspired by a double murder in France he decided to rework it around the new character of Raskolnikov. The novel was first serialized in The Russian Messenger over the course of 1866, where it was an instant success. It was published in a single volume in 1867. Presented here is Constance Garnett’s 1914 translation.
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- Author: Fyodor Dostoevsky
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“Why, would you go up?”
“I … No, oh, no,” muttered Svidrigaïlov really seeming to be deep in thought.
“What does he mean? Is he in earnest?” Raskolnikov wondered.
“No, the document didn’t restrain me,” Svidrigaïlov went on, meditatively. “It was my own doing, not leaving the country, and nearly a year ago Marfa Petrovna gave me back the document on my name-day and made me a present of a considerable sum of money, too. She had a fortune, you know. ‘You see how I trust you, Arkady Ivanovitch’—that was actually her expression. You don’t believe she used it? But do you know I managed the estate quite decently, they know me in the neighbourhood. I ordered books, too. Marfa Petrovna at first approved, but afterwards she was afraid of my over-studying.”
“You seem to be missing Marfa Petrovna very much?”
“Missing her? Perhaps. Really, perhaps I am. And, by the way, do you believe in ghosts?”
“What ghosts?”
“Why, ordinary ghosts.”
“Do you believe in them?”
“Perhaps not, pour vous plaire. … I wouldn’t say no exactly.”
“Do you see them, then?”
Svidrigaïlov looked at him rather oddly.
“Marfa Petrovna is pleased to visit me,” he said, twisting his mouth into a strange smile.
“How do you mean ‘she is pleased to visit you’?”
“She has been three times. I saw her first on the very day of the funeral, an hour after she was buried. It was the day before I left to come here. The second time was the day before yesterday, at daybreak, on the journey at the station of Malaya Vishera, and the third time was two hours ago in the room where I am staying. I was alone.”
“Were you awake?”
“Quite awake. I was wide awake every time. She comes, speaks to me for a minute and goes out at the door—always at the door. I can almost hear her.”
“What made me think that something of the sort must be happening to you?” Raskolnikov said suddenly.
At the same moment he was surprised at having said it. He was much excited.
“What! Did you think so?” Svidrigaïlov asked in astonishment. “Did you really? Didn’t I say that there was something in common between us, eh?”
“You never said so!” Raskolnikov cried sharply and with heat.
“Didn’t I?”
“No!”
“I thought I did. When I came in and saw you lying with your eyes shut, pretending, I said to myself at once, ‘Here’s the man.’ ”
“What do you mean by ‘the man?’ What are you talking about?” cried Raskolnikov.
“What do I mean? I really don’t know. …” Svidrigaïlov muttered ingenuously, as though he, too, were puzzled.
For a minute they were silent. They stared in each other’s faces.
“That’s all nonsense!” Raskolnikov shouted with vexation. “What does she say when she comes to you?”
“She! Would you believe it, she talks of the silliest trifles and—man is a strange creature—it makes me angry. The first time she came in (I was tired you know: the funeral service, the funeral ceremony, the lunch afterwards. At last I was left alone in my study. I lighted a cigar and began to think), she came in at the door. ‘You’ve been so busy today, Arkady Ivanovitch, you have forgotten to wind the dining-room clock,’ she said. All those seven years I’ve wound that clock every week, and if I forgot it she would always remind me. The next day I set off on my way here. I got out at the station at daybreak; I’d been asleep, tired out, with my eyes half open, I was drinking some coffee. I looked up and there was suddenly Marfa Petrovna sitting beside me with a pack of cards in her hands. ‘Shall I tell your fortune for the journey, Arkady Ivanovitch?’ She was a great hand at telling fortunes. I shall never forgive myself for not asking her to. I ran away in a fright, and, besides, the bell rang. I was sitting today, feeling very heavy after a miserable dinner from a cookshop; I was sitting smoking, all of a sudden Marfa Petrovna again. She came in very smart in a new green silk dress with a long train. ‘Good day, Arkady Ivanovitch! How do you like my dress? Aniska can’t make like this.’ (Aniska was a dressmaker in the country, one of our former serf girls who had been trained in Moscow, a pretty wench.) She stood turning round before me. I looked at the dress, and then I looked carefully, very carefully, at her face. ‘I wonder you trouble to come to me about such trifles, Marfa Petrovna.’ ‘Good gracious, you won’t let one disturb you about anything!’ To tease her I said, ‘I want to get married, Marfa Petrovna.’ ‘That’s just like you, Arkady Ivanovitch; it does you very little credit to come looking for a bride when you’ve hardly buried your wife. And if you could make a good choice, at least, but I know it won’t be for your happiness or hers, you will only be a laughingstock to all good people.’ Then she went out and her train seemed to rustle. Isn’t it nonsense, eh?”
“But perhaps you are telling lies?” Raskolnikov put in.
“I rarely lie,” answered Svidrigaïlov thoughtfully, apparently not noticing the rudeness of the question.
“And in the past, have you ever seen ghosts before?”
“Y-yes, I have seen them, but only once in my life, six years ago. I had a serf, Filka; just after his burial I called out forgetting ‘Filka, my pipe!’ He came in and went to the cupboard where my pipes were. I sat still and thought ‘he is doing it out of revenge,’ because we had a violent quarrel just before his death. ‘How dare you come in with a hole in your elbow?’ I said. ‘Go away, you scamp!’ He turned and went out, and never came again. I didn’t tell Marfa Petrovna at the time. I wanted to have a service sung for him, but I was ashamed.”
“You should go to a doctor.”
“I
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