Crime and Punishment by Fyodor Dostoevsky (love novels in english TXT) 📕
Description
Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family.
Dostoevsky’s original idea for the novel centered on the Marmeladov family and the impact of alcoholism in Russia, but inspired by a double murder in France he decided to rework it around the new character of Raskolnikov. The novel was first serialized in The Russian Messenger over the course of 1866, where it was an instant success. It was published in a single volume in 1867. Presented here is Constance Garnett’s 1914 translation.
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- Author: Fyodor Dostoevsky
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“Why didn’t you ask? What a pity! I’ll find out, though.”
“Did you see him?” asked Raskolnikov after a pause.
“Yes, I noticed him, I noticed him well.”
“You did really see him? You saw him clearly?” Raskolnikov insisted.
“Yes, I remember him perfectly, I should know him in a thousand; I have a good memory for faces.”
They were silent again.
“Hm! … that’s all right,” muttered Raskolnikov. “Do you know, I fancied … I keep thinking that it may have been an hallucination.”
“What do you mean? I don’t understand you.”
“Well, you all say,” Raskolnikov went on, twisting his mouth into a smile, “that I am mad. I thought just now that perhaps I really am mad, and have only seen a phantom.”
“What do you mean?”
“Why, who can tell? Perhaps I am really mad, and perhaps everything that happened all these days may be only imagination.”
“Ach, Rodya, you have been upset again! … But what did he say, what did he come for?”
Raskolnikov did not answer. Razumihin thought a minute.
“Now let me tell you my story,” he began, “I came to you, you were asleep. Then we had dinner and then I went to Porfiry’s, Zametov was still with him. I tried to begin, but it was no use. I couldn’t speak in the right way. They don’t seem to understand and can’t understand, but are not a bit ashamed. I drew Porfiry to the window, and began talking to him, but it was still no use. He looked away and I looked away. At last I shook my fist in his ugly face, and told him as a cousin I’d brain him. He merely looked at me, I cursed and came away. That was all. It was very stupid. To Zametov I didn’t say a word. But, you see, I thought I’d made a mess of it, but as I went downstairs a brilliant idea struck me: why should we trouble? Of course if you were in any danger or anything, but why need you care? You needn’t care a hang for them. We shall have a laugh at them afterwards, and if I were in your place I’d mystify them more than ever. How ashamed they’ll be afterwards! Hang them! We can thrash them afterwards, but let’s laugh at them now!”
“To be sure,” answered Raskolnikov. “But what will you say tomorrow?” he thought to himself. Strange to say, till that moment it had never occurred to him to wonder what Razumihin would think when he knew. As he thought it, Raskolnikov looked at him. Razumihin’s account of his visit to Porfiry had very little interest for him, so much had come and gone since then.
In the corridor they came upon Luzhin; he had arrived punctually at eight, and was looking for the number, so that all three went in together without greeting or looking at one another. The young men walked in first, while Pyotr Petrovitch, for good manners, lingered a little in the passage, taking off his coat. Pulcheria Alexandrovna came forward at once to greet him in the doorway, Dounia was welcoming her brother. Pyotr Petrovitch walked in and quite amiably, though with redoubled dignity, bowed to the ladies. He looked, however, as though he were a little put out and could not yet recover himself. Pulcheria Alexandrovna, who seemed also a little embarrassed, hastened to make them all sit down at the round table where a samovar was boiling. Dounia and Luzhin were facing one another on opposite sides of the table. Razumihin and Raskolnikov were facing Pulcheria Alexandrovna, Razumihin was next to Luzhin and Raskolnikov was beside his sister.
A moment’s silence followed. Pyotr Petrovitch deliberately drew out a cambric handkerchief reeking of scent and blew his nose with an air of a benevolent man who felt himself slighted, and was firmly resolved to insist on an explanation. In the passage the idea had occurred to him to keep on his overcoat and walk away, and so give the two ladies a sharp and emphatic lesson and make them feel the gravity of the position. But he could not bring himself to do this. Besides, he could not endure uncertainty, and he wanted an explanation: if his request had been so openly disobeyed, there was something behind it, and in that case it was better to find it out beforehand; it rested with him to punish them and there would always be time for that.
“I trust you had a favourable journey,” he inquired officially of Pulcheria Alexandrovna.
“Oh, very, Pyotr Petrovitch.”
“I am gratified to hear it. And Avdotya Romanovna is not overfatigued either?”
“I am young and strong, I don’t get tired, but it was a great strain for mother,” answered Dounia.
“That’s unavoidable! our national railways are of terrible length. ‘Mother Russia,’ as they say, is a vast country. … In spite of all my desire to do so, I was unable to meet you yesterday. But I trust all passed off without inconvenience?”
“Oh, no, Pyotr Petrovitch, it was all terribly disheartening,” Pulcheria Alexandrovna hastened to declare with peculiar intonation, “and if Dmitri Prokofitch had not been sent us, I really believe by God Himself, we should have been utterly lost. Here, he is! Dmitri Prokofitch Razumihin,” she added, introducing him to Luzhin.
“I had the pleasure … yesterday,” muttered Pyotr Petrovitch with a hostile glance sidelong at Razumihin; then he scowled and was silent.
Pyotr Petrovitch belonged to that class of persons, on the surface very polite in society, who make a great point of punctiliousness, but who, directly they are crossed in anything, are completely disconcerted, and become more like sacks of flour than elegant and lively men of society. Again all was silent; Raskolnikov was obstinately mute, Avdotya Romanovna was unwilling to open the conversation too soon. Razumihin had nothing to say, so Pulcheria Alexandrovna was anxious again.
“Marfa Petrovna is dead, have you heard?” she began having recourse to her leading item of conversation.
“To be sure, I heard so. I was immediately informed, and I have come to make you acquainted with the fact that
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