Of Human Bondage by W. Somerset Maugham (classic english novels .TXT) ๐
Description
Considered by many to be Maughamโs masterpiece, Of Human Bondage is a semi-autobiographical coming-of-age tale. The novel follows Philip, a sensitive young man interested in literature and art, as he searches for happiness in London and Paris. Philip, the ostensible stand-in for Maugham, suffers from a club foot, a physical representation of the stutter that Maugham himself suffered. Philipโs love life, a central aspect to the book, also mirrors Maughamโs own stormy affairs.
Maugham originally titled the book โBeauty from Ashesโ before settling on the final title, taken from a section of Spinozaโs Ethics in which he discusses how oneโs inability to control oneโs emotions results in a form of bondage.
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- Author: W. Somerset Maugham
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The lecturer came in, Mr. Cameron, a handsome man with white hair and clean-cut features. He called out the long list of names. Then he made a little speech. He spoke in a pleasant voice, with well-chosen words, and he seemed to take a discreet pleasure in their careful arrangement. He suggested one or two books which they might buy and advised the purchase of a skeleton. He spoke of anatomy with enthusiasm: it was essential to the study of surgery; a knowledge of it added to the appreciation of art. Philip pricked up his ears. He heard later that Mr. Cameron lectured also to the students at the Royal Academy. He had lived many years in Japan, with a post at the University of Tokyo, and he flattered himself on his appreciation of the beautiful.
โYou will have to learn many tedious things,โ he finished, with an indulgent smile, โwhich you will forget the moment you have passed your final examination, but in anatomy it is better to have learned and lost than never to have learned at all.โ
He took up the pelvis which was lying on the table and began to describe it. He spoke well and clearly.
At the end of the lecture the boy who had spoken to Philip in the pathological museum and sat next to him in the theatre suggested that they should go to the dissecting-room. Philip and he walked along the corridor again, and an attendant told them where it was. As soon as they entered Philip understood what the acrid smell was which he had noticed in the passage. He lit a pipe. The attendant gave a short laugh.
โYouโll soon get used to the smell. I donโt notice it myself.โ
He asked Philipโs name and looked at a list on the board.
โYouโve got a legโ โnumber four.โ
Philip saw that another name was bracketed with his own.
โWhatโs the meaning of that?โ he asked.
โWeโre very short of bodies just now. Weโve had to put two on each part.โ
The dissecting-room was a large apartment painted like the corridors, the upper part a rich salmon and the dado a dark terra-cotta. At regular intervals down the long sides of the room, at right angles with the wall, were iron slabs, grooved like meat-dishes; and on each lay a body. Most of them were men. They were very dark from the preservative in which they had been kept, and the skin had almost the look of leather. They were extremely emaciated. The attendant took Philip up to one of the slabs. A youth was standing by it.
โIs your name Carey?โ he asked.
โYes.โ
โOh, then weโve got this leg together. Itโs lucky itโs a man, isnโt it?โ
โWhy?โ asked Philip.
โThey generally always like a male better,โ said the attendant. โA femaleโs liable to have a lot of fat about her.โ
Philip looked at the body. The arms and legs were so thin that there was no shape in them, and the ribs stood out so that the skin over them was tense. A man of about forty-five with a thin, gray beard, and on his skull scanty, colourless hair: the eyes were closed and the lower jaw sunken. Philip could not feel that this had ever been a man, and yet in the row of them there was something terrible and ghastly.
โI thought Iโd start at two,โ said the young man who was dissecting with Philip.
โAll right, Iโll be here then.โ
He had bought the day before the case of instruments which was needful, and now he was given a locker. He looked at the boy who had accompanied him into the dissecting-room and saw that he was white.
โMake you feel rotten?โ Philip asked him.
โIโve never seen anyone dead before.โ
They walked along the corridor till they came to the entrance of the school. Philip remembered Fanny Price. She was the first dead person he had ever seen, and he remembered how strangely it had affected him. There was an immeasurable distance between the quick and the dead: they did not seem to belong to the same species; and it was strange to think that but a little while before they had spoken and moved and eaten and laughed. There was something horrible about the dead, and you could imagine that they might cast an evil influence on the living.
โWhat dโyou say to having something to eat?โ said his new friend to Philip.
They went down into the basement, where there was a dark room fitted up as a restaurant, and here the students were able to get the same sort of fare as they might have at an aerated bread shop. While they ate (Philip had a scone and butter and a cup of chocolate), he discovered that his companion was called Dunsford. He was a fresh-complexioned lad, with pleasant blue eyes and curly, dark hair, large-limbed, slow of speech and movement. He had just come from Clifton.
โAre you taking the Conjoint?โ he asked Philip.
โYes, I want to get qualified as soon as I can.โ
โIโm taking it too, but I shall take the F.R.C.S. afterwards. Iโm going in for surgery.โ
Most of the students took the curriculum of the Conjoint Board of the College of Surgeons and the College of Physicians; but the more ambitious or the more industrious added to this the longer studies which led to a degree from the University of London. When Philip went to St. Lukeโs changes had recently been made in the regulations,
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