Madame Bovary by Gustave Flaubert (great reads txt) 📕
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Madame Bovary, often ranked among the greatest novels of all time, is Flaubert’s first novel, and considered to be both his masterpiece and one of the most influential works in literary history, with authors from Henry James to Proust to Nabokov heaping it with praise.
The novel tells the story of Emma Bovary, a commoner wife of a country doctor, and her attempts to escape the drudgery of day-to-day mediocrity by engaging in adulterous affairs and overspending on luxuries. She remains unsatisfied even though her husband adores her and they want for little, and her shallowness eventually leads to their ruin.
The story was first serialized in Revue de Paris, where prosecutors tried to have it censored for obscenity, arguing that not only is the story immoral, but that realism as a literary style is an offence against art and decency. The trial only served to increase the story’s fame, and when it was published as a single novel it quickly became a bestseller.
The novel is groundbreaking in its emphasis on the psychological and emotional lives of its characters. Literature up to then had mostly focusing on the external events that make characters react, instead of focusing on the internal thought processes of those characters. Madame Bovary changed that forever. It was also revolutionary in its criticism of the middle class, which at the time was a still-new social class vying for elbow room between the working poor and hereditary aristocracy. Flaubert critiqued the middle class as being ambitious, shallow, greedy, materialistic, and totally without culture; Emma’s burning desire to reach even higher social strata, contrasted against that satisfaction being fundamentally denied to her by her middle-class nature, is an early echo of Marx’s theory of alienation in industrial societies.
Today Madame Bovary, with its careful but charming description of the banality of everyday life, is considered the first great example of literary realism in fiction novels. Eleanor Marx-Aveling’s translation, though over a hundred years old, is remarkably fresh and smooth, and is a pleasure even for modern readers.
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- Author: Gustave Flaubert
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At daybreak Madame Bovary senior arrived. Charles as he embraced her burst into another flood of tears. She tried, as the chemist had done, to make some remarks to him on the expenses of the funeral. He became so angry that she was silent, and he even commissioned her to go to town at once and buy what was necessary.
Charles remained alone the whole afternoon; they had taken Berthe to Madame Homais’; Félicité was in the room upstairs with Madame Lefrançois.
In the evening he had some visitors. He rose, pressed their hands, unable to speak. Then they sat down near one another, and formed a large semicircle in front of the fire. With lowered faces, and swinging one leg crossed over the other knee, they uttered deep sighs at intervals; each one was inordinately bored, and yet none would be the first to go.
Homais, when he returned at nine o’clock (for the last two days only Homais seemed to have been on the Place), was laden with a stock of camphor, of benzine, and aromatic herbs. He also carried a large jar full of chlorine water, to keep off all miasmata. Just then the servant, Madame Lefrançois, and Madame Bovary senior were busy about Emma, finishing dressing her, and they were drawing down the long stiff veil that covered her to her satin shoes.
Félicité was sobbing—“Ah! my poor mistress! my poor mistress!”
“Look at her,” said the landlady, sighing; “how pretty she still is! Now, couldn’t you swear she was going to get up in a minute?”
Then they bent over her to put on her wreath. They had to raise the head a little, and a rush of black liquid issued, as if she were vomiting, from her mouth.
“Oh, goodness! The dress; take care!” cried Madame Lefrançois. “Now, just come and help,” she said to the chemist. “Perhaps you’re afraid?”
“I afraid?” replied he, shrugging his shoulders. “I dare say! I’ve seen all sorts of things at the hospital when I was studying pharmacy. We used to make punch in the dissecting room! Nothingness does not terrify a philosopher; and, as I often say, I even intend to leave my body to the hospitals, in order, later on, to serve science.”
The curé on his arrival inquired how Monsieur Bovary was, and, on the reply of the druggist, went on—“The blow, you see, is still too recent.”
Then Homais congratulated him on not being exposed, like other people, to the loss of a beloved companion; whence there followed a discussion on the celibacy of priests.
“For,” said the chemist, “it is unnatural that a man should do without women! There have been crimes—”
“But, good heaven!” cried the ecclesiastic, “how do you expect an individual who is married to keep the secrets of the confessional, for example?”
Homais fell foul of the confessional. Bournisien defended it; he enlarged on the acts of restitution that it brought about. He cited various anecdotes about thieves who had suddenly become honest. Military men on approaching the tribunal of penitence had felt the scales fall from their eyes. At Fribourg there was a minister—
His companion was asleep. Then he felt somewhat stifled by the over-heavy atmosphere of the room; he opened the window; this awoke the chemist.
“Come, take a pinch of snuff,” he said to him. “Take it; it’ll relieve you.”
A continual barking was heard in the distance. “Do you hear that dog howling?” said the chemist.
“They smell the dead,” replied the priest. “It’s like bees; they leave their hives on the decease of any person.”
Homais made no remark upon these prejudices, for he had again dropped asleep. Monsieur Bournisien, stronger than he, went on moving his lips gently for some time, then insensibly his chin sank down, he let fall his big black boot, and began to snore.
They sat opposite one another, with protruding stomachs, puffed-up faces, and frowning looks, after so much disagreement uniting at last in the same human weakness, and they moved no more than the corpse by their side, that seemed to be sleeping.
Charles coming in did not wake them. It was the last time; he came to bid her farewell.
The aromatic herbs were still smoking, and spirals of bluish vapour blended at the window-sash with the fog that was coming in. There were few stars, and the night was warm. The wax of the candles fell in great drops upon the sheets of the bed. Charles watched them burn, tiring his eyes against the glare of their yellow flame.
The watering on the satin gown shimmered white as moonlight. Emma was lost beneath it; and it seemed to him that, spreading beyond her own self, she blended confusedly with everything around her—the silence, the night, the passing wind, the damp odours rising from the ground.
Then suddenly he saw her in the garden at Tostes, on a bench against the thorn hedge, or else at Rouen in the streets, on the threshold of their house, in the yard at Bertaux. He again heard the laughter of the happy boys beneath the apple-trees: the room was filled with the perfume of her hair; and her dress rustled in his arms with a noise like electricity. The dress was still the same.
For a long while he thus recalled all his lost joys, her attitudes, her movements, the sound of her voice. Upon one fit of despair followed another, and even others, inexhaustible as the waves of an overflowing sea.
A terrible curiosity seized him. Slowly, with the tips of his fingers, palpitating, he lifted her veil. But he uttered a cry of horror that awoke the other two.
They dragged him down into the sitting-room. Then Félicité came up to say that he wanted some of her hair.
“Cut some off,” replied the druggist.
And as she did not dare to, he himself stepped forward, scissors
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