Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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“You will find an interest in varied experience, my dear, and I have no doubt you will be a more valuable woman for having sustained such a part as you are called to.”
“I cannot pretend to believe that I shall like it,” said Gwendolen, for the first time showing her uncle some petulance. “But I am quite aware that I am obliged to bear it.”
She remembered having submitted to his admonition on a different occasion when she was expected to like a very different prospect.
“And your good sense will teach you to behave suitably under it,” said Mr. Gascoigne, with a shade more gravity. “I feel sure that Mrs. Mompert will be pleased with you. You will know how to conduct yourself to a woman who holds in all senses the relation of a superior to you. This trouble has come on you young, but that makes it in some respects easier, and there is a benefit in all chastisement if we adjust our minds to it.”
This was precisely what Gwendolen was unable to do; and after her uncle was gone, the bitter tears, which had rarely come during the late trouble, rose and fell slowly as she sat alone. Her heart denied that the trouble was easier because she was young. When was she to have any happiness, if it did not come while she was young? Not that her visions of possible happiness for herself were as unmixed with necessary evil as they used to be—not that she could still imagine herself plucking the fruits of life without suspicion of their core. But this general disenchantment with the world—nay, with herself, since it appeared that she was not made for easy preeminence—only intensified her sense of forlornness; it was a visibly sterile distance enclosing the dreary path at her feet, in which she had no courage to tread. She was in that first crisis of passionate youthful rebellion against what is not fitly called pain, but rather the absence of joy—that first rage of disappointment in life’s morning, which we whom the years have subdued are apt to remember but dimly as part of our own experience, and so to be intolerant of its self-enclosed unreasonableness and impiety. What passion seems more absurd, when we have got outside it and looked at calamity as a collective risk, than this amazed anguish that I and not Thou, He or She, should be just the smitten one? Yet perhaps some who have afterward made themselves a willing fence before the breast of another, and have carried their own heart-wound in heroic silence—some who have made their deeds great, nevertheless began with this angry amazement at their own smart, and on the mere denial of their fantastic desires raged as if under the sting of wasps which reduced the universe for them to an unjust infliction of pain. This was nearly poor Gwendolen’s condition. What though such a reverse as hers had often happened to other girls? The one point she had been all her life learning to care for was that it had happened to her: it was what she felt under Klesmer’s demonstration that she was not remarkable enough to command fortune by force of will and merit; it was what she would feel under the rigors of Mrs. Mompert’s constant expectation, under the dull demand that she should be cheerful with three Miss Momperts, under the necessity of showing herself entirely submissive, and keeping her thoughts to herself. To be a queen disthroned is not so hard as some other down-stepping: imagine one who had been made to believe in his own divinity finding all homage withdrawn, and himself unable to perform a miracle that would recall the homage and restore his own confidence. Something akin to this illusion and this helplessness had befallen the poor spoiled child, with the lovely lips and eyes and the majestic figure—which seemed now to have no magic in them.
She rose from the low ottoman where she had been sitting purposeless, and walked up and down the drawing-room, resting her elbow on one palm while she leaned down her cheek on the other, and a slow tear fell. She thought, “I have always, ever since I was little, felt that mamma was not a happy woman; and now I dare say I shall be more unhappy than she has been.”
Her mind dwelt for a few moments on the picture of herself losing her youth and ceasing to enjoy—not minding whether she did this or that: but such picturing inevitably brought back the image of her mother.
“Poor mamma! it will be still worse for her now. I can get a little money for her—that is all I shall care about now.” And then with an entirely new movement of her imagination, she saw her mother getting quite old and white, and herself no longer young but faded, and their two faces meeting still with memory and love, and she knowing what was in her mother’s mind—“Poor Gwen too is sad and faded now”—and then, for the first time, she sobbed, not in anger, but with a sort of tender misery.
Her face was toward the door, and she saw her mother enter. She barely saw that; for her eyes were large with tears, and she pressed her handkerchief against them hurriedly. Before she took it away she felt her mother’s arms round her, and this sensation, which seemed a prolongation of her inward vision, overcame her will to be reticent; she sobbed anew in spite of herself, as they pressed their cheeks together.
Mrs. Davilow had brought something in her hand which had already caused her an agitating anxiety, and she dared not speak until her darling had become calmer. But Gwendolen, with whom weeping had always been a painful manifestation to be resisted, if possible, again pressed her handkerchief against her eyes, and, with a deep breath, drew her head backward and looked at her mother, who
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