The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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Desolately Gloria raised her glance until it fell out across the areaway. But she found she could not see the opposite wall, for her gray eyes were full of tears. She walked into the bedroom, the letter crinkled tightly in her hand, and sank down upon her knees before the long mirror on the wardrobe floor. This was her twenty-ninth birthday, and the world was melting away before her eyes. She tried to think that it had been the makeup, but her emotions were too profound, too overwhelming for any consolation that the thought conveyed.
She strained to see until she could feel the flesh on her temples pull forward. Yes—the cheeks were ever so faintly thin, the corners of the eyes were lined with tiny wrinkles. The eyes were different. Why, they were different! … And then suddenly she knew how tired her eyes were.
“Oh, my pretty face,” she whispered, passionately grieving. “Oh, my pretty face! Oh, I don’t want to live without my pretty face! Oh, what’s happened?”
Then she slid toward the mirror and, as in the test, sprawled face downward upon the floor—and lay there sobbing. It was the first awkward movement she had ever made.
III No Matter!Within another year Anthony and Gloria had become like players who had lost their costumes, lacking the pride to continue on the note of tragedy—so that when Mrs. and Miss Hulme of Kansas City cut them dead in the Plaza one evening, it was only that Mrs. and Miss Hulme, like most people, abominated mirrors of their atavistic selves.
Their new apartment, for which they paid eighty-five dollars a month, was situated on Claremont Avenue, which is two blocks from the Hudson in the dim hundreds. They had lived there a month when Muriel Kane came to see them late one afternoon.
It was a reproachless twilight on the summer side of spring. Anthony lay upon the lounge looking up One Hundred and Twenty-Seventh Street toward the river, near which he could just see a single patch of vivid green trees that guaranteed the brummagem umbrageousness of Riverside Drive. Across the water were the Palisades, crowned by the ugly framework of the amusement park—yet soon it would be dusk and those same iron cobwebs would be a glory against the heavens, an enchanted palace set over the smooth radiance of a tropical canal.
The streets near the apartment, Anthony had found, were streets where children played—streets a little nicer than those he had been used to pass on his way to Marietta, but of the same general sort, with an occasional hand organ or hurdy-gurdy, and in the cool of the evening many pairs of young girls walking down to the corner drugstore for ice cream soda and dreaming unlimited dreams under the low heavens.
Dusk in the streets now, and children playing, shouting up incoherent ecstatic words that faded out close to the open window—and Muriel, who had come to find Gloria, chattering to him from an opaque gloom over across the room.
“Light the lamp, why don’t we?” she suggested. “It’s getting ghostly in here.”
With a tired movement he arose and obeyed; the gray windowpanes vanished. He stretched himself. He was heavier now, his stomach was a limp weight against his belt; his flesh had softened and expanded. He was thirty-two and his mind was a bleak and disordered wreck.
“Have a little drink, Muriel?”
“Not me, thanks. I don’t use it anymore. What’re you doing these days, Anthony?” she asked curiously.
“Well, I’ve been pretty busy with this lawsuit,” he answered indifferently. “It’s gone to the Court of Appeals—ought to be settled up one way or another by autumn. There’s been some objection as to whether the Court of Appeals has jurisdiction over the matter.”
Muriel made a clicking sound with her tongue and cocked her head on one side.
“Well, you tell’em! I never heard of anything taking so long.”
“Oh, they all do,” he replied listlessly; “all will cases. They say it’s exceptional to have one settled under four or five years.”
“Oh …” Muriel daringly changed her tack, “why don’t you go to work, you la‑azy!”
“At what?” he demanded abruptly.
“Why, at anything, I suppose. You’re still a young man.”
“If that’s encouragement, I’m much obliged,” he answered dryly—and then with sudden weariness: “Does it bother you particularly that I don’t want to work?”
“It doesn’t bother me—but, it does bother a lot of people who claim—”
“Oh, God!” he said brokenly, “it seems to me that for three years I’ve heard nothing about myself but wild stories and virtuous admonitions. I’m tired of it. If you don’t want to see us, let us alone. I don’t bother my former friends. But I need no charity calls, and no criticism disguised as good advice—” Then he added apologetically: “I’m sorry—but really, Muriel, you mustn’t talk like a lady slum-worker even if you are visiting the lower middle classes.” He turned his bloodshot eyes on her reproachfully—eyes that had once been a deep, clear blue, that were weak now, strained, and half-ruined from reading when he was drunk.
“Why do you say such awful things?” she protested. “You talk as if you and Gloria were in the middle classes.”
“Why pretend we’re not? I hate people who claim to be great aristocrats when they can’t even keep up the appearances of it.”
“Do you think a person has to have money to be aristocratic?”
Muriel … the horrified democrat … !
“Why, of course. Aristocracy’s only an admission that certain traits which we call fine—courage and honor and beauty and all that sort of thing—can best be developed in a favorable environment, where you don’t have the warpings of ignorance and necessity.”
Muriel bit her lower lip and waved her head from side to side.
“Well, all I say is that if a person comes from a good family they’re always nice people. That’s the trouble with you and Gloria. You think that
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