The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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Throughout the previous winter one small matter had been a subtle and omnipresent irritant—the question of Gloria’s gray fur coat. At that time women enveloped in long squirrel wraps could be seen every few yards along Fifth Avenue. The women were converted to the shape of tops. They seemed porcine and obscene; they resembled kept women in the concealing richness, the feminine animality of the garment. Yet—Gloria wanted a gray squirrel coat.
Discussing the matter—or, rather, arguing it, for even more than in the first year of their marriage did every discussion take the form of bitter debate full of such phrases as “most certainly,” “utterly outrageous,” “it’s so, nevertheless,” and the ultra-emphatic “regardless”—they concluded that they could not afford it. And so gradually it began to stand as a symbol of their growing financial anxiety.
To Gloria the shrinkage of their income was a remarkable phenomenon, without explanation or precedent—that it could happen at all within the space of five years seemed almost an intended cruelty, conceived and executed by a sardonic God. When they were married seventy-five hundred a year had seemed ample for a young couple, especially when augmented by the expectation of many millions. Gloria had failed to realize that it was decreasing not only in amount but in purchasing power until the payment of Mr. Haight’s retaining fee of fifteen thousand dollars made the fact suddenly and startlingly obvious. When Anthony was drafted they had calculated their income at over four hundred a month, with the dollar even then decreasing in value, but on his return to New York they discovered an even more alarming condition of affairs. They were receiving only forty-five hundred a year from their investments. And though the suit over the will moved ahead of them like a persistent mirage and the financial danger-mark loomed up in the near distance they found, nevertheless, that living within their income was impossible.
So Gloria went without the squirrel coat and every day upon Fifth Avenue she was a little conscious of her well-worn, half-length leopard skin, now hopelessly old-fashioned. Every other month they sold a bond, yet when the bills were paid it left only enough to be gulped down hungrily by their current expenses. Anthony’s calculations showed that their capital would last about seven years longer. So Gloria’s heart was very bitter, for in one week, on a prolonged hysterical party during which Anthony whimsically divested himself of coat, vest, and shirt in a theatre and was assisted out by a posse of ushers, they spent twice what the gray squirrel coat would have cost.
It was November, Indian summer rather, and a warm, warm night—which was unnecessary, for the work of the summer was done. Babe Ruth had smashed the home-run record for the first time and Jack Dempsey had broken Jess Willard’s cheekbone out in Ohio. Over in Europe the usual number of children had swollen stomachs from starvation, and the diplomats were at their customary business of making the world safe for new wars. In New York City the proletariat were being “disciplined,” and the odds on Harvard were generally quoted at five to three. Peace had come down in earnest, the beginning of new days.
Up in the bedroom of the apartment on Fifty-Seventh Street Gloria lay upon her bed and tossed from side to side, sitting up at intervals to throw off a superfluous cover and once asking Anthony, who was lying awake beside her, to bring her a glass of ice-water. “Be sure and put ice in it,” she said with insistence; “it isn’t cold enough the way it comes from the faucet.”
Looking through the frail curtains she could see the rounded moon over the roofs and beyond it on the sky the yellow glow from Times Square—and watching the two incongruous lights, her mind worked over an emotion, or rather an interwoven complex of emotions, that had occupied it through the day, and the day before that and back to the last time when she could remember having thought clearly and consecutively about anything—which must have been while Anthony was in the army.
She would be twenty-nine in February. The month assumed an ominous and inescapable significance—making her wonder, through these nebulous half-fevered hours whether after all she had not wasted her faintly tired beauty, whether there was such a thing as use for any quality bounded by a harsh and inevitable mortality.
Years before, when she was twenty-one, she had written in her diary: “Beauty is only to be admired, only to be loved—to be harvested carefully and then flung at a chosen lover like a gift of roses. It seems to me, so far as I can judge clearly at all, that my beauty should be used like that. …”
And now, all this November day, all this desolate day, under a sky dirty and white, Gloria had been thinking that perhaps she had been wrong. To preserve the integrity of her first gift she had looked no more for love. When the first flame and ecstasy had grown dim, sunk down, departed, she had begun preserving—what? It puzzled her that she no longer knew just what she was preserving—a sentimental memory or some profound and fundamental concept of honor. She was doubting now whether there had been any moral issue involved in her way of life—to walk unworried and unregretful along the gayest of all possible lanes and to keep her pride by being always herself and doing what it seemed beautiful that she should do. From the first little boy in an Eton collar whose “girl” she had been, down to the latest casual man whose eyes had grown alert and appreciative as they rested upon her, there was needed only that matchless candor she could throw into a look or clothe with an inconsequent clause—for she had talked always in broken clauses—to weave about her immeasurable illusions, immeasurable distances, immeasurable light. To create souls
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