Harding’s Luck by E. Nesbit (best thriller books to read .TXT) 📕
Description
Harding’s Luck, published in 1909, is the sequel to The House of Arden by E. Nesbit.
Rather darker and more serious in tone than the previous book, this novel is set in England’s Edwardian era, when there was no government-supported welfare and the poor still sometimes starved to death. It centers on young Dickie Harding, a poor, lame orphan boy who is enticed to run away with a disreputable tramp, Mr. Beale. Beale intends to use him to help carry out burglaries (a plot device not dissimilar to that of Oliver Twist). Nevertheless Beale becomes a substitute father-figure to Dickie and a strong mutual affection develops.
The story then introduces a magical device which sends Dickie back in time to the early reign of King James I, where he inhabits the body of the son of the lord of a castle. Despite this new, very comfortable existence, where he is a member of a rich, respected family and no longer lame, Dickie selflessly forces himself to return to his present day because of a promise he had made to Beale and a desire to help Beale lead a more honest life.
Nesbit was a member of the socially-progressive Fabian Society and a friend of H. G. Wells, and it shows in her stories. While Harding’s Luck is primarily a children’s novel, it touches on many deeper themes and comments seriously on the social conditions of the author’s time.
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- Author: E. Nesbit
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“It’s splendid!” said Dickie; “it is an adventure for a bold knight. I shall feel like Here Ward when he dressed in the potter’s clothes and went to see King William.”
He spoke in the book voice.
“There you go,” said Mr. Beale, “but don’t you go and talk to ’em like that if they pinches you; they’d never let you loose again. Think they’d got a marquis in disguise, so they would.”
Dickie thought all day about this great adventure. He did not tell Mr. Beale so, but he was very proud of being so trusted. If you come to think of it, burgling must be a very exciting profession. And Dickie had no idea that it was wrong. It seemed to him a wholly delightful and sporting amusement.
While he was exploring the fox-runs among the thick stems of the grass Mr. Beale lay at full length and pondered.
“I don’t more’n ’arf like it,” he said to himself. “Ho yuss. I know that’s wot I got him for—all right. But ’e’s such a jolly little nipper. I wouldn’t like anything to ’appen to ’im, so I wouldn’t.”
Dickie took his boots off and went to sleep as usual, and in the middle of the night Mr. Beale woke him up and said, “It’s time.”
There was no moon that night, and it was very, very dark. Mr. Beale carried Dickie on his back for what seemed a very long way along dark roads, under dark trees, and over dark meadows. A dark bush divided itself into two parts and one part came surprisingly towards them. It turned out to be the red-whiskered man, and presently from a ditch another man came. And they all climbed a chill, damp park-fence, and crept along among trees and shrubs along the inside of a high park wall. Dickie, still on Mr. Beale’s shoulders, was astonished to find how quietly this big, clumsy-looking man could move.
Through openings in the trees and bushes Dickie could see the wide park, like a spread shadow, dotted with trees that were like shadows too. And on the other side of it the white face of a great house showed only a little paler than the trees about it. There were no lights in the house.
They got quite close to it before the shelter of the trees ended, for a little wood lay between the wall and the house.
Dickie’s heart was beating very fast. Quite soon, now, his part in the adventure would begin.
“ ’Ere—catch ’old,” Mr. Beale was saying, and the red-whiskered man took Dickie in his arms, and went forward. The other two crouched in the wood.
Dickie felt himself lifted, and caught at the windowsill with his hands. It was a damp night and smelled of earth and dead leaves. The windowsill was of stone, very cold. Dickie knew exactly what to do. Mr. Beale had explained it over and over again all day. He settled himself on the broad window-ledge and held on to the iron window-bars while the red-whiskered man took out a pane of glass, with treacle and a handkerchief, so that there should be no noise of breaking or falling glass. Then Dickie put his hand through and unfastened the window, which opened like a cupboard door. Then he put his feet through the narrow space between two bars and slid through. He hung inside with his hands holding the bars, till his foot found the table that he had been told to expect just below, and he got from that to the floor.
“Now I must remember exactly which way to go,” he told himself. But he did not need to remember what he had been told. For quite certainly, and most oddly, he knew exactly where the door was, and when he had crept to it and got it open he found that he now knew quite well which way to turn and what passages to go along to get to that little side-door that he was to open for the three men. It was exactly as though he had been there before, in a dream. He went as quietly as a mouse, creeping on hands and knee, the lame foot dragging quietly behind him.
I will not pretend that he was not frightened. He was, very. But he was more brave than he was frightened, which is the essence of bravery, after all. He found it difficult to breathe quietly, and his heart beat so loudly that he felt almost sure that if any people were awake in the house they would hear it, even upstairs in their beds. But he got to the little side-door, and feeling with sensitive, quick fingers found the well-oiled bolt, and shot it back. Then the chain—holding the loose loop of it in his hand so that it should not rattle, he slipped its ball from the socket. Only the turning of the key remained, and Dickie accomplished that with both hands, for it was a big key, kneeling on his one sound knee. Then very gently he turned the handle, and pulled—and the door opened, and he crept from behind it and felt the cool, sweet air of the night on his face.
It seemed to him that he had never known what silence was before—or darkness. For the door opened into a close box arbor, and no sky could be seen, or
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