The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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“I always say,” she remarked to Anthony, “that Richard is an ancient soul.”
In the tense pause that followed, Anthony considered a pun—something about Dick having been much walked upon.
“We all have souls of different ages,” continued Mrs. Gilbert radiantly; “at least that’s what I say.”
“Perhaps so,” agreed Anthony with an air of quickening to a hopeful idea. The voice bubbled on:
“Gloria has a very young soul—irresponsible, as much as anything else. She has no sense of responsibility.”
“She’s sparkling, Aunt Catherine,” said Richard pleasantly. “A sense of responsibility would spoil her. She’s too pretty.”
“Well,” confessed Mrs. Gilbert, “all I know is that she goes and goes and goes—”
The number of goings to Gloria’s discredit was lost in the rattle of the doorknob as it turned to admit Mr. Gilbert.
He was a short man with a mustache resting like a small white cloud beneath his undistinguished nose. He had reached the stage where his value as a social creature was a black and imponderable negative. His ideas were the popular delusions of twenty years before; his mind steered a wabbly and anaemic course in the wake of the daily newspaper editorials. After graduating from a small but terrifying Western university, he had entered the celluloid business, and as this required only the minute measure of intelligence he brought to it, he did well for several years—in fact until about 1911, when he began exchanging contracts for vague agreements with the moving picture industry. The moving picture industry had decided about 1912 to gobble him up, and at this time he was, so to speak, delicately balanced on its tongue. Meanwhile he was supervising manager of the Associated Mid-Western Film Materials Company, spending six months of each year in New York and the remainder in Kansas City and St. Louis. He felt credulously that there was a good thing coming to him—and his wife thought so, and his daughter thought so too.
He disapproved of Gloria: she stayed out late, she never ate her meals, she was always in a mix-up—he had irritated her once and she had used toward him words that he had not thought were part of her vocabulary. His wife was easier. After fifteen years of incessant guerilla warfare he had conquered her—it was a war of muddled optimism against organized dullness, and something in the number of “yes’s” with which he could poison a conversation had won him the victory.
“Yes-yes-yes-yes,” he would say, “yes-yes-yes-yes. Let me see. That was the summer of—let me see—ninety-one or ninety-two—Yes-yes-yes-yes—”
Fifteen years of yes’s had beaten Mrs. Gilbert. Fifteen further years of that incessant unaffirmative affirmative, accompanied by the perpetual flicking of ash-mushrooms from thirty-two thousand cigars, had broken her. To this husband of hers she made the last concession of married life, which is more complete, more irrevocable, than the first—she listened to him. She told herself that the years had brought her tolerance—actually they had slain what measure she had ever possessed of moral courage.
She introduced him to Anthony.
“This is Mr. Pats,” she said.
The young man and the old touched flesh; Mr. Gilbert’s hand was soft, worn away to the pulpy semblance of a squeezed grapefruit. Then husband and wife exchanged greetings—he told her it had grown colder out; he said he had walked down to a newsstand on Forty-Fourth Street for a Kansas City paper. He had intended to ride back in the bus but he had found it too cold, yes, yes, yes, yes, too cold.
Mrs. Gilbert added flavor to his adventure by being impressed with his courage in braving the harsh air.
“Well, you are spunky!” she exclaimed admiringly. “You are spunky. I wouldn’t have gone out for anything.”
Mr. Gilbert with true masculine impassivity disregarded the awe he had excited in his wife. He turned to the two young men and triumphantly routed them on the subject of the weather. Richard Caramel was called on to remember the month of November in Kansas. No sooner had the theme been pushed toward him, however, than it was violently fished back to be lingered over, pawed over, elongated, and generally devitalized by its sponsor.
The immemorial thesis that the days somewhere were warm but the nights very pleasant was successfully propounded and they decided the exact distance on an obscure railroad between two points that Dick had inadvertently mentioned. Anthony fixed Mr. Gilbert with a steady stare and went into a trance through which, after a moment, Mrs. Gilbert’s smiling voice penetrated:
“It seems as though the cold were damper here—it seems to eat into my bones.”
As this remark, adequately yessed, had been on the tip of Mr. Gilbert’s tongue, he could not be blamed for rather abruptly changing the subject.
“Where’s Gloria?”
“She ought to be here any minute.”
“Have you met my daughter, Mr.—?”
“Haven’t had the pleasure. I’ve heard Dick speak of her often.”
“She and Richard are cousins.”
“Yes?” Anthony smiled with some effort. He was not used to the society of his seniors, and his mouth was stiff from superfluous cheerfulness. It was such a pleasant thought about Gloria and Dick being cousins. He managed within the next minute to throw an agonized glance at his friend.
Richard Caramel was afraid they’d have to toddle off.
Mrs. Gilbert was tremendously sorry.
Mr. Gilbert thought it was too bad.
Mrs. Gilbert had a further idea—something about being glad they’d come, anyhow, even if they’d only seen an old lady way too old to flirt with them. Anthony and Dick evidently considered this a sly sally, for they laughed one bar in three-four time.
Would they come again soon?
“Oh, yes.”
Gloria would be awfully sorry!
“Goodbye—”
“Goodbye—”
Smiles!
Smiles!
Bang!
Two disconsolate young men walking down the tenth-floor corridor of the Plaza in the direction of the elevator.
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