The Song of the Lark by Willa Cather (best reads .TXT) 📕
Description
The Song of the Lark, Willa Cather’s third novel, was written in 1915. It is said to have been inspired by the real-life soprano Olive Fremstad, a celebrated Swedish-American singer who, like the protagonist, was active in New York and Europe during the time period depicted in the novel.
The work explores how an artist’s early life influences their work. In the novel, Thea Kronborg discovers her talent as a singer, and goes on to achieve great fame and success once she leaves her tiny village of Moonstone. Cather eschewed depicting rural life as being idyllic, instead focusing on the conservative, restricted, patriarchal structures that its inhabitants live by. Her work is thus considered to be one of the earliest so-called “Revolt Novels.” She depicts a time at the end of the 19th century when the American West was expanding rapidly and Americans were gaining sophistication in their understanding of culture and artists, particularly compared to Europe. The title of the novel comes from the name of a 1884 painting by Jules Breton, which is described and considered in the book itself.
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- Author: Willa Cather
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Mrs. Archie would not have a servant because, she said, “they ate too much and broke too much”; she even said they knew too much. She used what mind she had in devising shifts to minimize her housework. She used to tell her neighbors that if there were no men, there would be no housework. When Mrs. Archie was first married, she had been always in a panic for fear she would have children. Now that her apprehensions on that score had grown paler, she was almost as much afraid of having dust in the house as she had once been of having children in it. If dust did not get in, it did not have to be got out, she said. She would take any amount of trouble to avoid trouble. Why, nobody knew. Certainly her husband had never been able to make her out. Such little, mean natures are among the darkest and most baffling of created things. There is no law by which they can be explained. The ordinary incentives of pain and pleasure do not account for their behavior. They live like insects, absorbed in petty activities that seem to have nothing to do with any genial aspect of human life.
Mrs. Archie, as Mrs. Kronborg said, “liked to gad.” She liked to have her house clean, empty, dark, locked, and to be out of it—anywhere. A church social, a prayer meeting, a ten-cent show; she seemed to have no preference. When there was nowhere else to go, she used to sit for hours in Mrs. Smiley’s millinery and notion store, listening to the talk of the women who came in, watching them while they tried on hats, blinking at them from her corner with her sharp, restless little eyes. She never talked much herself, but she knew all the gossip of the town and she had a sharp ear for racy anecdotes—“traveling men’s stories,” they used to be called in Moonstone. Her clicking laugh sounded like a typewriting machine in action, and, for very pointed stories, she had a little screech.
Mrs. Archie had been Mrs. Archie for only six years, and when she was Belle White she was one of the “pretty” girls in Lansing, Michigan. She had then a train of suitors. She could truly remind Archie that “the boys hung around her.” They did. They thought her very spirited and were always saying, “Oh, that Belle White, she’s a case!” She used to play heavy practical jokes which the young men thought very clever. Archie was considered the most promising young man in “the young crowd,” so Belle selected him. She let him see, made him fully aware, that she had selected him, and Archie was the sort of boy who could not withstand such enlightenment. Belle’s family were sorry for him. On his wedding day her sisters looked at the big, handsome boy—he was twenty-four—as he walked down the aisle with his bride, and then they looked at each other. His besotted confidence, his sober, radiant face, his gentle, protecting arm, made them uncomfortable. Well, they were glad that he was going West at once, to fulfill his doom where they would not be onlookers. Anyhow, they consoled themselves, they had got Belle off their hands.
More than that, Belle seemed to have got herself off her hands. Her reputed prettiness must have been entirely the result of determination, of a fierce little ambition. Once she had married, fastened herself on someone, come to port—it vanished like the ornamental plumage which drops away from some birds after the mating season. The one aggressive action of her life was over. She began to shrink in face and stature. Of her harum-scarum spirit there was nothing left but the little screech. Within a few years she looked as small and mean as she was.
Thor’s chariot crept along. Thea approached the house unwillingly. She didn’t care about the strawberries, anyhow. She had come only because she did not want to hurt Dr. Archie’s feelings. She not only disliked Mrs. Archie, she was a little afraid of her. While Thea was getting the heavy baby-buggy through the iron gate she heard someone call, “Wait a minute!” and Mrs. Archie came running around the house from the back door, her apron over her head. She came to help with the buggy, because she was afraid the wheels might scratch the paint off the gateposts. She was a skinny little woman with a great pile of frizzy light hair on a small head.
“Dr. Archie told me to come up and pick some strawberries,” Thea muttered, wishing she had stayed at home.
Mrs. Archie led the way to the back door, squinting and shading her eyes with her hand. “Wait a minute,” she said again, when Thea explained why she had come.
She went into her kitchen and Thea sat down on the porch step. When Mrs. Archie reappeared she carried in her hand a little wooden butter-basket trimmed with fringed tissue paper, which she must have brought home from some church supper. “You’ll have to have something to put them in,” she said, ignoring the yawning willow basket which stood empty on Thor’s feet. “You can have this, and you needn’t mind about returning it. You know about not trampling the vines, don’t you?”
Mrs. Archie went back into the house and Thea leaned over in the sand and picked a few strawberries. As soon as she was sure that she was not going to cry, she tossed the little basket into the big one and ran Thor’s buggy along the gravel walk and out of the gate as fast as she could push it. She was angry, and she was ashamed for Dr. Archie. She could not help thinking how
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