The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) 📕
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Author’s Revised Edition published in 1848. The Sketch-Book is the first publication to use Irving’s pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical “The Mutability of Literature” to the eerie and seemingly supernatural “The Legend of Sleepy Hollow,” but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, “The Legend of Sleepy Hollow” and “Rip Van Winkle,” are Irving’s most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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How smoothly would this vagrant brook glide at such times through some bosom of green meadowland among the mountains, where the quiet was only interrupted by the occasional tinkling of a bell from the lazy cattle among the clover or the sound of a woodcutter’s axe from the neighboring forest!
For my part, I was always a bungler at all kinds of sport that required either patience or adroitness, and had not angled above half an hour before I had completely “satisfied the sentiment,” and convinced myself of the truth of Izaak Walton’s opinion, that angling is something like poetry—a man must be born to it. I hooked myself instead of the fish, tangled my line in every tree, lost my bait, broke my rod, until I gave up the attempt in despair, and passed the day under the trees reading old Izaak, satisfied that it was his fascinating vein of honest simplicity and rural feeling that had bewitched me, and not the passion for angling. My companions, however, were more persevering in their delusion. I have them at this moment before eyes, stealing along the border of the brook where it lay open to the day or was merely fringed by shrubs and bushes. I see the bittern rising with hollow scream as they break in upon his rarely-invaded haunt; the kingfisher watching them suspiciously from his dry tree that overhangs the deep black millpond in the gorge of the hills; the tortoise letting himself slip sideways from off the stone or log on which he is sunning himself; and the panic-struck frog plumping in headlong as they approach, and spreading an alarm throughout the watery world around.
I recollect also that, after toiling and watching and creeping about for the greater part of a day, with scarcely any success in spite of all our admirable apparatus, a lubberly country urchin came down from the hills with a rod made from a branch of a tree, a few yards of twine, and, as Heaven shall help me! I believe a crooked pin for a hook, baited with a vile earthworm, and in half an hour caught more fish than we had nibbles throughout the day!
But, above all, I recollect the “good, honest, wholesome, hungry” repast which we made under a beech tree just by a spring of pure sweet water that stole out of the side of a hill, and how, when it was over, one of the party read old Izaak Walton’s scene with the milkmaid, while I lay on the grass and built castles in a bright pile of clouds until I fell asleep. All this may appear like mere egotism, yet I cannot refrain from uttering these recollections, which are passing like a strain of music over my mind and have been called up by an agreeable scene which I witnessed not long since.
In the morning’s stroll along the banks of the Alun, a beautiful little stream which flows down from the Welsh hills and throws itself into the Dee, my attention was attracted to a group seated on the margin. On approaching I found it to consist of a veteran angler and two rustic disciples. The former was an old fellow with a wooden leg, with clothes very much but very carefully patched, betokening poverty honestly come by and decently maintained. His face bore the marks of former storms, but present fair weather, its furrows had been worn into an habitual smile, his iron-gray locks hung about his ears, and he had altogether the good-humored air of a constitutional philosopher who was disposed to take the world as it went. One of his companions was a ragged wight with the skulking look of an arrant poacher, and I’ll warrant could find his way to any gentleman’s fishpond in the neighborhood in the darkest night. The other was a tall, awkward country lad, with a lounging gait, and apparently somewhat of a rustic beau. The old man was busy in examining the maw of a trout which he had just killed, to discover by its contents what insects were seasonable for bait, and was lecturing on the subject to his companions, who appeared to listen with infinite deference. I have a kind feeling towards all “brothers of the angle” ever since I read Izaak Walton. They are men, he affirms, of a “mild, sweet, and peaceable spirit;” and my esteem for them has been increased since I met with an old treatise of fishing with the Angle, in which are set forth many of the maxims of their inoffensive fraternity. “Take good hede,” sayeth this honest little treatise, “that in going about your disportes ye open no man’s gates but that ye shet them again. Also ye shall not use this forsayd crafti disport for no covetousness to the encreasing and sparing of your money only, but principally for your solace, and to cause the helth of your body and specyally of your soule.”57
I thought that I could perceive in the veteran angler before me an exemplification of what I had read; and there was a cheerful contentedness in his looks that quite drew me towards him. I could not but remark the gallant manner in which he stumped from one part of the brook to another, waving his rod in the air to keep the line from dragging on the ground or catching among the bushes, and the adroitness with which he would throw
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