The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) π
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Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Authorβs Revised Edition published in 1848. The Sketch-Book is the first publication to use Irvingβs pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical βThe Mutability of Literatureβ to the eerie and seemingly supernatural βThe Legend of Sleepy Hollow,β but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, βThe Legend of Sleepy Hollowβ and βRip Van Winkle,β are Irvingβs most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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The sudden arrival of orders for the regiment to repair to the Continent completed the confusion of his mind. He remained for a short time in a state of the most painful irresolution; he hesitated to communicate the tidings until the day for marching was at hand, when he gave her the intelligence in the course of an evening ramble.
The idea of parting had never before occurred to her. It broke in at once upon her dream of felicity; she looked upon it as a sudden and insurmountable evil, and wept with the guileless simplicity of a child. He drew her to his bosom and kissed the tears from her soft cheek; nor did he meet with a repulse, for there are moments of mingled sorrow and tenderness which hallow the caresses of affection. He was naturally impetuous, and the sight of beauty apparently yielding in his arms, the confidence of his power over her, and the dread of losing her forever all conspired to overwhelm his better feelings: he ventured to propose that she should leave her home and be the companion of his fortunes.
He was quite a novice in seduction, and blushed and faltered at his own baseness; but so innocent of mind was his intended victim that she was at first at a loss to comprehend his meaning, and why she should leave her native village and the humble roof of her parents. When at last the nature of his proposal flashed upon her pure mind, the effect was withering. She did not weep; she did not break forth into reproach; she said not a word, but she shrunk back aghast as from a viper, gave him a look of anguish that pierced to his very soul, and, clasping her hands in agony, fled, as if for refuge, to her fatherβs cottage.
The officer retired confounded, humiliated, and repentant. It is uncertain what might have been the result of the conflict of his feelings, had not his thoughts been diverted by the bustle of departure. New scenes, new pleasures, and new companions soon dissipated his self-reproach and stifled his tenderness; yet, amidst the stir of camps, the revelries of garrisons, the array of armies, and even the din of battles, his thoughts would sometimes steal back to the scenes of rural quiet and village simplicityβ βthe white cottage, the footpath along the silver brook and up the hawthorn hedge, and the little village maid loitering along it, leaning on his arm and listening to him with eyes beaming with unconscious affection.
The shock which the poor girl had received in the destruction of all her ideal world had indeed been cruel. Faintings and hysterics had at first shaken her tender frame, and were succeeded by a settled and pining melancholy. She had beheld from her window the march of the departing troops. She had seen her faithless lover borne off, as if in triumph, amidst the sound of drum and trumpet and the pomp of arms. She strained a last aching gaze after him as the morning sun glittered about his figure and his plume waved in the breeze; he passed away like a bright vision from her sight, and left her all in darkness.
It would be trite to dwell on the particulars of her after story. It was, like other tales of love, melancholy. She avoided society and wandered out alone in the walks she had most frequented with her lover. She sought, like the stricken deer, to weep in silence and loneliness and brood over the barbed sorrow that rankled in her soul. Sometimes she would be seen late of an evening sitting in the porch of the village church, and the milkmaids, returning from the fields, would now and then overhear her singing some plaintive ditty in the hawthorn walk. She became fervent in her devotions at church, and as the old people saw her approach, so wasted away, yet with a hectic gloom and that hallowed air which melancholy diffuses round the form, they would make way for her as for something spiritual, and looking after her, would shake their heads in gloomy foreboding.
She felt a conviction that she was hastening to the tomb, but looked forward to it as a place of rest. The silver cord that had bound her to existence was loosed, and there seemed to be no more pleasure under the sun. If ever her gentle bosom had entertained resentment against her lover, it was extinguished. She was incapable of angry passions, and in a moment of saddened tenderness she penned him a farewell letter. It was couched in the simplest language, but touching from its very simplicity. She told him that she was dying, and did not conceal from him that his conduct was the cause. She even depicted the sufferings which she had experienced, but concluded with saying that she could not die in peace until she had sent him her forgiveness and her blessing.
By degrees her strength declined that she could no longer leave the cottage. She could only totter to the window, where, propped up in her chair, it was her enjoyment to sit all
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