The Golden Bowl by Henry James (free ebook reader for android TXT) 📕
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In The Golden Bowl, an impoverished Italian aristocrat comes to London to marry a wealthy American, but meets an old mistress before the wedding and spends time with her, helping her pick out a wedding gift. After their marriage, his wife maintains a close relationship with her father, while their own relationship becomes strained.
Completed in 1904, Henry James himself considered The Golden Bowl one of his best novels, and it remains one of critics’ favorites. Along with The Wings of the Dove and The Ambassadors, the novel represents James’ “major phase,” where he returned to the study of Americans abroad, which dominated his earlier career. The novel focuses almost entirely on four central characters, and explores themes of marriage and adultery in an intricate psychological study, which some critics have even suggested anticipates the style of stream-of-consciousness writing.
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- Author: Henry James
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That occasion might have counted for them—she had already often made the reflection—as the first step in an existence more intelligently arranged. It had been an hour from which the chain of causes and consequences was definitely traceable—so many things, and at the head of the list her father’s marriage, having appeared to her to flow from Charlotte’s visit to Fawns, and that event itself having flowed from the memorable talk. But what perhaps most came out in the light of these concatenations was that it had been, for all the world, as if Charlotte had been “had in,” as the servants always said of extra help, because they had thus suffered it to be pointed out to them that if their family coach lumbered and stuck the fault was in its lacking its complement of wheels. Having but three, as they might say, it had wanted another, and what had Charlotte done from the first but begin to act, on the spot, and ever so smoothly and beautifully, as a fourth? Nothing had been, immediately, more manifest than the greater grace of the movement of the vehicle—as to which, for the completeness of her image, Maggie was now supremely to feel how every strain had been lightened for herself. So far as she was one of the wheels she had but to keep in her place; since the work was done for her she felt no weight, and it wasn’t too much to acknowledge that she had scarce to turn round. She had a long pause before the fire during which she might have been fixing with intensity her projected vision, have been conscious even of its taking an absurd, fantastic shape. She might have been watching the family coach pass and noting that, somehow, Amerigo and Charlotte were pulling it while she and her father were not so much as pushing. They were seated inside together, dandling the Principino and holding him up to the windows, to see and be seen, like an infant positively royal; so that the exertion was all with the others. Maggie found in this image a repeated challenge; again and yet again she paused before the fire: after which, each time, in the manner of one for whom a strong light has suddenly broken, she gave herself to livelier movement. She had seen herself at last, in the picture she was studying, suddenly jump from the coach; whereupon, frankly, with the wonder of the sight, her eyes opened wider and her heart stood still for a moment. She looked at the person so acting as if this person were somebody else, waiting with intensity to see what would follow. The person had taken a decision—which was evidently because an impulse long gathering had at last felt a sharpest pressure. Only how was the decision to be applied?—what, in particular, would the figure in the picture do? She looked about her, from the middle of the room, under the force of this question, as if there, exactly, were the field of action involved. Then, as the door opened again, she recognised, whatever the action, the form, at any rate, of a first opportunity. Her husband had reappeared—he stood before her refreshed, almost radiant, quite reassuring. Dressed, anointed, fragrant, ready, above all, for his dinner, he smiled at her over the end of their delay. It was as if her opportunity had depended on his look—and now she saw that it was good. There was still, for the instant, something in suspense, but it passed more quickly than on his previous entrance. He was already holding out his arms. It was, for hours and hours, later on, as if she had somehow been lifted aloft, were floated and carried on some warm high tide beneath which stumbling blocks had sunk out of sight. This came from her being again, for the time, in the enjoyment of confidence, from her knowing, as she believed, what to do. All the next day, and all the next, she appeared to herself to know it. She had a plan, and she rejoiced in her plan: this consisted of the light that, suddenly breaking into her restless reverie, had marked the climax of that vigil. It had come to her as a question—“What if I’ve abandoned them, you know? What if I’ve accepted too passively the funny form of our life?” There would be a process of her own by which she might do differently in respect to Amerigo and Charlotte—a process quite independent of any process of theirs. Such a solution had but to rise before her to affect her, to charm her, with its simplicity, an advantageous simplicity she had been stupid, for so long, not to have been struck by; and the simplicity meanwhile seemed proved by the success that had already begun to attend her. She had only had herself to do something to see how immediately it answered. This consciousness of its having answered with her husband was the uplifting, sustaining wave. He had “met” her—she so put it to herself; met her with an effect of generosity and of gaiety, in especial, on his coming back to her ready for dinner, which she wore in her breast as the token of an escape
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