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had come to ask⁠—to ask what, in their unusually prolonged campaign, the two had achieved. She had got out of her husband, she admitted, what she could, but husbands were never the persons who answered such questions ideally. He had only made her more curious, and she had arrived early, this way, in order to miss as little as possible of Charlotte’s story.

“Wives, papa,” she said; “are always much better reporters⁠—though I grant,” she added for Charlotte, “that fathers are not much better than husbands. He never,” she smiled, “tells me more than a tenth of what you tell him; so I hope you haven’t told him everything yet, since in that case I shall probably have lost the best part of it.” Maggie went, she went⁠—she felt herself going; she reminded herself of an actress who had been studying a part and rehearsing it, but who suddenly, on the stage, before the footlights, had begun to improvise, to speak lines not in the text. It was this very sense of the stage and the footlights that kept her up, made her rise higher: just as it was the sense of action that logically involved some platform⁠—action quite positively for the first time in her life, or, counting in the previous afternoon, for the second. The platform remained for three or four days thus sensibly under her feet, and she had all the while, with it, the inspiration of quite remarkably, of quite heroically improvising. Preparation and practice had come but a short way; her part opened out, and she invented from moment to moment what to say and to do. She had but one rule of art⁠—to keep within bounds and not lose her head; certainly she might see for a week how far that would take her. She said to herself, in her excitement, that it was perfectly simple: to bring about a difference, touch by touch, without letting either of the three, and least of all her father, so much as suspect her hand. If they should suspect they would want a reason, and the humiliating truth was that she wasn’t ready with a reason⁠—not, that is, with what she would have called a reasonable one. She thought of herself, instinctively, beautifully, as having dealt, all her life, at her father’s side and by his example, only in reasonable reasons; and what she would really have been most ashamed of would be to produce for him, in this line, some inferior substitute. Unless she were in a position to plead, definitely, that she was jealous she should be in no position to plead, decently, that she was dissatisfied. This latter condition would be a necessary implication of the former; without the former behind it it would have to fall to the ground. So had the case, wonderfully, been arranged for her; there was a card she could play, but there was only one, and to play it would be to end the game. She felt herself⁠—as at the small square green table, between the tall old silver candlesticks and the neatly arranged counters⁠—her father’s playmate and partner; and what it constantly came back to, in her mind, was that for her to ask a question, to raise a doubt, to reflect in any degree on the play of the others, would be to break the charm. The charm she had to call it, since it kept her companion so constantly engaged, so perpetually seated and so contentedly occupied. To say anything at all would be, in fine, to have to say why she was jealous; and she could, in her private hours, but stare long, with suffused eyes, at that impossibility.

By the end of a week, the week that had begun, especially, with her morning hour, in Eaton Square, between her father and his wife, her consciousness of being beautifully treated had become again verily greater than her consciousness of anything else; and I must add, moreover, that she at last found herself rather oddly wondering what else, as a consciousness, could have been quite so overwhelming. Charlotte’s response to the experiment of being more with her ought, as she very well knew, to have stamped the experiment with the feeling of success; so that if the success itself seemed a boon less substantial than the original image of it, it enjoyed thereby a certain analogy with our young woman’s aftertaste of Amerigo’s own determined demonstrations. Maggie was to have retained, for that matter, more than one aftertaste, and if I have spoken of the impressions fixed in her as soon as she had, so insidiously, taken the field, a definite note must be made of her perception, during those moments, of Charlotte’s prompt uncertainty. She had shown, no doubt⁠—she couldn’t not have shown⁠—that she had arrived with an idea; quite exactly as she had shown her husband, the night before, that she was awaiting him with a sentiment. This analogy in the two situations was to keep up for her the remembrance of a kinship of expression in the two faces in respect to which all she as yet professed to herself was that she had affected them, or at any rate the sensibility each of them so admirably covered, in the same way. To make the comparison at all was, for Maggie, to return to it often, to brood upon it, to extract from it the last dregs of its interest⁠—to play with it, in short, nervously, vaguely, incessantly, as she might have played with a medallion containing on either side a cherished little portrait and suspended round her neck by a gold chain of a firm fineness that no effort would ever snap. The miniatures were back to back, but she saw them forever face to face, and when she looked from one to the other she found in Charlotte’s eyes the gleam of the momentary “What does she really want?” that had come and gone for her in the Prince’s. So again, she

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