Short Fiction by Fritz Leiber (top romance novels .TXT) 📕
Description
Fritz Leiber is most famous for his “Fafhrd and the Gray Mouser” stories, but he also wrote in many other genres. Between 1950 and 1963 he wrote a number of short stories that appeared in Galaxy magazine, including one in the same universe as The Big Time and the Change War stories (“No Great Magic”).
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- Author: Fritz Leiber
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“Nope, Ray,” he said, “she doesn’t even know me. But I don’t think she’s in a position to do any shooting. You’ll see why. Hey, she hasn’t even shut the door. That’s bad.”
He seemed to be referring to a kind of manhole cover standing on its edge just inside the open-walled first story of the cracking plant. He knelt and looked down the hole the cover was designed to close off.
“Well, at least she didn’t collapse at the bottom of the shaft,” he said. “Come on, let’s see what happened.” And he climbed into the shaft.
We followed him like zombies. At least that’s how I felt. The shaft was about twenty feet deep. There were foot- and handholds. It got stuffy right away, and warmer, in spite of the shaft being open at the top.
At the bottom there was a short horizontal passage. We had to duck to get through it. When we could straighten up we were in a large and luxurious bomb-resistant dugout, to give it a name. And it was stuffier and hotter than ever.
There was a lot of scientific equipment around and several small control panels reminding me of the one in the back of the plane. Some of them, I supposed, connected with instruments, weather and otherwise, hidden up in the skeletal structure of the cracking plant. And there were signs of occupancy, a young woman’s occupancy—clothes scattered around in a frivolous way, and some small objects of art, and a slightly more than life-size head in clay that I guessed the occupant must have been sculpting. I didn’t give that last more than the most fleeting look, strictly unintentional to begin with, because although it wasn’t finished I could tell whose head it was supposed to be—the Pilot’s.
The whole place was finished in dull silver like the cabin of the plane, and likewise it instantly struck me as having a living personality, partly the Pilot’s and partly someone else’s—the personality of a marriage. Which wasn’t a bit nice, because the whole place smelt of death.
But to tell the truth I didn’t give the place more than the quickest look-over, because my attention was rivetted almost at once on a long wide couch with the covers kicked off it and on the body there.
The woman was about six feet tall and built like a goddess. Her hair was blonde and her skin tanned. She was lying on her stomach and she was naked.
She didn’t come anywhere near my libido, though. She looked sick to death. Her face, twisted towards us, was hollow-cheeked and flushed. Her eyes, closed, were sunken and dark-circled. She was breathing shallowly and rapidly through her open mouth, gasping now and then.
I got the crazy impression that all the heat in the place was coming from her body, radiating from her fever.
And the whole place stunk of death. Honestly it seemed to me that this dugout was Death’s underground temple, the bed Death’s altar, and the woman Death’s sacrifice. (Had I unconsciously come to worship Death as a god in the Deathlands? I don’t really know. There it gets too deep for me.)
No, she didn’t come within a million miles of my libido, but there was another part of me that she was eating at …
If guilt’s a luxury, then I’m a plutocrat.
… eating at until I was an empty shell, until I had no props left, until I wanted to die then and there, until I figured I had to die …
There was a faint sharp hiss right at my elbow. I looked and found that, unbeknownst to myself, I’d taken the steel cube out of my pocket and holding it snuggled between my first and second fingers I’d punched the button with my thumb just as I’d promised myself I would if I got to really feeling bad.
It goes to show you that you should never give your mind any kind of instructions even half in fun, unless you’re prepared to have them carried out whether you approve later or not.
Pop saw what I’d done and looked at me strangely. “So you had to die after all, Ray,” he said softly. “Most of us find out we have to, one way or another.”
We waited. Nothing happened. I noticed a very faint milky cloud a few inches across hanging in the air by the cube.
Thinking right away of poison gas, I jerked away a little, dispersing the cloud.
“What’s that?” I demanded of no one in particular.
“I’d say,” said Pop, “that that’s something that squirted out of a tiny hole in the side of the cube opposite the button. A hole so nearly microscopic you wouldn’t see it unless you looked for it hard. Ray, I don’t think you’re going to get your baby A-blast, and what’s more I’m afraid you’ve wasted something that’s damn valuable. But don’t let it worry you. Before I dropped those cubes for Atla-Hi I snagged one.”
And darn if he didn’t pull the brother of my cube out of his pocket.
“Alice,” he said, “I noticed a half pint of whiskey in your satchel when we got the salve. Would you put some on a rag and hand it to me.”
Alice looked at him like he was nuts, but while her eyes were looking her pliers and her gloved hand were doing what he told her.
Pop took the rag and swabbed a spot on the sick woman’s nearest buttock and jammed the cube against the spot and pushed the button.
“It’s a jet hypodermic, folks,” he said.
He took the cube away and there was the welt to substantiate his statement.
“Hope we got to her in time,” he said. “The plague is tough. Now I guess there’s nothing for us to do but wait, maybe for quite a while.”
I felt shaken beyond all recognition.
“Pop, you old caveman detective!” I burst out. “When did you
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