Short Fiction by Vsevolod Garshin (always you kirsty moseley TXT) ๐
Description
Vsevolod Garshinโs literary career followed a stint as a infantry soldier and later an officer, and he received both public and critical acclaim in the 1880s. Before his sadly early death at the age of thirty-three after a lifelong battle with mental illness he wrote and published nineteen short stories. He drew on his military career and life in St. Petersburg as initial source material, and his varied cast of characters includes soldiers, painters, architects, madmen, bears, frogs and even flowers and trees. All are written with a depth of feeling and sympathy that marks Garshin out from his contemporaries.
Collected here are the seventeen translations into English by Rowland Smith of Garshinโs short stories and novellas, in chronological order of the original Russian publication.
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- Author: Vsevolod Garshin
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โHas your husband returned?โ he asked. But the woman only made a gesture with her hands, and without saying a word went her way.
Simon had learnt when still a lad to make flutes out of a kind of reed. He used to burn out the heart of the stalk, make holes where necessary, drill them, make a mouthpiece at one end, and tune them so well that it was possible to play almost anything you wanted on them. He made a number of them in his spare time, and sent them by his friends amongst the guards on the goods-trains to the bazaar in the town. He got two kopecks apiece for them. On the day following the visit of the commission he left his wife at home to meet the six oโclock train, and, taking a knife, started off to the forest to cut some sticks. He went to the end of his sectionโ โat this point the line makes a sharp turnโ โwent down the embankment, and went into the wood under the mountain. About half a verst away there was a big marsh, around which there grew splendid bushes out of which to make his flutes. He cut a whole bundle of sticks and started back home. As he went through the wood the sun was already getting low, and in the dead stillness only the twittering of the birds was audible, and the crackle of the dead wood under his feet. As Simon walked along rapidly and easily he fancied he heard the clang of iron striking iron, and he redoubled his pace. There was no repair going on in his section at this time. What did it mean? he wondered. Coming out on to the fringe of the wood, the railway embankment stood high before him; on the top of it a man was squatting on the bed of the line busily engaged in something. Simon commenced to crawl up quietly towards him. He thought that it was someone after the nuts which secure the rails. He watched, and a man got up, holding a crowbar in his hand. He had loosened a rail with it, so that it would move to one side. A mist came before Simonโs eyes; he wanted to cry out, but could not. It was Vassili!โ โโ โฆ Simon scrambled up the bank as Vassili with crowbar and wrench slid headlong down the other side.
โVassili Stepanich! For the love.โ โโ โฆ Old friend! Come back! Give me the crowbar. We will put the rail back; no one will know. Come back! Save your soul from this sin!โ
Vassili did not look back, but disappeared into the wood.
Simon stood before the rail which had been torn up. He threw down his bundle of sticks. A train was due; not a goods-train, but a passenger-train. And he had nothing with which to stop it, no flag. He could not replace the rail and could not drive in the spikes with his bare hands. It was necessary to run, absolutely necessary to run to the hut for some tools. โGod help me!โ he murmured.
Simon started running towards his hut. He was out of breath, but still ran, falling every now and then. He had cleared the forest; there only remained another hundred sajenes to the hut, not more, when he heard the distant hooter of the factory soundโ โsix oโclock! In two minutesโ time No. 7 train was due. โOh, Lord! Have pity on innocent souls!โ In his mind Simon saw the engine strike against the loosened rail with its left wheel, shiver, careen, tear up and splinter the sleepersโ โand just there, there was a curve and the embankment eleven sajenes high, down which the engine would toppleโ โand the third-class carriages would be packedโ โโ โฆ little children.โ โโ โฆ They are all sitting in the train now not dreaming of any danger. โOh, Lord! Tell me what to do!โ โโ โฆ No, it is not possible to run to the hut and get back in time.โ
Simon did not run on to the hut, but turned back and ran faster than before. He was running almost mechanically, blindly; he did not know himself what was to happen. He ran as far as the rail which had been pulled up; his sticks were lying in a heap. He bent down, seized one without knowing why, and ran on farther. It seemed to him that the train was already coming. He heard the distant whistle; he heard the quiet, even tremor of the rails; but his strength was exhausted, he could run no farther, and came to a halt about one hundred sajenes from the awful spot. Then an idea came into his head, literally like a ray of light. Pulling off his cap, he took out of it a cotton scarf, drew his knife out of the upper part of his boot, and crossed himself, muttering, โGod bless me!โ
He buried the knife into his left arm above the elbow; the blood spurted out, flowing in a hot stream. In this he soaked his scarf, smoothed it out, tied it to the stick and hung out his red flag.
He stood waving his flag. The train was already in sight. The driver will not see himโ โwill come close up, and a heavy train cannot be pulled up in a hundred sajenes.
And the blood kept on flowing. Simon kept pressing the sides of the wound together wanting to close it, but the blood did not diminish. Evidently he had cut his arm very deeply. His head commenced to swim, black spots began to dance before his eyes, and then it became dark. There was a ringing in his ears. He could not see the train or hear the noise. Only one thought possessed him. โI shall not be able to keep standing up. I shall fall and drop the
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