Short Fiction by Vladimir Korolenko (ready player one ebook TXT) 📕
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Vladimir Korolenko was a Ukrainian author and humanitarian. His short stories and novellas draw both on the myths and traditions of his birthplace, and his experiences of Siberia as a political exile due to his outspoken criticism of both the Tsars and the Bolsheviks. His first short story was published in 1879, and over the next decade he received many plaudits from critics and other authors, including Chekhov, though he also received some criticism for perceived uneven quality. He continued writing short stories for the rest of his career, but thought of himself more as a journalist and human rights advocate.
Korolenko’s work focuses on the lives and experiences of poor and down-on-their-luck people; this collection includes stories about life on the road (“A Saghálinian” and “Birds of Heaven”), life in the forest (“Makar’s Dream” and “The Murmuring Forest”), religious experience (“The Old Bell-Ringer,” “The Day of Atonement” and “On the Volva”) and many more. Collected here are all of the available public domain translations into English of Korolenko’s short stories and novels, in chronological order of their translated publication. They were translated by Aline Delano, Sergius Stepniak, William Westall, Thomas Seltzer, Marian Fell, Clarence Manning and The Russian Review.
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- Author: Vladimir Korolenko
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Round about, the fires of heaven tore the dark clouds, and out of the howling storm again resounded the powerful voice:
“Whither did your doubts tend, you arrogant sage, who renounce humility, the most beautiful adornment of earthly virtues? You abandoned the friendly shelter of credulous simplicity to wander in the desert of doubt. You have seen this dead space from which the living gods have departed. Will you traverse it, you insignificant worm, who crawl in the dust of your pitiful profanation of the gods? Will you vivify the world? Will you conceive the unknown divinity to whom you do not dare to pray? You miserable digger of dung, soiled by the smut of ruined altars, are you perchance the architect who shall build the new temple? Upon what do you base your hopes, you who disavow the old gods and have no new gods to take their place? The eternal night of doubts unsolved, the dead desert, deprived of the living spirit—this is your world, you pitiful worm, who gnawed at the living belief which was a refuge for simple hearts, who converted the world into a dead chaos. Now, then, where are you, you insignificant, blasphemous sage?”
Nothing was heard but the mighty storm roaring through the spaces. Then the thunder died away, the wind folded its pinions, and torrents of rain streamed through the darkness, like incessant floods of tears which threatened to devour the earth and drown it in a deluge of unquenchable grief.
It seemed to Ctesippus that the master was overcome, and that the fearless, restless, questioning voice had been silenced forever. But a few moments later it issued again from the same spot.
“Your words, son of Cronos, hit the mark better than your thunderbolts. The thoughts you have cast into my terrified soul have haunted me often, and it has sometimes seemed as if my heart would break under the burden of their unendurable anguish. Yes, I abandoned the friendly shelter of credulous simplicity. Yes, I have seen the spaces from which the living gods have departed enveloped in the night of eternal doubt. But I walked without fear, for my ‘Daemon’ lighted the way, the divine beginning of all life. Let us investigate the question. Are not offerings of incense burnt on your altars in the name of Him who gives life? You are stealing what belongs to another! Not you, but that other, is served by credulous simplicity. Yes, you are right, I am no architect. I am not the builder of a new temple. Not to me was it given to raise from the earth to the heavens the glorious structure of the coming faith. I am one who digs dung, soiled by the smut of destruction. But my conscience tells me, son of Cronos, that the work of one who digs dung is also necessary for the future temple. When the time comes for the proud and stately edifice to stand on the purified place, and for the living divinity of the new belief to erect his throne upon it, I, the modest digger of dung, will go to him and say: ‘Here am I who restlessly crawled in the dust of disavowal. When surrounded by fog and soot, I had no time to raise my eyes from the ground; my head had only a vague conception of the future building. Will you reject me, you just one, Just, and True, and Great?’ ”
Silence and astonishment reigned in the spaces. Then Socrates raised his voice, and continued:
“The sunbeam falls upon the filthy puddle, and light vapour, leaving heavy mud behind, rises to the sun, melts, and dissolves in the ether. With your sunbeam you touched my dust-laden soul and it aspired to you, Unknown One, whose name is mystery! I sought for you, because you are Truth; I strove to attain to you, because you are Justice; I loved you, because you are Love; I died for you, because you are the Source of Life. Will you reject me, O Unknown? My torturing doubts, my passionate search for truth, my difficult life, my voluntary death—accept them as a bloodless offering, as a prayer, as a sigh! Absorb them as the immeasurable ether absorbs the evaporating mists! Take them, you whose name I do not know, let not the ghosts of the night I have traversed bar the way to you, to eternal light! Give way, you shades who dim the light of the dawn! I tell you, gods of my people, you are unjust, and where there is no justice there can be no truth, but only phantoms, creations of a dream. To this conclusion have I come, I, Socrates, who sought to fathom all things. Rise, dead mists, I go my way to Him whom I have sought all my life long!”
The thunder burst again—a short, abrupt peal, as if the egis had fallen from the weakened hand of the thunderer. Storm-voices trembled from the mountains, sounding dully in the gorges, and died away in the clefts. In their place resounded other, marvellous tones.
When Ctesippus looked up in astonishment, a spectacle presented itself such as no mortal eyes had ever seen.
The night vanished. The clouds lifted, and godly figures floated in the azure like golden ornaments on the hem of a festive robe. Heroic forms glimmered over the remote crags and ravines, and Elpidias, whose little figure was seen standing at the edge of a cleft in the rocks, stretched his hands toward them, as if beseeching the vanishing gods for a solution of his fate.
A mountain-peak now
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