The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“Why not?”
“Because you’d just be a prey to everybody and anybody.”
“How a prey?”
“They’d come and take everything you’d got.”
“Well, they couldn’t take much even then. I don’t care what they take. I’d rather have a robber who carried me off than a millionaire who gave me everything you can buy.”
“That’s because you are a romanticist.”
“Yes, I am. I want to be romantic. I hate houses that never go away, and people just living in the houses. It’s all so stiff and stupid. I hate soldiers, they are stiff and wooden. What do you fight for, really?”
“I would fight for the nation.”
“For all that, you aren’t the nation. What would you do for yourself?”
“I belong to the nation and must do my duty by the nation.”
“But when it didn’t need your services in particular—when there is no fighting? What would you do then?”
He was irritated.
“I would do what everybody else does.”
“What?”
“Nothing. I would be in readiness for when I was needed.”
The answer came in exasperation.
“It seems to me,” she answered, “as if you weren’t anybody—as if there weren’t anybody there, where you are. Are you anybody, really? You seem like nothing to me.”
They had walked till they had reached a wharf, just above a lock. There an empty barge, painted with a red and yellow cabin hood, but with a long, coal-black hold, was lying moored. A man, lean and grimy, was sitting on a box against the cabin-side by the door, smoking, and nursing a baby that was wrapped in a drab shawl, and looking into the glow of evening. A woman bustled out, sent a pail dashing into the canal, drew her water, and bustled in again. Children’s voices were heard. A thin blue smoke ascended from the cabin chimney, there was a smell of cooking.
Ursula, white as a moth, lingered to look. Skrebensky lingered by her. The man glanced up.
“Good evening,” he called, half impudent, half attracted. He had blue eyes which glanced impudently from his grimy face.
“Good evening,” said Ursula, delighted. “Isn’t it nice now?”
“Ay,” said the man, “very nice.”
His mouth was red under his ragged, sandy moustache. His teeth were white as he laughed.
“Oh, but—” stammered Ursula, laughing, “it is. Why do you say it as if it weren’t?”
“ ’Appen for them as is childt-nursin’ it’s none so rosy.”
“May I look inside your barge?” asked Ursula.
“There’s nobody’ll stop you; you come if you like.”
The barge lay at the opposite bank, at the wharf. It was the Annabel, belonging to J. Ruth of Loughborough. The man watched Ursula closely from his keen, twinkling eyes. His fair hair was wispy on his grimed forehead. Two dirty children appeared to see who was talking.
Ursula glanced at the great lock gates. They were shut, and the water was sounding, spurting and trickling down in the gloom beyond. On this side the bright water was almost to the top of the gate. She went boldly across, and round to the wharf.
Stooping from the bank, she peeped into the cabin, where was a red glow of fire and the shadowy figure of a woman. She did want to go down.
“You’ll mess your frock,” said the man, warningly.
“I’ll be careful,” she answered. “May I come?”
“Ay, come if you like.”
She gathered her skirts, lowered her foot to the side of the boat, and leapt down, laughing. Coal-dust flew up.
The woman came to the door. She was plump and sandy-haired, young, with an odd, stubby nose.
“Oh, you will make a mess of yourself,” she cried, surprised and laughing with a little wonder.
“I did want to see. Isn’t it lovely living on a barge?” asked Ursula.
“I don’t live on one altogether,” said the woman cheerfully.
“She’s got her parlour an’ her plush suite in Loughborough,” said her husband with just pride.
Ursula peeped into the cabin, where saucepans were boiling and some dishes were on the table. It was very hot. Then she came out again. The man was talking to the baby. It was a blue-eyed, fresh-faced thing with floss of red-gold hair.
“Is it a boy or a girl?” she asked.
“It’s a girl—aren’t you a girl, eh?” he shouted at the infant, shaking his head. Its little face wrinkled up into the oddest, funniest smile.
“Oh!” cried Ursula. “Oh, the dear! Oh, how nice when she laughs!”
“She’ll laugh hard enough,” said the father.
“What is her name?” asked Ursula.
“She hasn’t got a name, she’s not worth one,” said the man. “Are you, you fag-end o’ nothing?” he shouted to the baby. The baby laughed.
“No we’ve been that busy, we’ve never took her to th’ registry office,” came the woman’s voice. “She was born on th’ boat here.”
“But you know what you’re going to call her?” asked Ursula.
“We did think of Gladys Em’ly,” said the mother.
“We thought of nowt o’ th’ sort,” said the father.
“Hark at him! What do you want?” cried the mother in exasperation.
“She’ll be called Annabel after th’ boat she was born on.”
“She’s not, so there,” said the mother, viciously defiant.
The father sat in humorous malice, grinning.
“Well, you’ll see,” he said.
And Ursula could tell, by the woman’s vibrating exasperation, that he would never give way.
“They’re all nice names,” she said. “Call her Gladys Annabel Emily.”
“Nay, that’s heavy-laden, if you like,” he answered.
“You see!” cried the woman. “He’s that pigheaded!”
“And she’s so nice, and she laughs, and she hasn’t even got a name,” crooned Ursula to the child.
“Let me hold her,” she added.
He yielded her the child, that smelt of babies. But it had such blue, wide, china blue eyes, and it laughed so oddly, with such a taking grimace, Ursula loved it. She cooed and talked to it. It was such an odd, exciting child.
“What’s your name?” the man suddenly asked of her.
“My name is Ursula—Ursula Brangwen,” she replied.
“Ursula!” he exclaimed, dumbfounded.
“There was a Saint Ursula. It’s a very old name,” she added hastily, in justification.
“Hey, mother!” he called.
There was no answer.
“Pem!” he called, “can’t y’hear?”
“What?” came the short answer.
“What about ‘Ursula’?” he grinned.
“What about what?” came the answer, and the woman
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