The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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“Anthony!” she called after him, “hadn’t you better leave two dollars with me? You’ll only need carfare.”
The outer door slammed—he had pretended not to hear her. She stood for a moment looking after him; then she went into the bathroom among her tragic unguents and began preparations for washing her hair.
Down at Sammy’s he found Parker Allison and Pete Lytell sitting alone at a table, drinking whiskey sours. It was just after six o’clock, and Sammy, or Samuele Bendiri, as he had been christened, was sweeping an accumulation of cigarette butts and broken glass into a corner.
“Hi, Tony!” called Parker Allison to Anthony. Sometimes he addressed him as Tony, at other times it was Dan. To him all Anthonys must sail under one of these diminutives.
“Sit down. What’ll you have?”
On the subway Anthony had counted his money and found that he had almost four dollars. He could pay for two rounds at fifty cents a drink—which meant that he would have six drinks. Then he would go over to Sixth Avenue and get twenty dollars and a pawn ticket in exchange for his watch.
“Well, roughnecks,” he said jovially, “how’s the life of crime?”
“Pretty good,” said Allison. He winked at Pete Lytell. “Too bad you’re a married man. We’ve got some pretty good stuff lined up for about eleven o’clock, when the shows let out. Oh, boy! Yes, sir—too bad he’s married—isn’t it, Pete?”
“ ’Sa shame.”
At half past seven, when they had completed the six rounds, Anthony found that his intentions were giving audience to his desires. He was happy and cheerful now—thoroughly enjoying himself. It seemed to him that the story which Pete had just finished telling was unusually and profoundly humorous—and he decided, as he did every day at about this point, that they were “damn good fellows, by golly!” who would do a lot more for him than anyone else he knew. The pawnshops would remain open until late Saturday nights, and he felt that if he took just one more drink he would attain a gorgeous rose-colored exhilaration.
Artfully, he fished in his vest pockets, brought up his two quarters, and stared at them as though in surprise.
“Well, I’ll be darned,” he protested in an aggrieved tone, “here I’ve come out without my pocketbook.”
“Need some cash?” asked Lytell easily.
“I left my money on the dresser at home. And I wanted to buy you another drink.”
“Oh—knock it.” Lytell waved the suggestion away disparagingly. “I guess we can blow a good fella to all the drinks he wants. What’ll you have—same?”
“I tell you,” suggested Parker Allison, “suppose we send Sammy across the street for some sandwiches and eat dinner here.”
The other two agreed.
“Good idea.”
“Hey, Sammy, wantcha do somep’m for us. …”
Just after nine o’clock Anthony staggered to his feet and, bidding them a thick good night, walked unsteadily to the door, handing Sammy one of his two quarters as he passed out. Once in the street he hesitated uncertainly and then started in the direction of Sixth Avenue, where he remembered to have frequently passed several loan offices. He went by a newsstand and two drugstores—and then he realized that he was standing in front of the place which he sought, and that it was shut and barred. Unperturbed he continued; another one, half a block down, was also closed—so were two more across the street, and a fifth in the square below. Seeing a faint light in the last one, he began to knock on the glass door; he desisted only when a watchman appeared in the back of the shop and motioned him angrily to move on. With growing discouragement, with growing befuddlement, he crossed the street and walked back toward Forty-Third. On the corner near Sammy’s he paused undecided—if he went back to the apartment, as he felt his body required, he would lay himself open to bitter reproach; yet, now that the pawnshops were closed, he had no notion where to get the money. He decided finally that he might ask Parker Allison, after all—but he approached Sammy’s only to find the door locked and the lights out. He looked at his watch; nine-thirty. He began walking.
Ten minutes later he stopped aimlessly at the corner of Forty-Third Street and Madison Avenue, diagonally across from the bright but nearly deserted entrance to the Biltmore Hotel. Here he stood for a moment, and then sat down heavily on a damp board amid some debris of construction work. He rested there for almost half an hour, his mind a shifting pattern of surface thoughts, chiefest among which were that he must obtain some money and get home before he became too sodden to find his way.
Then, glancing over toward the Biltmore, he saw a man standing directly under the overhead glow of the porte-cochère lamps beside a woman in an ermine coat. As Anthony watched, the couple moved forward and signalled to a taxi. Anthony perceived by the infallible identification that lurks in the walk of a friend that it was Maury Noble.
He rose to his feet.
“Maury!” he shouted.
Maury looked in his direction, then turned back to the girl just as the taxi came up into place. With the chaotic idea of borrowing ten dollars, Anthony began to run as fast as he could across Madison Avenue and along Forty-Third Street.
As he came up Maury was standing beside the yawning door of the taxicab. His companion turned and looked curiously at Anthony.
“Hello, Maury!” he said, holding out his hand. “How are you?”
“Fine, thank you.”
Their hands dropped and Anthony hesitated. Maury made no move to introduce him, but only stood there regarding him with an inscrutable feline silence.
“I wanted to see you—” began Anthony uncertainly. He did not feel that he could ask for a loan with the girl not four feet away, so he broke off and made a perceptible motion of his head as if to beckon Maury to one side.
“I’m in rather a big hurry, Anthony.”
“I know—but can you, can you—” Again he
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